Philips establishes the sewing woman's appearance underneath her mask of makeup as unappealing in order to contrast what an individual craves for in life to what
There are instances in which Sammy even admits to uncertainty about the details of his environment, such as when he says that Queenie “had on a kind of dirty-pink – beige maybe, I don't know -- bathing suit” (Updike 747). Another example is where he pontificates about some customers walking by the three girls by saying, “You could see them, when Queenie's white shoulders dawned on them, kind of jerk, or hop, or hiccup, but their eyes snapped back to their own baskets and on they pushed” (Updike 748). These quotes illustrate that Sammy was quite infatuated with the girls as well as cynical about the apparently bland setting of his supermarket, and thus serves as an unreliable narrator in terms of factual information about the story’s setting. What is so intriguing about Sammy’s narration, then, is that it is focuses more on his evolving ideals of freedom from his conventional surroundings than on strictly factual accounts of his job, the supermarket, or the three girls. His first vision of nonconformity is represented by the girls, who rebel against the aesthetic conformity of the supermarket.
Regardless the constraint he feels inside the store, A&P, Sammy simply expresses his wanting to have Queenie, who symbolises freedom due the actions she does that he considers rebellious to the principles and the ordinary. The story unfolds with Sammy noticing the three girls enter A&P “in nothing but bathing suits” and shows an immediate and strong attention to them enough to make him forget whether he rang the HiHo crackers. He begins to describe the girls and states that first girl’s “belly was still pretty pale” and that the second had “black hair that hadn't quite frizzed right”. After a short explanation of the previous girls, Sammy portrays an endless detail of the last one, whom he calls Queenie of how she “walked straight on slowly”
This is first evident early on as she returns to the town that envied her in overalls with “her hair swingin’ down her back lak some young gal” (2). Her choice attire speaks volumes to her independence and strength long before the readers learn about how rebellious
“A&P” by John Updike is a short story expressing the issues of female objectification and degradation in society by following a young A&P employee’s views (Sammy) as they change through experiences second hand. Sammy goes from stereotyping objectifier to a form of a public defender, standing up for girls who can’t really do so for themselves. Sammy initially characterizes and describes all of the people in the store based on their looks and his initial opinion of them, rather than waiting to make judgements based on their personality, or not at all. He is very critical of looks, and is judgmental about why and how they look or act the way they do.
Lee celebrates the importance of a non-judgemental woman in society through the character of Miss Maudie, as she is described to be “a chameleon lady who worked in her flower beds..”(pg.46), though is also described to have some modesty as “after her five o’clock bath she would appear on the porch...in her magisterial beauty”(pg.46). Lee uses her character to endorse a good example of a woman who follows the social norms but does not comply with them fully. However, the character of Miss Stephanie Crawford is used in comparison, to show what a bad example of a women was like in the setting; as it is said that she is quite gossipy, which is highlighted towards the start of the novel when Lee is describing the town and its people she often puts “Miss Stephanie Crawford said…”, to display that the character talks a lot about everyone and seems to know everything about the town. Lee further criticises her by referring to her as “a neighbourhood scold”(pg.11), which implies that she doesn’t keep to herself and nit-picks others for little things. Furthermore, the different behaviours shown in the characters, highlights Lee's opinion on women in society as she openly puts down Miss Stephanie's character and makes her out to be untrustworthy while making the two main characters “..
Sammy is a nineteen-year-old cashier at a small store. Not used to seeing girls enter the store dressed that way, Sammy is shocked. Not being able to keep his eyes off the girls, Sammy notices details about their dressing. Sammy states, “She had on a kind of a dirty-pink bathing suit with a little nubble all over it and, what got me, the straps were down” (Updike, par. 3). We can see Sammy is sexually desiring these girls by the way he takes in every detail of the girls’ physical appearance.
This helps the reader visualize a sarcastic and frustrated cashier ringing up an impatient customer. Sammy refers to the customers as “sheep” in paragraph five because of their conformity and slow mosey throughout the store also making the three girls stick out more. In paragraph 2, Sammy refers to one of the girls as a “queen” using a direct metaphor as if she truly was a Queen. This reinforces Sammy’s observant mind and way he breaks down each girl. Whether his opinion was positive or negative, deducing women by their looks and staring at their chests, “this clean bare plane of the top of her chest down from the shoulder bones like a dented sheet of metal tilted in the light,”(3), does nothing but further supplement the idea that these three girls are being watched just because of their choice in attire.
In this case, her beauty is a ticket to get violated either at home or outside. Last but not least, Sally gets abused by boys because of her beauty. In “The Monkey Garden”, a group of boys steal her keys. This next excerpt is the most shocking,
Vanity Fair is introduced to the reader as a puppet play, a form of theatre art, and in this case, a critique of the aristocratic world. As in Wilde’s novel, we can say one of the central characters of Vanity Fair, Becky Sharp is an art piece, a daughter of a singer and a painter, eloquent, beautiful and venomous – she is the perfect reflection of schemes and ill morality that ‘vanity fair’ is.
The story A & P by John Updike represents a quest because on this particular day in the store Sammy goes on a journey, faces challenges and discovers something about himself. Evidence of this from the story is first, due to the three girls entering his store Sammy is now on a journey of love with Queenie, even though she does not know it. From the moment he saw her she captured his eye becoming the only thing he could focus on and really care about in those moments of being in her presence. Another explain of Sammy being on a quest is the fact that he faced challenges and trials during the process. One of the challenges he faced is being scorned by the “witch” whom he was checking out when Queenie first entered the store because his attention
A&P: The Perspective of Sammy “A&P” by John Updike tells the story of Sammy, a teenage boy working at a grocery store, when he sees three girls dressed in swimsuits enter. Quickly, Sammy becomes infatuated with the leading girl whom he dubs “Queenie”. Eventually, the girls are accosted by the manager for dressing inappropriately and Sammy quits in both an act of rebellion and wanting the appreciation of the girls. All throughout the story Sammy’s sarcastic and inquisitive nature comes out leading to a distinct voice and thought process the reader follows giving the reader a very opinionated view of all the characters and action in the story.
The grocery store was not that busy, informed in the story that “The stores pretty empty, it being Thursday afternoon, so there was nothing much to do except lean on the register and wait for the girls to show up again” (Updike 475). Sammy did not miss the opportunity to keep his eyes on the girls, especially since he was instantly interested in Queenie who was introduced to us as the leader among the girls. Each of the girls was different and had bathing suits on. Sammy was very descriptive about each bathing suit; he included many details. Queenie “had on a kind of dirty-pink beige maybe, I don’t know bathing suit with a little nubble all over it and, what got me, the straps were down, they were off the shoulders looped loose around the cool tops of her arms, and I guess"(Updike 473).
In Edith Wharton’s most remarkable novel, Ethan Frome, the main character, Ethan Frome, is in love with a prohibited woman… his wife's cousin. His wife, Zeena, is a sick woman who has a villainous essence to her and an irrevocable hold on Ethan. Mattie Silver is Zeena’s cousin and the woman Ethan is infatuated with. Through Ethan’s eyes, Mattie is described as youthful, attractive, and graceful basically everything Zeena isn’t.
As the story begins, it is undeniable that the first person omniscient point of view is heavily loaded with observation techniques. Sammy is able to point out the dress code and the prima donna legs of the peculiar lady he has decided to call Queenie. Glued to his observation, he is able trace the steps of Queenie who comes down in measured heels. Furthermore, through the narration, Sammy reveals his keenness as he mentions the “dirty pink or beige suit” that is worn by the lady (Updike 359). As a dynamic character, the story of the three girls develops Sammy into an interested individual who describes the chest of Queenie as “mental tinted in light”.
