In Cold Blood Perry Smith Character Analysis

In the novel, In Cold Blood, Truman Capote chose his words in a subjective manner. Capote inaccurately described many characters in his novel. He based his writing on his feelings and emotions rather than facts and evidence. Capote characterized Richard Hickock, Perry Smith, and Bonnie Clutter falsely.

After most people hear what Perry has gone through you immediately give him a get out of jail free card right? You think that since he had a difficult upbringing he should be exempt from receiving the death penalty? Although you may think this, this is certainly not an excuse for such a violent act. Throughout In Cold Blood, Capote attempts to portray to the reader that Smith in a way should be exempt from the crime he commited and how one should not blame it on Smith himself, but his psychological background. Specifically when Al Dewey, the head of the Clutter murder investigation, states how the crime was not in fact Smiths fault. Dewey says, “The crime was a psychological accident, virtually an impersonal act; the victims might as well have been killed by lightning. Except for one thing: they had experienced prolonged terror, they had suffered. And Dewey could not forget their sufferings. Nonetheless, he found it possible to look at the man beside him without anger—with, rather, a measure of sympathy—for Perry Smith’s life had been no bed of roses but pitiful, an ugly and lonely progress toward one mirage or another.” Capote is attempting to show the audience how one should feel

Truman Capote, the author of In Cold Blood, creates sympathy for almost every character the reader comes across. Through the use of manipulating the reader's emotions and connecting them to each character, Capote successfully pulls it off. There are four main groups that Capote chooses to create sympathy for the murder victims, the murderers, the law officials involved, and the ordinary citizens of Holcomb, Kansas. Truman Capote created the most sympathy for two characters, Perry Smith and Detective Dewey.

How crazy would it be to interview criminals who murdered 4 people in cold blood? Well that’s exactly what Truman Capote did in this chilling book. In the novel In Cold Blood, Truman Capote used different rhetorical strategies to create sympathy and influence the idea that there are always two sides to every story. Some of the mainly used rhetorical strategies throughout the novel were imagery, diction, tone, and pathos. Furthermore, Capote also illustrated sympathetical emotion towards both types of characters, the protagonists and antagonists. Additionally, Capote expressed the idea of there being two sides to every story for both the protagonist and antagonist. By doing so, he used a unique writing style to help develop the story. In Cold

Everybody has desires that constantly weigh over their heads, pushing them to be diligent in all their endeavors, but what would you do if you knew that one day you would no longer have the opportunity to fulfill these desires? Everybody lives their lives so focused on the end goal that they are oblivious to the world around them, and the sad part is that in some cases the end goal is unattainable or never reached because the person dies. In In Cold Blood, Truman Capote utilizes symbolism and descriptive diction to tell his readers Perry’s wants and wishes. Throughout this subchapter the reader is able to learn more about how Perry feels in the moments after the Clutter family murder. The reader learns that Perry wishes he was loved by others

In Cold Blood by Truman Capote is a true story of a quadruple homicide in the small town of Holcomb, Kansas that greatly impacted the community in 1959. Capote begins his novel by introducing a prominent, well respected family in the community, the Clutters. The Clutters lived average everyday lives until they were abruptly ended at the mercy of a 12 gauge shotgun. The killers were two men unknown to the Clutters, who had two completely different backgrounds and personalities. By choosing to include details about each of the killers, Capote delineates the differences between psychopaths and sociopaths and suggests that the combination of the two personality disorders creates the environment for horrific

Although Dick and Perry were equally involved in the murders, Capote portrays opposing tones to provide different perspectives of the criminals; therefore, one’s opinion can become easily impressionable.

Perry smith is a main character and murderer who struggles against his own personality characteristics. He fails to achieve this goal because of certain characteristics. But what really mad perry tick? Who really knows; could it be because the way he was raised, was it only for attention or was he looking for someone to show him differently; what's right and what’s wrong. In the book “ In Cold Blood” By Truman Capote's he shows a different side of Perry.

Truman Capote’s In Cold Blood challenges the conventional boundaries of the true crime genre and plumbs the psychological and emotional depths of the Clutter family murders. Capote’s masterpiece incorporates diction to create a sympathetic tone and juxtapose the brutality of the murders in which he foreshadows.

Irony may appear in difference ways within literature. Irony changes our expectations of what might happen. It can create the unexpected twist at the end of a story or anecdote that gets people laughing or crying. Verbal irony is intended to be a humorous type of irony. Situational irony can be either funny or tragic. Dramatic irony is usually an over the top, tragic form of irony. Both Edgar Allen Poe’s “The Tell-Tale Heart” and Shirley Jackson’s “The Lottery” are great examples of an ironic situation. Every expresses the common theme in their own way. Although both of these literally pieces provide us with the theme of irony, Edgar Allen Poe's "The Tell-Tale Heart" gives the reader a sense of suspense with the irony that proves to be more effective.

Truman Capote uses variety of language devices to vividly develop Perry Smith in his novel In Cold Blood. These language devices include, diction, similes and symbolism.

The identity a person holds is one of the most important aspects of their lives. Identity is what distinguishes people from others, although it leaves a negative stereotype upon people. In the short story Identities by W.D Valgardson, a middle-aged wealthy man finds himself lost in a rough neighborhood while attempting to look for something new. The author employs many elements in the story, some of the more important ones being stereotype and foreshadow.

Many contemporary authors attempt with varying amounts of success to emulate the captivating style of Truman Capote. Through a complex and fine balance between bleak melodrama and noir suspense, Capote’s voice is particularly well captured in his 1966 crime fiction, In Cold Blood. Within the first 5 paragraphs of the work, Truman Capote firmly establishes a notable distaste yet careful curiosity for Holcomb, Kansas - the novel’s primary setting - by utilizing an apathetically negative tone and long-winded syntax sprinkled with vivid imagery of the town’s worst features.

Truman Capote’s most complicated character of In Cold Blood was Perry Smith. Certain traumatic events that occurred throughout his life caused Perry Smith to struggle in his later adulthood. When he was just a young boy, Perry’s parents decided to get a divorce. As a result of this, he was an orphan, but only temporarily. After he was released from the military, Perry wrecked his motorcycle, leaving his legs almost paralyzed. Because of his harrowing life, Perry Smith became one of the most frequently written about character in Truman Capote’s

“In Cold Blood,” written by Truman Capote, creates a tone of fear of their consequences and debriefing of their situation. The author creates these tones by presenting the characters state of mind to the readers and how they feel over their actions towards their situation. “Deep down, way, way rock bottom, I never thought I could do it. A thing like that.” Perry is explaining that they are astonished by what they had become. “To do what we did and just one hundred percent get away with it. That is what bugs me – I can not get it out of my head that somethings got to happen.” This explains that whether they get away with the crime that they committed or not, they cannot live with the idea of actually getting away with it, complexing their own