In A Streetcar Named Desire by Tennessee Williams, themes of insanity and fanciful realities are shown. Three main characters portray the quality of insanity, but only Blanche is aware of her self-delusion. Stella and Stanley are more out of touch with reality than Blanche because Stella does not realize the extremes of her abusive relationship, she also would rather retreat into a world of fantasy in order to avoid reality, and Stanley is only himself when he is intoxicated. Stella is more mentally unstable than Blanche because she is unable to realize how serious her abusive relationship is. Time and time again, Stanley oversteps his boundaries into abusive territory. When he becomes angry, he throws and smashes things, and yells at …show more content…
She states that Stella and Stanley are not the only couple that deals with domestic abuse. She addresses the fact that their neighbors Eunice and Steve Hubbell’s relationship also has this element of violence, stating that, “there is an unnerving suggestion that violence is more common and more willingly accepted by the female partner in a marriage than one would like to believe” (Woolway, 1). Back in the 19th century, gender roles were prominent, and men were considered the “kings of the castle.” Women were considered to be subordinate to men, and in some cases would have to suffer in order to keep the man of the house happy. In the play, however, gender roles were not as prominent, because the story takes place in the 20th century, however, they still existed. However, this does not contribute to Stella’s delusion. During this time, women were allowed to divorce their husbands, if they so pleased. Stella, who is well aware of Stanley’s abuse, does not leave her husband, and continues to live and have a child with him. However, Stella is not the only woman who suffers from domestic abuse, which can only call into question if violence was more accepted in the 20th century than it is
Now that she is divorced and with a child, she now possesses a strong distaste for the wrongful stereotypes that are set around a “broken” family. Kingsolver’s blatant dislike for those who consider families that end in a divorce as “failed” and not finished is made evident by her angry and defiant tone throughout the essay. One of her main focus points for her essay is the archaic idealism behind the “Family of Dolls.” She then explains this reasoning by revealing the reasoning behind its origin, which was to convince women to give up their jobs for the men returning from war. Kingsolver supports this point by stating in paragraph twenty-two, “ A booming economy required a mobile labor force and demanded that
Due to the tensions that existed in Blanche 's life, she experienced classic signs of psychosis. When a person develops a flawed relationship with reality they can experience psychosis. This disorder is exhibited by her hallucinations observed by Stanley, her anxiety regarding her past, and her change of personality towards the end of the play. Perhaps for Blanche she never experienced psychosis but instead she experienced the ultimate truth; moreover, being sent away to the mental institution allowed the liberation of her psyche. The streetcar named Desire switched over to Cemeteries and led to Elysian Fields.
She brings this sense of superiority to Stella who unintentionally tries to distinguish her background from Stanley as well. Stanley recognizes the fact that Blanche looks down on him forcing him to assert his masculinity over her. Stanley’s dominance over the household and Stella is being questioned upon Blanche’s
In the play A Streetcar Named Desire, by Tennessee Williams the character Blanche Dubois shows the characteristics of a tragic hero. In the play, Blanche is tested by suffering, forcing her to face the consequences of her actions. Blanche has many tragic flaws that can be shown through symbolism and themes throughout the play. Aristotle states that the protagonist must be of noble character - defined not by birth but rather moral choice. Aristotle also felt the best type of a tragic hero will fall somewhere between the two extremes - “... a person who is neither perfect in virtue and justice, nor one who falls into misfortune through vice and depravity, but rather, one who succumbs through some miscalculation.”
She also prefers keeping her past to herself because of all the problems she has had. She prefers for people to not find out what has happened and why she is the way it is. An example is when Blanche panicked because they took off the little paper covering the lamp which made the room dim and got pissed because she did not want to show how she looks. Stanley is shown to be the “manliest man” but he is unstable and irrational when he realizes what he has done when the damage has been done. For example, when Stanley physically abused Stella he realized what he had done when he was brought back to his senses.
301617- A Streetcar Named Desire Lying as well as deception is a common theme in A Streetcar Named Desire for the characters. There is Blanche, whom, because of her deception and lying which has played a bigger role on the other characters than she goes and realizes. Blanche stated in scene two of A Streetcar
Williams uses the expressionist technique “The ‘Varsouviana’ is filtered into weird distortion, accompanied by the cries and noises of the jungle” to parallel Blanche’s inner mind and depicts Blanche’s deranged mental state after Stella’s betrayal. The imagery ‘Lurid reflections appear on the walls in odd, sinuous shapes’ highlights her mental turbulence and the stage directions ‘mysterious voices behind walls, as if reverberated through a canyon of rock…the echo sounds in threatening whispers’ heightens tension, positioning the audience to witness the overwhelming fear and exaggeration of her senses, further emphasising the detrimental impact Stella’s decision made. The Streetcar Named Desire also examines the influence that a person’s social standing can have. Stanley’s statement in scene 2 ‘The Kowalskis and Dubois have different notions’ indicates their social upbringing has influenced the way they think, hence disrupting their connection and loyalty towards one another. The use of their family name is metonymic for their ancestry and social standing, addressing the barriers derived from a social hierarchy which have affected their relationship.
"How is madness used in both A Streetcar Named Desire and Blue Jasmine" Blue Jasmine is a modern take on a classic play, A Streetcar Named Desire by Tennessee Williams. Throughout the story of both the film and the novel it was clear that there were many similarities. A Streetcar Named Desire and Blue Jasmine highlights the use of madness from how both characters descended into madness due to their past deceptions, and deal with madness with the usage of intoxicants. On the other hand, a difference they share is that the madness leads to different outcomes. The main message behind Blue Jasmine and Streetcar is that deception leads to major repercussions, where madness is the ultimate consequence.
And when he comes back I cry on his lap like a baby... [She smiles to herself.] (1.142-146) Stella hates to be away from him for too long. Stella chooses Stanley over Blanche multiple times. Even after Stanley yells and hits her, she still goes back to him despite Blanche’s wishes.
He is verbally and physically abusive towards his wife, Stella, in order to establish his power over her. He is described as giving a ‘loud whack of his hand on her thigh’ to which she merely retaliates ‘That’s not fun, Stanley.’ Whilst ‘the men laugh’. This shows how abusive behaviour towards women is normalised and accepted within this patriarchal society as the men simply choose to ‘laugh’ along with Stanley.
In A Streetcar Named Desire, the author Tennessee Williams exaggerates and dramatizes fantasy’s incapability to overcome reality through an observation of the boundary between Blanches exterior and interior conveying the theme that illusion and fantasy are often better than reality. Blanche, who hides her version of the past, alters her present and her relationship with her suitor Mitch and her sister, Stella. Blanche was surrounded by death in her past, her relatives and husband have passed away, leaving her with no legacy left to continue. The money has exhausted; the values are falling apart and she is alienated and unable to survive in the harsh reality of modern society. Throughout the novel Williams juxtaposed Blanche’s delusions with
This is made clear through Stanley’s insecurities about inferiority to women and his prolonged struggle to defeat Blanche. Again, this is evident with Blanche and even Stella. Stella is perceived as a static character with no real individuality, and Blanche, who is seemingly more independent, is characterized mostly by her sexuality. Tennessee Williams demonstrates society’s need for the superiority of men to women through the interactions of Stanley and Blanche in the play, their struggles, and their ultimate
During this time men brought in the money for the household, while the mother’s would stay at home and watch over the children of the family. With this came a sense of pride and authority for the men. Throughout the film Stanley continually abuses Blanche and even goes to the extreme of raping her. He depicts an animal-like man with no awareness of morals. When he gets angry he has no control of his reactions and results to physical violence.
One dominant theme in A Streetcar Named Desire by Tennessee Williams is the destructiveness of the natural tendency to engage in self-delusion when dealing with life’s difficulties. From the beginning, the main character Blanche seeks to do all she can to convince herself and others that the situations she encounters are better than they truly are. She hides her issues with drinking and the loss of her home, ultimately lying to her sister Stella and Stella’s husband Stanley. Stanley however, is very direct and does not allow Blanche to remain in her perfect world. Consequently, Stanley’s actions become more blunt and harsh as the play progresses which result in a worsening of Blanche’s delusions.
In Tennessee William’s A Streetcar Named Desire, there are extreme themes of sexual desire and eroticism. This is especially apparent in the characterization of Blanche DuBois, a pretentious upper class southern belle with strong erotic tendencies and an ostentatious personality. Coming from a rich life to having no money and no one to love has caused a complete shift in her personality. In A Streetcar Named Desire, Blanche DuBois’ overt sexual desires, inability to accept reality, and unwillingness to let go of the past leads to her ultimate undoing.