Art Analysis Essay In the work Lucrezia Romana by Giovanni Pietro Rizzoli, otherwise known as Giampietrino, there stands a contorted woman with a dagger nearly piercing her own flesh as she waits to take her own life. The figure, Lucretia, is a character from the ancient Roman period who was said to have been raped by the son of the tyrannical ruler of Rome. The oil painting on wood was completed in 1540 in the city of Milan, in the midst of the High Renaissance period. While Giampietrino’s painting stands as a remarkable piece of artwork, it must be noted that a lot of the stylistic qualities he implements into the work are extremely similar to that of Leonardo Da Vinci’s. Given that Giampietrino was a student of Leonardo for over 30 years, …show more content…
Had he been born 100 years prior this work would have most likely looked entirely different. This work, as it contains qualities characteristic of a High Renaissance work, embraces the humanistic spirit in a unique fashion as Lucretia is at the moment right before her own death. A common motif in Renaissance works was to focus on the moment right before in capturing all of the emotion in the figure face the moment before something occurs. And in this work, Lucretia at the moment right before she pierced herself with a dagger, remains tranquil and at peace as she awaits her death. The two ideas, while somewhat antithetical, do align with the narrative of Lucretia in that she survived a rape from a Roman ruler maybe physically but emotionally she’s unable to cope which leads her to take her own life. In this work, Giampietrino incorporates Christian iconographies, namely the cross necklace and the red hair, in a pagan narrative, similar to how Raphael incorporated a myriad of pagan thinkers in his School of Athens which was located in the Vatican. Following Raphael’s lead decades later, Giampietrino is too joining pagan and Christian ideologies in the same narrative. However, the work of Raphael and Giampietrino would not have been possible if not for Dante’s Divine Comedy in which he
This art piece shows that throughout the 19th and 20th century, African-American culture was reborn. By displaying the Emancipation Proclamation, a ballot (symbolizing voting rights), and a person breaking free of chains (meaning that the person is breaking away from slavery and becoming free) the meaning of this artwork is certain to be depicting the Harlem Renaissance and the Underground Railroad. To summarize, the Harlem Renaissance and the Underground Railroad are depicted in this piece of art. In addition, a few ways of thinking and beliefs were introduced and embraced throughout Italy during the Renaissance as society changed and religion lost its influence on its people. As we can see from this piece, Plato and Aristotle are the focal point in this piece of art.
One of his most famous engravings, St. Jerome in His Study, is also rich in symbolism. Both the Arnolfini Wedding and St. Jerome in His Study are true masterpieces. In these two artworks we see that the painters were
Dante's Alighieri presented an interesting piece of literature, "The Inferno" by connecting the ancient world with the Christian world through a numerous elements, ideas, and personalities. Dante's incorporations of these various elements, ideas, and personalities reveal to the readers of his knowledge of the past and how he acknowledges the Greek and Roman cultures throughout his poem. The synthesize of the ancient world into the Christian framework details the importance of the past, Dante sought to bring an understanding towards his audience in the importance of learning from the past. "The Inferno" presented a unique outlook of Dante's incorporation of the ancient world with a variety of characters during his time, Greek and Roman characters.
The semesters that he spent in art school were ones of development and scrutiny. A broad spread of courses were taken in the history of Western Art. Here he gained knowledge of the works of Italy’s finest sculptors, Michelangelo and also the works of the Florentine, Leonardo Da Vinci. During the eighteen months at the school he developed his critical thinking. His study in period courses included Romanesque Art 1050 to 1200, the colorful points of the Renaissance, a look at contemporary artists of London, the Impressionists and Picasso.
Dante was inspired by the works of poets such as Homer and Virgil who are notoriously pagan. Their influence and faith may have led Dante
In Medieval, Italy in the year of 1265, a soon to be accomplished author and poet was born. This author, was Dante. Like many other authors who came before him, Dante used his personal life to spark a poem or story. From his first encounter with Beatrice at the tender age of nine, to his “mid-life crisis” after his exile, numerous parts of his life led to his creation of the Divine Comedy. With more than one mission in mind, Dante decided to use both epic and allegorical elements in his Divine Comedy as the best means of revealing his message and wisdom to his readers.
Artwork is a form of self-expression from an artist based on life experience, or on something that the artist feels strongly about (Berenson, 87). The product of art can help others with similar experiences but not able to express the same feeling themselves. From the product of art, people can start drawing excitement, purpose as well as encouragement about the real thing being expressed. Through a piece of art, the artist can communicate a purpose, an emotion or an idea in their work. In this research paper, I compare two pieces of artwork; Madonna and child with the saints by Giovanni Bellini and Madonna and child with the two angels done by Fra Filippo Lippi.
Instead he copied paintings from several churches in Italy. Also, he meets various painters who influenced him to pursue his art education. His
Michelangelo famously carved many sculptures throughout his lifetime. One of his most famous pieces is the Rome Pietà. The French cardinal Jean de Bilhères Lagraulas commissioned Michelangelo to carve a memorial piece for his own burial in 1497 (Wallace, 243). The Pietà is currently on display in St. Peter’s Basilica on a pedestal as an altarpiece. William Wallace’s article “Michelangelo’s Rome Pietà: Altarpiece or Grave Memorial?” discusses whether the Pietà should be viewed as an elevated altarpiece or at eye level as a memorial through historical context and the intention of how the work was made to be viewed by an audience.
Arionna Swann Mr. Noble Honors English 1 5 December 2014 Renaissance Age The Renaissance was a time when human kind began to rise from the middle ages. During this time, scholars began to create ideas for themselves off of ancient philosophers. During the Renaissance, or "Rebirth”, there were many historical and artistic issues that informed and shaped the views in Italian and Northern European art.
“A mirror,” Allen Tate writes, “is an artifact of the practical intellect, and as such can be explained by natural law: but there is no natural law which explains man as a mirror reflecting the image of God” (Tate 275). Dante, Tate concludes, gives mirrors their transformative symbolism rather than uses their preexisting symbolism. One of the most important moments that mark the beginning stages of Dante’s transhumanisation is the three mirrors experiment first mentioned in Canto II. Dante’s fascination with mirrors originates from Pseudo-Dionysius, who structured the cosmos “into a cascade of illuminations by presenting the angelic hierarchies as mirrors which received and transmitted divine light” (Gilson 245). The extent of Dante’s direct contact with Dionysius’ works is not known, but Dionysius’ preoccupation with angelic intervention had become popular by the time Dante was writing the Commedia (Gilson 245).
Pulido 1 Kinsley Pulido AP Language and Composition Ms. Jonté 8 February, 2023 Biblical Allusions in The Inferno The Inferno, written by Dante Alighieri during the early 1300’s, conceptualizes various early works to paint a picture of Hell. Biblical accounts are used often within Alighieri’s Divine Comedy in order to provide a realistic depiction of God’s intentions for the afterlife of the human race. Dante Alighieri alludes to the Bible in The Inferno to equate his personal vision of Hell to the Biblical perspective of Hell. Alighieri references the story of Lucifer allowing for a connection to be drawn to the Biblical ideology of essentially the “ruler” of Hell. “lifted his brow against his maker,
Dante Alighieri, who was born in 1265 CE and later died in 1321 CE, was a famous poet in Florence, Italy, most commonly known for his book, Dante’s Inferno. Dante’s Inferno was a product of Dante’s time period because in Florence during this time period, the idea of death and afterlife was very prominent in religion, and Dante’s text, The Inferno, focuses on the idea that the sins committed during one’s life determines the fate of one’s after-life. Because the idea that one’s sins determined their fate and life after death was such a common element in literature and art in Florence during this time period, many other pieces of work emphasized the same ideals, specifically one work in particular, The Scrovegni Chapel. From the years 1303 through 1310 CE, a man named Giotto Di Bondone, an italian painter, used the same principal ideals about sin and life after death that Dante used, in one of his most famous and influential pieces of work, The Scrovegni Chapel.
“Durante Degli Aligheries Inferno {Part of the Divine comedy} is widely regarded as the greatest poem in modern european language, its allegorical comparisons, metaphors and satirical critisism of italy in the 15th century all contribute to its level of prestige. However, what influenced Dante Aligherie to create such a masterpiece? By looking at Dante Aligheries participation in Florentine Politics and comparing it to the extensive amount of political references used in Dantes Inferno it is clear that Politics played a vital role in creating Dantes depiction of Hell. Furthermore, by examining the importance of religion in medieval Italy and Dantes connection to the church, one can easily see that Dante heavily uses religious references to the pope of the church. Finally, this essay will investigate how Dantes connection to Florentine art influenced the poems content.
Dante’s Inferno represents a microcosm of society; meaning, laymen, church, politicians, and scholars are all compiled into one place and punished for their sins. Hell, despite being depicted as brutal, ugly, and chaotic, is made realistic because the inhabitants come from every country and every walk of life. While Dante Alighieri did not invent the idea of Hell itself, he did create an important and in depth concept that still receives attention in biblical, classical, and medieval works. The Divine Comedy itself was written sometime between the years 1308 and 1321 and scholars still consider it the “supreme work of Italian literature.” The work itself is an epic poem divided into three separate sections: Inferno, Purgatorio, and Paradiso; respectively Hell, Purgatory, and Heaven.