In both ‘Digging’ and ‘Follower’, Heaney creates a tone of respect and admiration for his father and grandfather that permeate all aspects of the poems. He portrays them as being strong, skilful and dedicated; this is achieved through the use of vivid descriptions, structure and careful placement of words with connotations. In ‘Follower’, Heaney portrays his father as skilled and knowledgeable. Throughout out the poem, Heaney uses specialized terms to describe his father’s job, such as ‘shafts’, ‘wing’ and ‘sock’. As this is vocabulary very niche, it suggest that the father knows his trade well, and is professional in how he goes about his work. These specific terms also tell the reader that he is also very knowledgeable and experienced in …show more content…
The use of plosive alliteration in the phrase ‘buried the bright edge deep’ echoes the physical power and stamina required to shift the ‘turf’. Similarly the use of enjambment in the phrase ‘Heaving sods / over his shoulder’ affirms not only the arduous action of the digging but also how it is a continuous process making it seem even more exhausting. This tiring work is further asserted with the use of active verbs, such as ‘digging’, ‘slicing’ and ‘nicking’ which show just how laborious the work is. These actions also suggest a sense of confidence with his method as he carries out all the processes needed to dig the turf. The harsh syllable sounds are almost onomatopoeic in its rhythmic effect – they allow the reader to imagine the digging and turning over of the turf. Heaney emphasizes his father’s efficiency with the use of the phrase ‘stoops in rhythm’, along with the general rhythm of the poem. These create the effect of his father being fluid, regular and continuous with his movement, bringing to mind the motion of a machine. To finish off the image of a well-rounded talented man, Heaney ties it in with his admiration. The caesura and emphatic placement of the phrase ‘By God’. This colloquial phrase has a dramatic quality to it, encouraging the reader to pause and share with Heaney the realization of what a truly talented man his father
Olds also uses vivid descriptions in order to inject a realistic approach into the poem. Olds beginning of similes start in the seventh line of the poem and is used to show the similarities between the bodies of gravediggers’ preparation to be buried and a tree’s preparation for life. The speaker says, “ They lay on the soil, some of them wrapped in dark cloth bound with rope like the tree’s ball of roots when it waits to be planted”(Olds Lines 5-8). After the gravediggers’ fight against starvation they are taken on a “child’s sled” to a cemetery (Olds Line 4). The “child’s sled” as being a
Tradition symbolizes how the father is compelled by his line of work because he never had the chance to get out and get a better education, to do what he actually wanted to do in life. He
In Seamus Heaney’s translated poem, Beowulf, the phrase “keenest to win fame” criticizes Beowulf’s selfish actions and motivations during his reign as king. Beowulf expresses his prideful motives often throughout his journey, namely when he fights Grendel and as well as when he discusses his encounters with the dangerous sea monsters. For instance, when Beowulf volunteers to fight Grendel and reform the Dane society, he “renounce[d] / sword and the shelter of the broad shield, / the heavy-war board; hand-to-hand / is how it will be…” (436-439). Beowulf’s refusal to fight with protection and weapons displays his confidence and arrogance. Instead of defeating Grendel with an immense army and weapons which is more tactical and more likely to succeed,
In these small portion there are several fricatives and plosives and a liquid ending. He starts with a few fricatives to speed up the pace of the poem. After the word “wrench” he shifts the tone to plosives with the words “band saw” and “ball pen.” These words give the poem a commanding feeling as well as power.
Timothy Steele’s “The Skimming Stone”— Pondering the Meaning of a Friend’s Early Death In Timothy Steele’s Sapphics and Uncertainties, “The Skimming Stone” reminds readers on how death can take hold of someone anytime and how precious friendships are. This is a sonnet dedicated to Steele’s dearest friend Billy Knight, who died of a heart attack at a young age of thirty-eight. In this sonnet, Steele, as the poetic speaker, reflects back at a certain part of time in his past when he witnessed his friend Knight pockets a smooth stone. What was the significance of that very action? The poetic speaker is left pondering whether it was, perhaps, a foreshadowing of his friend sensing his early death in life and that stone for him became a significant
In “Golden Glade” Warren uses the literary elements of similes, alliteration, and word choice to create an overall image that conveys his ideas. The speaker recalls an adventure he had as boy where he strolls through the woods, a “heart aimless as rifle, boy blankness of mood” (3). The simile emphasizes the innocence of youth and the idea that children find satisfaction in simply exploring without any intention of finding a specific location. As the boy continues to wander he passes a gorge with “foam white on/wet stone, stone wet-black, white water tumbling” (7-8) The alliteration provides a rhythm that imitates the flow of the stream as it trickles through the rocks which increases the vividity of the image of the gorge. When the speaker
This proves that Jack is confident about poetry because he is being inspired by other poetics and he is now starting to write his own poems. Throughout the book, Jack’s thoughts about poetry have grow from timid, then he changed to reluctant and enthusiastic, and now he is confident about poetry because he is now starting to enjoy poetry more and write his own
Set in a park, the poet introduces a mother whose “clothes are out of date”. It is evident to the reader that she lacks connectedness with her surroundings, as she listens to two of her children onomatopoeically “whine and bicker” and watches another “draw aimless patterns in the dirt”. In contrast, however, McAuley’s father figure is not detached from his surroundings but feels a
As the end of the poem approaches, Dawe justifies his positioning by informing the readers that the mother and children silently renounce their individual desires and accept the ‘drifter’ lifestyle in order to belong to the family in which they feel safe and loved. Dawe’s father was a farm labourer who moved from place to place to find employment. His mother longed for the stability in life that circumstances
A family’s judgment has a big hold an individual, therefore self-expression is hard especially when that way of life is denied. Eventually one has to choose: fulfill family expectations or stray away to a new path. Breaking away from family can be hard, even hurtful. In “Digging” by Seamus Heaney, the narrator chooses a different lifestyle than those of his ancestors. He chooses to write instead of dig for he has “no spade to follow men like them.”
“His hard legs and yellow-nailed feet threshed slowly through the grass, not really walking, but boosting his shell along”(14). These symbols, likely personification or animal imagery, that induce pathos on the reader feel almost as if
“Digging” by Seamus Heaney and “Martian Sends a Postcard Home” by Craig Raine “Digging” by Seamus Heaney” was published in 1966 and is one of his first poems. It is permeated with a sense of the natural world and family tradition. The short poem is full of rhyme and sound effects. They are typical features of the Seamus Heaney poetry. “Digging” shows how people can be rooted in a family, tied to traditions and to a place where they come from.
Besides the author and the reader, there is the ‘I’ of the lyrical hero or of the fictitious storyteller and the ‘you’ or ‘thou’ of the alleged addressee of dramatic monologues, supplications and epistles. Empson said that: „The machinations of ambiguity are among the very roots of poetry”(Surdulescu, Stefanescu, 30). The ambiguous intellectual attitude deconstructs both the heroic commitement to a cause in tragedy and the didactic confinement to a class in comedy; its unstable allegiance permits Keats’s exemplary poet (the „camelion poet”, more of an ideal projection than a description of Keats actual practice) to derive equal delight conceiving a lago or an Imogen. This perplexing situation is achieved through a histrionic strategy of „showing how”, rather than „telling about it” (Stefanescu, 173 ).
The European rationality of mastering and exploiting nature is questioned by Heaney. A close analysis of his poems would underline the fact that instead of imitating the egocentrism of European modernity, he attempts to reinforce the ecological tradition of the old world order. Discussion Seamus Heaney belongs to the illustrious literary
“ A Roman Trio” and “Easter Vigil and Mass” pick up themes and motifs from earlier poems about religious experience and modify them so that emphasis falls on the values of immediate aesthetic insight. The poems reveal a emotional response deeply receptive to the detailed rituals and the ceremonies which dramatize the dogma of the Catholic Church. The deep words of the priest and the reminiscent music combine with other religious trappings to conceal, however, rather than to reveal the human significance of the “system of rites” which Jennings has sought so insistently in other poems. An emotional resolution has been achieved in these poems through the speaker’s absorption in the religious drama and through her sentimental anxiety of an ideal