Examples Of Manipulation In Othello

Rhetoric is an incredibly powerful tool capable of seducing even the most obdurate of people. As one of the most illustrious playwrights ever, Shakespeare was no stranger to the power of rhetoric. Rhetoric served as the fountainhead of Shakespearian allure. We watch the dramatic works of Shakespeare because we enjoy having our emotions manipulated; we enjoy the catharsis and self-reflection that accompanies a trip to the theater. Shakespeare truly was a master manipulator, but his manipulation was generally beneficial. While Shakespeare uses rhetoric to create art, Iago uses it to cause destruction and pain. Shakespeare’s Othello can be used as a means of exploring the dangerous power of rhetoric and gaining insight into the ethical role it

In the beginning of the novel, Shakespeare describes Iago as a mastermind of manipulating others. Iago holds a grudge and resentment towards the Moor, Othello, because another soldier, lieutenant Cassio, has been promoted

In the play Othello, Iago represents Marxist criticism through his pursuit of power that fuels his need for deceit in the story. He manipulates and deceives the other characters throughout the entire play. For instance when he set Cassio up with drinking the alcohol he got exactly what he wanted out of that, Cassio lost his rank as Lieutenant. Desdemona, Othello, and Roderigo were all deceived by Iago. Desdemona was deceived into thinking that she was helping a strong and noble man even though Iago was using that time to set her up. Othello was fed lies that his wife and Lieutenant were having an affair, leading up to the death of himself along with his wife. Roderigo was blinded by the love he had for Desdemona so badly that he helped Iago

Customarily, an author will construct a narrative in which the protagonist, a character contrived to be implausible, as well as honorable is destined to decline along the path of tragedy leading to suffering and misfortune. Distinctive writing strategies corresponding to the theme, motifs, symbols and characters contently allow the scripter to plot the flaws dominating the descent of the advocate. Amongst Fitzgerald and Shakespeare’s central characters, Jay Gatsby and Othello, both filled with passionate love for their significant other are corrupted by their lack of judgement causing them to lose the one they lust over. Similarly, both characters originated from a meager past which they were forced to struggle to achieve a position where they

Firstly, Iago demonstrates the dark side of human nature by being self-centered. He is manipulative and tells Othello to “observe her [Desdemona] well with Cassio” (Shakespeare, 3.3:197). Iago feeds Othello with countless lies and makes him miserable with something that is not factual. He is determined to get revenge and he does not realize Iago stands insincere. Furthermore, Iago is selfish when he tells Othello, “I am yours for ever” (3.3:479). He betrays Othello yet still let’s him depend on him for his own

Othello falls for Iago’s lies because he sees Othello as a trustworthy man. The reason Othello’s trust in Iago is high, it is because of his honesty, giving him the name “Honest Iago,” and Othello has also known him for years. Throughout the whole story, Othello is lead to believe Iago’s lies and would trust him more than anyone else even his wife Desdemona. With Iago trying manipulate Othello, it works well causing him to do things leading to disbelieve the close people around him.

When he does not get the position he wants and also heard that Othello has been sleeping with his wife Emilia, Iago’s manipulation increases. Iago plans his scheme based on, “[Othello] has done my office, I know not if’t be true/ But I, for mere suspicion in that kind/ Will do as if for surety” (I. III. 431-433). This use of manipulation is all based on an assumption that Othello has slept with Iago’s wife, and this assumption leads to even more horrible events. Iago also manipulates Othello with jealousy. When Othello is gone at war, Iago tells him that Cassio and Desdemona were getting too close. At first Othello does not believe him, but by Iago saying “nothing,my lord; or if- I know not what” Othello starts to question if it is true (III. III. 39). Iago constantly uses his “innocence” to make Othello jealous and start to assume that it is true. These actions eventually lead to a tragic event. Iago’s manipulation has driven Othello insane, leading to Iago’s plans on his last night. Othello tells Iago to go get some poison to kill Desdemona, but Iago refuses and just tells him to strangle her in her bed (IV. I. 223-229). Iago’s manipulation has not only lead Othello to believe the rumor is true, but has lead him to kill his own wife as well. Iago even manipulates Othello to strangle her, which is a much personal and vengeful death than poison. All of this manipulation results in Desdemona’s death,

Iago’s powerfully disruptive insinuations torment Othello to fall precipitously into his intricate trap, believing in the prospect of Cassio and Desdemona’s fictitious affair. Through the use of linguistic techniques such as elliptical speech, subservient vocative choices and a hesitant tone, Iago is able to construct artful innuendoes to deceive and manipulate Othello. Supplementary to linguistic techniques, dramatic techniques such as dramatic irony reinforces Iago’s role as a two-faced villain, who is making a pretence of being Othello’s loyal ensign. Eventually, Iago’s villainy nature sows a seed of doubt in Othello that germinates into the murder of Desdemona. Through the characterisation of Iago as a notorious villain, Shakespeare is able to hold Iago’s actions accountable for the play’s tragic downfall, establishing a sense of powerlessness amongst the

Iago is a unique and complicated character. He is intelligent in that he is able to manipulate people and events in his favour, which he thrives on throughout the play, classifying him as the antagonist of the play. Driven by jealousy and hatred, Iago plots against Othello to destroy his character and reputation. Knowing that if he foolishly attacked such a respected man directly, he would be sentenced to death. As a result, he devises to use other people to obtain what he desires by influencing the characters in the play to suit his plan.

Although the audience is well aware of his hatred for Othello at this point, this soliloquy begins to delve into the mind of Iago. For example, Iago states “Thus do I ever make my fool my purse;/ For I mine own gained knowledge should profane/ If I would time expend with such a snipe/ But for my sport and profit” (1.3.375-8). Because Roderigo is in love with Othello’s wife Desdemona, Iago is just using him in order to achieve his goal. While Iago continues with discussing his thoughts, he brings up many reasons behind why he is planning to get revenge. First, he uses derogatory terms to describe Othello such as a moor. Because of these, the audience may suspect that his motive is due to him being black and in a high position. In addition, he suspected his wife Emilia to be having an affair with Othello which, to the audience, may be another reason why revenge is desired. Thirdly, Iago mentions his motive to try to get Cassio out of the lieutenant position. As the audience receives more information about his hatred for Othello, it is still vague on how and why exactly Iago wants to destroy him. Because of the lack of clarity, it creates a spark of interest to hear more of Iago’s

One of the interesting characters in the disastrous play Othello by William Shakespeare Iago whose name is widely mentioned throughout the play, illustrates the physical appearance of an individual is not the true reflection or identity. From the beginning to the end, we see Iago constantly mesmerizing with the characters of Othello and easily prevailed. He is such a gifted young man when it comes to deceit and compromise, but still he is refer to as honest Iago which gave him the upper hand to manipulate Othello, Roderigo, and Cassio

Determined to eradicate Othello, Iago intends to provoke Othello until the Moor does something so heinous and unforgivable, which is caused by “a jealousy so strong that judgment cannot cure”, implicating how Iago wants Othello to become so jealous that he won’t be able to think straight or reasonably. When Iago is alone with Othello he announces “Look to your wife, observe her well with Cassio. Wear your eyes thus, not jealous nor secure. I would not have your free and noble nature out of self-bounty be abused”, ironically signifying how Iago is attempting to plant the seed of suspicion by subtly hinting at the notion that something is going on between Desdemona and Cassio. Othello believes and only trusts Iago, and Iago uses that trust against Othello, so in the end it will benefit him and only him. Iago’s motive for betraying Othello is jealousy and revenge, resulting in Iago betraying several characters to quench his thirst for

Iago is by far the sneakiest character in Othello. By using an (act innocent and blind) approach to seek revenge on his commanding officer and colleague who took his place. Iago’s deception can be spotted as early as act two. “I do love Cassio well and would do much to cure him from this evil” (Shakespeare 2.3.150-151). This is where Iago tells Montano how much he loves Cassio and wants to help him, but as the reader you know that he hates Othello and Cassio bit tricks Montano and others to get his revenge. According to Keyisjian “Iago convinces Othello he is full of” “love and honesty, qualities that Othello admires” (Shakespeare 3.3.116). This is to earn his trust and to undermine him. This was one of the strategies that Iago uses to deceit the characters in the play. He is also very sneaky when he does it.

Shakespeare begins the story with an evidence of trust in Iago from Roderigo as he reveals his dear love for Desdemona. Iago promises to cause a separation between Desdemona and Othello and receives a payment from Roderigo each time he acts in favor of his promise. Roderigo is the

Dr. Lecter, The Joker, Norman Bates—these are some of the greatest villains on the movie screen. Nonetheless, few of them can compare to the top villains created by Shakespeare. Among them, Iago in the tragedy Othello and Richard III in Richard III are the finest and most polished. Although Othello is named after the “Moor of Venice”, Bloom comments that “it is Iago’s play” because he predominates the stage and remains in one’s mind long after one has finished reading or watching the play (433). His ascendance prompts thoughts of Richard III who is definitely the captivating protagonist in the history play. Both Iago and Richard III are Shakespeare’s most thrilling and sinister figures. Despite the fact that the two are similar in their powerful language and