Miss Emily Grierson, the legend honor of the story “A Rose for Emily," is an outré character. Taciturn from the community, confined in a bittersweet world of misunderstanding, Emily never garner any psychiatric therapy, but she reveals indications of different signs for her cerebral sickness. By inspect Emily’s conduct and her public relationships, it is plausible to determine Emily’s intellectual ailment. While her circle never viewed Emily as insane she was an extremely sick person. Whenever you're experiencing difficulty identifying signs of rational sickness in Miss Emily, this psychological nature scrutiny of Emily will be totally useful.
This story applies to the Feminist Criticism because the relationship with Emily and any male figure in her life is dependent. Also, this short story displays a society completely dominated by males. Moreover, Emily in the text is presented as isolated, a life she lives due to her father’s controlling ways, this shows her as dependent and feeble minded for continuing this unhappy way of life based on a man’s jurisdictions. Faulkner, in A Rose For Emily, states, “That was two years after her father’s death and a short time after her sweetheart— the one we believed would marry her—had deserted her. After her father’s death she went out very little; after her sweet heart went away, people hardly saw her at all.
Regarding complexity, a character can be round or flat; in this case, Emily is a round character. According to Pacheco and Meyers, “round characters are those fictitious beings which the reader can readily visualize because the writer has provided them with a number of qualities and traits” (42). In “A Rose for Emily,” the character of Emily Grierson is an illustration of round characterization. From the beginning, the author offers the reader not only a clear physical description of Emily, but also some of her most dominant character traits: The day after his death all the ladies prepared to call at the house and offer condolence and aid, as is our custom. Miss Emily met them at the door, dressed as usual and with no trace of grief on her face.
Homer Barron is described as “a big, dark, ready man, with a big voice and eyes lighter than his face” (Faulkner 4). No woman wants to feel as if they’re unattractive, especially when it comes to someone they like in an intimate way. However, Emily’s problem wasn’t that she was unattractive because according to Faulkner, she was quite beautiful in her youth. The ultimate issue did not lie on Emily, but on Homer Barron because of his odd remark that he liked men. Emily must have been confused and a tad bit sad to find out that the man she liked didn’t like her back.
William Faulkner’s short story “A Rose for Emily” and Ralph Ellison’s “Battle Royal,” a chapter from his novel invisible Man that is also sometimes excerpted as a short story in literary anthologies, are both set in the South in the early to mid-twentieth century. The characters, circumstances, and narrative voices are all quite different, but both shared the Southern setting and the theme of racial relations in the South. Faulkner’s “A Rose for Emily” describes a town legend named Miss Emily Grierson whose family was once important, rich, and powerful in the Mississippi community in which the story is set. The narrative voice is the voice of the town itself, a gossipy perspective that gets all of its information from outside observation, rumor, and town history. The narrator does not actually know Emily; they are not friends and probably not even acquaintances.
When Emily’s father died, she refused the town from taking his body and burying it. She wanted to keep her father’s body with her and the town was “about to use law and force, but she broke down, and they buried her father quickly” (453). She also hid Homer’s body after she killed him. Emily wanted to keep him with her forever and did not let him say no to marrying her. She bought clothes and a bathroom set to
In detail, maybe the reason for this fear is the social status or the position of the Grierson’s in the community. Also, there were a lot of red flags about her intention to kill Howard Barron but the whole town was clueless despite all these signs. In the end, Emily Grierson has been psychotic since the beginning of the story, how and when she lost her mind is unknown. The one question perhaps that all the readers ask about this story is, what is her motive to kill Howard Barron? I was shock to find out about Jack Scherting’s idea about Emily’s motive behind Howard Barron’s murder.
This Faulkner novel exhibits how the actions of one individual could turn them from beloved of the town to someone is rarely even heard from. “After her father’s death, she went out very little; after her sweetheart went away, people hardly saw her at all.” This quote provides more proof of what we had already knew, which is that Emily is a very isolated person. Her father had isolated her from men when she was young and the Homer Barron situation had isolated her from everybody within the town except for
The audience tends to ask what happens to Homer Barron. After Emily’s death, everyone in the town assumes that Emily bought the arsenic to poison Homer. In Jim Barloon’s article on “A Rose for Homer,” he states that many people have questioned if “Homer Barron, Emily Grierson 's suitor in Faulkner 's "A Rose for Emily," is gay” (Barloon). Homer says himself that “he liked men, and it was known that he drank with the younger men in the Elks ' Club--that he was not a marrying man” (Faulkner). No one will ever know why Miss Emily killed Homer Barron, but by him saying this, the audience thinks that Emily killed him because she wanted to be with him, but maybe Homer just wasn’t
A Rose for Emily William Faulkner was an American writer and Nobel prize laureate from Oxford Mississippi. Faulkner wrote novels, short stories, a play, poetry, essays and screenplays. He had assorted styles of writings. He is one of the most celebrated writers in American literature generally and Southern literature specifically. One of his styles of writing included Southern Gothic.