In “An Occurrence of Owl Creek Bridge” Ambrose Bierce uses stream of consciousness narration to reveals the thoughts of Peyton Farquhar with heightened realism and drama. He tells a story during the Civil War in which the protagonist, Peyton Farquhar, experiences a continuous flow of thoughts in his mind as he is about to be hanged on a railway bride for attempting to sabotage the Owl Creek Bridge seized by Union troops . In section one he highlight a sense of realism by describing Peyton Farquhar physical attributes, the setting, and the situation Peyton is experiencing. During this time Peyton is standing on a railroad bridge with his wrists bounded behind his back, and around his neck is a noose that is tied to a beam overhead.
While Vardaman observes Jewel’s decision on taking the horse instead of riding the wagon with the family to Jefferson to bury their dead mother; he finds himself discussing Jewel, Darl, and himself’s identity. The distinct metaphors apply on Vardaman’s mother and Jewel’s mother and subtle stylistic placement of sentences present that Jewel actually isn’t a part of the Bundren family, according to Darl. At the moment where Vardaman thinks his mother is a fish again, Darl breaks into his thought: But my mother is a fish. Vernon seen it.
To speak is to befoul, and thus the only pure word in As I Lay Dying, and the synecdoche for Faulkner’s impeccable language, is the blank space at the centre of Addie’s section. Similarly, in the novel the thick sound of adzing is performed by the irregular. Darl Bundren says: A good carpenter. Addie Bundren could not want a better one, a better box to lie in. It will give her confidence and comfort.
Finding out the differences within the similarities Ambrose Bierce’s short story ‘An occurrence at Owl Creek Bridge’ and “Mark on the Wall’ by Virginia Woolf show similarities and differences between each other. Three similarities can be shown between the two short stories of ‘An occurrence at Owl Creek Bridge’ and ‘Mark on the Wall’. The first similarity is the background settings. Both have a setting of a war, as written “wartime” and “God damn this war!” on each passage.
Religion in As I Lay Dying The time and setting during which the novel was written are very important for understanding William Faulkner’s As I Lay Dying. This novel was written in 1930 Mississippi; during this time Mississippi was very religious. Unsurprisingly, Christianity and religion also plays a big role in As I Lay Dying particularly through imagery and symbolism that connects different characters to religious figures, including Jesus Christ.
Darl then questions the consistency of his being; to be able to assure of his identity, there must be a certain consistency that is maintained for a certain length of time. The verb to be now carries multiple functions; it is not a word that promises one’s existence but a word that endangers one’s identity. Even if anything “was” present in the past, it does not guarantee its presence at present; rather, it stresses the discontinuity of one’s being from the past to the present. The verb to be also connects the beings not as a marker of equivalence between beings but as a connective chain between existences; Jewel’s being is connected to Addie’s being, which again is connected to Darl’s being, and that is how he is able to have a self to empty
As I Lay Dying by William Faulkner is about the Bundren family of six on their journey to Jackson to bury the matriarch of the family, Addie Bundren. The family consists of Anse Bundren, the patriarch of the family, Cash, the oldest son who makes Addie’s coffin, Darl, Jewel, Dewey Dell, and Vardaman. Faulkner writes this novel with fifteen different viewpoints, each chapter narrated by one character, including Addie, who expresses her thoughts after her death. The characters’ chapters, except for Darl’s, are all jumbled and hard to read due to the absence of an objective narrator. Instead of being presented with a framework of events, the jumble of images, memories, and unexplained allusions by the alternating narrators, force the readers to take the pieces each character gives
William Faulkner had a faith in humanity that few possess. In his 1950 Nobel Prize acceptance speech, he proclaimed that, “man will not merely endure: he will prevail”. He felt humans contained a certain compassion in our spirits, which is very valuable. Faulkner views America as a place where people often have more compassion or intelligence than they let on, especially in the rural areas. Everyone is capable of having these traits, but not everyone uses them.
Dying Wish If one was to live in Oxford, Mississippi, there is a good chance he would gain something from his experiences there. Whether it be from the people he would meet, or the places he would go, there is a part of Oxford that will stick with him forever. William Faulkner was one of these people.
In As I Lay Dying, the darkly humorous story of the poor white Bundren family's journey from farm to town to bury its matriarch Addie, Faulkner uses the experimental forms associated with modernism to depict the impact of the sociocultural era called modernity, and the processes of urbanization and industrialization known as modernization, on poor whites in the rural South. Understanding the novel's engagement with rural life in the modern era redefines the relationship of Faulkner's work to the literature and politics of its Depression era context, exposes the social and aesthetic import of rural obsolescence, and suggests a means of rethinking modernism writ large. Through this personage, the novel explores the creation of the modern, laying