Almost every character in the tragedy, Hamlet by Shakespeare intentionally or unintentionally deceives others by not showing who they really are or how they really feel. Hamlet is the greatest example of deceiving others because throughout the whole play he is never truly showing who he is or how he feels unless he’s alone and the audience or readers are the only ones who really know who he truly is. How ever what the readers and audience cannot decide on is whether or not hamlet deceives the other characters on purpose for a greater accomplishment or do the events that occur to him really change who he was in the beginning of the play. The plays main focus is based on hamlet’s way of viewing the other characters and how to make them feel like he wants them to feel. Hamlet deceives them so he can get everyone to think the way he wants them to think.
For instance, he wasn’t sure if the ghost was telling the truth so he modifies the play, The Murder of Gonzago, to resemble the murder of his father. While the actors are performing the play, he will watch Claudius’ reactions to see if he truly is guilty. He also asks Horatio to watch Claudius to have a second opinion because Hamlet’s judgment may be bias. He says, “The play’s the thing wherein I’ll catch the conscience of the King” (II, 2, 60). Another scene in the play where Hamlet thinks logically before lashing out is when he sees Claudius praying and is completely vulnerable, but restrains from killing him.
Everyone at some point in their life sets a goal that they wish to accomplish for some reason or another, and in William Shakespeare’s play, Hamlet, the goal of the main character is to avenge the death of his father who was killed by his uncle, Claudius. Furthermore, when achieving these goals, people are willing to go to the extreme to make sure that these goals are completed. In Shakespeare’s play the main character, Hamlet, falsely portrays himself as mentally unstable which adds a crafty element to the storyline because his false derangement allows him to undertake rash decisions without consequence to achieve his ultimate goal. Shortly after Hamlet’s father comes to him in ghost form explaining that he wants Hamlet to avenge his death, the prince goes straight to his friend, Horatio, to explain that all of his future actions of madness are false (Shakespeare I.5.169-174). This textual evidence clarifies that Hamlet is actually
Deception is an action driven with the motive to employ one purpose which can be to mislead another individual in order to gain knowledge, to get revenge, or to reveal a plan unknown to the public eye and keeping it that way for the dutiful well-being of the Kingdom of Denmark. In the tragedy Hamlet by William Shakespeare, deception develops into the character trait that initiates the actions, heartbreak, and revenge driving this play. This attribute held by Hamlet is the leading cause of this same flaw development in Ophelia, King Claudius, and many others in an attempt to reinforce the theme. This theme is one of heroism, but the deceptive notion each action reveals challenges the perception the reader has on each of the main characters. In order to be able to fully analyze the part Hamlet’s deception plays in driving the plot and storyline of this tragedy, one must understand that a foil character juxtaposes each character to illuminate their shortcomings. This aids the reader in analyzing the motives for each of the intricate characters and how every action has a motive that can tie back to Hamlet’s grand scheme which is to get revenge for the kingdom overtaken by an authority figure who did not earn that title, honor his father’s legacy that is taken from him in the crossfire of jealousy, and for the good of Denmark. Between the murder of King Hamlet and Polonius, Ophelia’s death, and the disloyalty of many characters, we enable ourselves to see the mood of confusion
The ghost’s appearance has a significant impact on Hamlet’s behaviors and forms his decisions through the play. Hamlet, who is suffering from depression since he is dealing with his father’s death and the hasty marriage of his mother with Claudius, his uncle, became obsessed with the concept of life and death after seeing his father’s ghost. In the first appearance of the ghost, he reveals the truth about the how the king has been murdered, which drives Hamlet to seek revenge, and by revenge killing his uncle. The ghost establishes a dilemma and gives Hamlet time to think about his father’s request. But Hamlet has an uncertainty about the existence of the ghost as he notes “the spirit that I have seen may be the devil, and the devil hath power T ' assume a pleasing shape” (2.2.561–563) here, Hamlet is concerned that the ghost may be the devil and questions the motivation of the ghost for killing Claudius.
In his first soliloquy, he expresses his intense grief and inner conflict of wanting to commit suicide but not wanting to be punished by God. From this the audience can infer one of Hamlet’s fatal flaws; he is indecisive. He is constantly searching for certainty, since he is unable to make decisions without it. Although Hamlet is wary of the story given to the public to explain the King’s sudden death, it is not until the ghost confirms his suspicions and he uncovers the truth that he vows to “Remember thee!”. He suspects foul play was involved, yet he never acts on this uncertainty until certainty is provided for him.
Hamlet is a Shakespearean play about a distraught prince who comes home to Denmark at the news of his father’s death. Once he finds out that his uncle Claudius has married his mother and become king himself, Hamlet suspects foul play. When his father 's ghost comes back to tell him of Claudius’s sins, he is asked to murder Claudius for revenge, but he isn’t sure if he can do it. Some scholars, researchers, and casual readers would argue that this drives Hamlet mad by burdening him with decision. Others would say that after he accepts his father 's plea for vengeance, that he uses this cloak of madness as a disguise so Claudius cannot see his murderous intentions.
Many characters show signs of intelligence throughout William Shakespeare’s Hamlet as they conjure plans to achieve their goals. However, Hamlet’s intelligence is far superior to that of all the other characters. He is capable of altering the kingdom’s perception of him to his advantage by adjusting his behaviours. The schemes he devises outsmart everyone and leave him to appear innocent. Most importantly, Hamlet miraculously escapes his own death and instead brings an end to those involved in his execution.
Have you ever been wronged by someone so badly that you felt as though revenge was needed? Perhaps your best friend stole the woman you loved, so you felt that you needed to act and do something to get back at him. Maybe you destroy his life by starting a false rumor about him, or you get in a fight with him and humiliate him. This is just one common example of “revenge” in our everyday lives. In the play Hamlet, written by William Shakespeare, there are much more serious things going on, involving death, murder, and wars between nations.
Hamlet himself is unaware that he behaves instinctively as a killer and doesn’t realize that his actions are morally wrong, and the reader can easily take from this that Hamlet is truly in the right and that the actions he takes are justified due to his problematic relationships. Claudius tells Gertrude, “When sorrows come, they come not in single spies, but in battalions” to remind her that bad things normally happen in quick succession after long periods emotional rest (IV, v, 61-62). In Act 1, the Ghost says, “Murder most foul, as in the best it is. But this most foul, strange, and unnatural” when Hamlet is becoming gung-ho about murdering his father’s killer (who he does not yet know is Claudius). Hamlet is pushing the Ghost toward telling him about the murder so that he feels like he has the right to move forward with his plan of revenge.
Horatio is around Hamlet while he speaks to the ghost and hears the devious plot to murder Claudius, yet he never concludes that Hamlet is mad. King Claudius states that many of the citizens of Denmark love Hamlet; this is shown with the players cooperation to Hamlet. He acts them to act out some extraordinary things when reenacting the murder of his father. I think it is noteworthy that the players never question Hamlet’s crazy ideas and how he wants them to act. Neither of the players viewed Hamlet as mad which makes me believe that he actually acted fairly reasonable around strangers which is not a result of madness.
In the play, Shakespeare portrays Hamlet as a dynamic character to cause a mental state conundrum among the audience and explore the themes of suicide, spying, friendship, madness, providence, love, hate and humour. Furthermore, by utilising literary devices such as soliloquy, characterisation, dialogue, personification, metaphor, dramatic and situational irony Shakespeare exploits these themes and questions Hamlet’s sanity. In the beginning, Hamlet is portrayed as an overthinking person, claiming to act an antic disposition. However, as the play advances his manic rage and irrational acts such as Polonius’s murder and
Hamlet is William Shakespeare 's renowned tale of mystery, intrigue, and murder, centered on a young misguided prince who can only trust himself. Some may say that the actions of Prince Hamlet throughout the play are weak and fearful, displaying a tendency to procrastinate and showing an apathetic nature towards his family and peers. Others spin a tale of a noble young scholar, driven mad by the cold-blooded murder of his father by his uncle. In truth, I believe Hamlet is neither of these things. Hamlet is a sort of amalgamation of the two, a bundle of contradictions thrown together into one conflicting but very human mess of a character.
Williams Shakespeare is recognized as the greatest English writer. One of his best works ever written is “Hamlet”, which is the most complex, confusing, and frequently performed play. The extreme complexity of the main character – prince Hamlet in this play contributes to its popularity until today. “Hamlet is supposedly the most quoted figure in Western culture after Jesus, maybe the most charismatic too” (Bloom 384). In the most famous revenge tragedy, his biggest weakness that he procrastinates completing his revenge for his father’s death by killing the murderer.
Due to himself being too idealistic and restrained, he does not take decisive actions even after using the planned play to test the Claudius's conscience that could possibly expose himself and left himself in unfavorable circumstances. Hamlet’s inability to act is caused by his overanalysis of the situations that further render him from not carrying out actions in response. If Hamlet is not indecisive, he would not be uncertain about the evidence regarding to his uncle’s crime, he would not be delaying his revenge, he would not be having emotional breakdowns and become a tragic figure. Hamlet’s personality ‘borns’ and develops under his royal position and the growing