The Glorification of Psychological Harm
“Epitaph on a Soldier,” by Cyril Tourneur, an English soldier and diplomat during the 16th and 17th centuries, depicts the honorable death of a soldier during a time when war was glorious and fighting for one’s country was almost customary. Meanwhile, in “The Death of the Ball Turret Gunner,” the 20th century poet Randall Jarrell illustrates a more bleak image of gunner’s blunt and harsh death during World War II, when war became less magnificent and much more brutal. The reassuring and honoring tone in “Epitaph on a Soldier” expresses that the triumphant experiences of war cause a young soldier to become mature so that his life is complete, while the bitter and disturbed tone in “The Death of the Ball Turret Gunner” communicates that a soldier’s grim time in war and subsequent death is, in reality, devoid of all glory and only mentally scars a soldier.
“Epitaph on a
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Although in the literal sense the soldier is “young deprived of death”, he is “aged in virtue,” and, accordingly, like someone who is actually aged, he did not have an “untimely death” (7, 5, 8). While he does not live for as long as most, his life is nevertheless complete because of his experiences in war. Age can be thought of as the gathering of experience throughout one’s life, as a person who has little life experience is affected and reacts to their surroundings and circumstances much differently than someone who has had much more life experience. In this man’s case, his heroic time on the battlefield is what has given him this experience. Tourneur uses this idea to reassure his audience by explaining that although a soldier may lead a short life, his exposure to the glorious conditions of war matures him and grants him a complete
More than 5,000 families in the United States, have sedulous relative fighting for our country’s freedom. Many of those families have not the slightest idea of what war is like, and all of its physical and mental effects. The author uses descriptive words to take the reader on a mental voyage. The soldier keeps a conversationalist tone and uses rhetorical strategies such as imagery and rhetorical questions to show how miserable he is living. The e-mail begins with the solider mentally describing your living area; he describes it like a million dust particles that are glued to you.
In Tim O’Brian’s book, The Things They Carried, he tells the story of Tim who serves in the Vietnam war and is immersed in a war filled with death. O’Brian through his theme of death helps create a story that illustrates the horrors of war, and shows how soldiers carried death both physically and psychologically. For instance, O’Brian conveys how closely war and death are associated together. On page 77, O’Brian writes, “At its core, perhaps, war is just another name for death, and yet any soldier will tell you, if he tells the truth, that proximity to death brings with it corresponding proximity to life” (77). This quote illustrates, how by coming close to dying, one can appreciate life that much more.
A masterpiece in its own right, it reflects a story that illustrates the brave and courageous acts of those who valiantly fought. The soldiers, regardless of which side they represent, pushed through their fear to become men of honor and valor. Many perished and those who survived are cursed to remember it. It reflects the sentiment that “Courage is more than charge; More than dying or suffering. The loss of love in silence or being gallant; It is temperament and, more, wisdom”
In the year 1914, a war started that would turn innocent people against each other, and have aftermaths that include thousands of people dead due to new equipment like tanks, gas attacks, and hand-to-hand combat. In this war there was a soldier named Paul Bäumer who is a German nineteen year old who has made friends that will last a lifetime during this experience, but has also felt immense pain. His daily routine is to sleep, eat, and fight in the trenches, and he experiences death every day. Most soldiers view death as a recurring event, but Paul views it as wretchedness, which makes him different from others by caring about his comrades more than others. Paul shows many qualities through this experience of being a soldier in the First World War, and he learns what is necessary in life, which takes some people years to figure out.
When faced with war soldiers change, for better or for worse. Modern culture celebrates the glory of patriotic sacrifice. However, this celebration often leaves out the gritty details and trauma of violence behind war and the way it affects people. Homer’s The Odyssey and William Wyler’s The Best Years of Our Lives clearly discuss these details. Both debate the long-awaited return of warriors that went off to fight a war and the way the experience changes the protagonists.
In the book Fallen Angels Walter Dean Myers tells the story of soldiers who struggles with a problem involving what is right and wrong in war. Fallen Angels set in Vietnam during the Vietnam war, the story introduces the main character Perry, who faces obstacles, including death and killing. The author’s use of literary devices, specifically imagery, irony, and metaphors convey the theme warfare often forces soldiers to reconsider their traditional notions of right and wrong. The author employs imagery to express the theme that warfare often forces soldiers to reconsider their traditional notions of right and wrong.
We live in a world where we have to hide to make love, while violence is practiced in broad daylight. John Lennon. Based on his own reading and reflection, Bruce Dawe constructs his attitudes towards war in his poems, Homecoming and Weapons Training, believing it to be lacking sense historically and ultimately futile. By specifically addressing an Australian cultural context, the poet exposes a universal appeal in that the insensitivity and anonymity are common attitudes towards soldiers during war. Dawe clearly expresses his ‘anti-war sentiment’ through his use of language and imagery as he examines the dehumanising aspects of war and its brutal reality.
Almost all of the chapters in this book are narrated in a unique way. O’Brien emphasizes the theme of shame in his novel. The author uses this word in many different cases, the majority of which are connected to war and its characteristics. O’Brien argues that a soldier’s greatest motivation for going to and staying in the war is a fear of shame, even though many other factors can be considered as well like women.
A Dead Man’s Mission War is a harsh element to endure, especially when your life you can expect your life to be over quick if you land the job of the ball turret gunner. Randall Jarrell wrote The Death of the Ball Turret Gunner is with he addresses a certain roll on a bomber plane that was known to be the deadliest place to be. The position was the ball turret gunner, this is a bubble on the bottom of a bomber plane where a man would hang upside down with a turret gun ready to shoot down any enemy planes trying to shoot down the bomber plane. The problem with this is being upside causes blood to flow to the head with usually lead to fainting. Jarrell during WWII enlisted in the Air Force and served a brief time as a pilot, the rest of the time during the war he trained men to fly the bomber planes.
Every person of the world has their own opinions of soldiers. Directors, authors, and artists show their ideas of soldiers and how they are portrayed through their work. The texts “Who’s for the Game?” by Jessie Pope, “Dulce et Decorum Est” by Wilfred Owen,“Hero of War” by Rise Against, and “[Swastika] Marks the spot” by the War production board of 1918-1947 are good examples of texts that show, despite having opposing ideas of soldiers, that war will change you. Regardless of your duties during the war, if you are a soldier, nurse, or a civilian, you will be either changed for better or worse. “Who’s for the Game?”
The True Weight of War “The Things They Carried,” by Tim O’Brien, brings to light the psychological impact of what soldiers go through during times of war. We learn that the effects of traumatic events weigh heavier on the minds of men than all of the provisions and equipment they shouldered. Wartime truly tests the human body and and mind, to the point where some men return home completely destroyed. Some soldiers have been driven to the point of mentally altering reality in order to survive day to day. An indefinite number of men became numb to the deaths of their comrades, and yet secretly desired to die and bring a conclusion to their misery.
Siegfried Sassoon takes on a narrative style in his poem “The Rear-Guard”, and combines it with complex syntax to portray the speaker’s horrific experiences throughout war. The poem exposes a soldier’s experience of finding the violent battlefield above through the death-filled tunnels. Pairing the speaker’s point of view with specific word choice clearly demonstrates the excruciating mental and physical pain being a soldier inflicts, and leaves a glooming effect on the reader. Sassoon fills the poem with explicit imagery to reveal the pacifist theme he is trying to convey. Sassoon wants the audience to realize that war and violence is not the solution, and he reveals this through his poetry.
Those involved in war must pay a physical, emotional, and psychological tax. In the Vietnam War, this tax was greater than ever and weighed more once the war was over. The impact is not easily forgotten and though attempts are made to heal, war haunts the psyche of those who survive it. In the case of Tim O’Brien and Yusuf Komunyakaa, it took nearly two decades to put pen to paper and write about the experience. Luckily, their time in Vietnam eventually lead to powerful work such as O’Brien’s “The Things They Carried” and Komunyakaa’s “Facing It”.
The Soldier’s lack of emotion throughout the short story “A Mystery of Heroism” highly contradicts the emotion of the soldiers in the poem, “War is Kind.” In the short story, soldiers are falling to their death,
Sights you see, events you take part in, people you kill never really seem to leave your conscious and sometimes haunt you. This eats away at the sanity of many soldiers who’ve seen the face of the the fight. Joseph Robertson, a WWII veteran, clearly recalls a time from the war when he killed a young german boy. He described the boy he killed as a “blonde, blue eyes, fair skin, so handsome he was like a little angel(German in the Woods). Joseph, at the age of eighty six, still would wake up during the night crying over the german boy he killed and claimed that specific memory the saddest in his lifetime.