In Charlotte Perkins Gilman’s “The Yellow Wallpaper,” Jane is a mentally ill woman whose surroundings are only worsening her condition. Jane’s husband, a physician, thinks that a change of scenery will benefit her condition and takes it upon himself to relocate to a summer home, not knowing that this new environment will be Jane’s downfall. The entire story is written as a journal, inscribed by Jane whenever she can stealthily disobey her husband to write. Gilman writes the story from Jane’s point of view to coax the reader into a deeper understanding of Jane’s mental battles and the overall theme of oppression. Gilman’s choice of style for this short story exponentially enhances the effectiveness of the text because the reader is opened
As was common of the treatment of women during the nineteenth century, Charlotte Perkins Gilman's short story, "The Yellow Wallpaper," is one of oppression as John, the protagonist's physician husband, tries to cure her mental illness with a treatment plan of solitude and rest after moving in hopes his wife will regain her health. While critics have debated what causes the character's eventual insanity, María Teresa González Mínguez suggests that lack of a creative outlet lends to the woman's rapid regression. The protagonist's lack of a creative outlet combined with isolation ensures a downward spiral for the woman as symptoms of her mental illness ultimately consume her. While John hopes monitoring his wife's behaviors will cure her, his efforts only worsen her mental state.
Charlotte Perkins Gilman’s The Yellow Wallpaper presents a number of forms of control that the narrator is confronted with throughout the story. The forms of control presented in this story serve to demonstrate the oppressive weight of the patriarchy experienced by women at the time The Yellow Wallpaper was written. Gilman displays patriarchal control in both physical and psychological forms. She also presents a narrator who has internalized these oppressive expectations and her descent into madness which allows her a glimpse at freedom.
In the early 1900s, it was a man’s world; everything was controlled by men and the women were just supposed to clean, cook, and produce children. Many women had a nervous disorder, meaning they were nervous about everything, or they had crippling depression where they couldn’t seem to accomplish anything without being upset. Numerous women were sent to male doctors, there were few female doctors at this time, for these disorders; the doctors almost always prescribed the rest cure, intending that the women would do little to no work and just rest. In 1898, Charlotte Perkins Gilman wrote “The Yellow Wallpaper,” in which Gilman uses various literary devices that helps to show how the narrator is becoming fixated on the wallpaper as well as deranged
The protagonist of The Yellow Wallpaper anthropomorphizes the floral elements of the yellow wallpaper, wherein wallpaper is typically a feminine floral decoration on wall interiors. These elements signify the scrutiny Victorian society makes of lives of its womenfolk, particularly of women who are creative and insubordinate to their spouses. The protagonist is one such woman; her writing denounces her imaginative character and the surreptitious persistence of her writing denounces her matrimonial and feminine disobedience which were considered radical in her contemporary society. Gilman expresses the suppression felt by women from societal scrutiny to be one of “strangling”, through the narrator, who in one instance describes the wallpaper pattern like so: “it strangles so; I think that is why it has so many heads… the pattern strangles them off and turns them upside down, and makes their eyes white!” Her anthropomorphizing of the pattern of the wallpaper adopts a grimmer facet when she writes that “when you follow the lame uncertain curves for a little distance they suddenly commit suicide.”
Analysis of the Insane Process of the Heroine in the Yellow Wallpaper The author of the Yellow Wallpaper is Charlotte Perkins Gilman (1860—1935), an outstanding American feminist, writer, novelist and so on. During her life, Gilman has written so many poetry and short stories. She is a utopian feminist and is honored as a role model for future generations of females due to her odd concepts and lifestyle. The Yellow Wallpaper is not the first or the longest work of her, but it is a best-seller of all her works.
Women in the 1800’ and early 1900’s were treated the same as slaves, second class citizens who had no voice or decision over their lives. In the short story “The Yellow Wallpaper” written by Charlotte Perkins Gilman in 1892 with a late American 19th century setting. The main character, a nameless woman, fights depression and anxiety along with being oppressed by her husband John and wanting to rise against the norms of
In the nineteenth century, woman had no power over men in society. They were limited in their freedom, as their lives were controlled by their husbands. Some women did not mind this lifestyle, and remained obedient, while some rebelled and demanded their rights. “The Yellow Wallpaper” by Charlotte Perkins Gilman, and “The Birthmark” by Nathaniel Hawthorne, are short stories that exposes the lifestyle women lived in the nineteenth century. The protagonists from both stories, Jane and Georgiana, similarly lived a male dominated lifestyle.
They were degraded and debased by hands to believe that they were worth almost nothing, only worthy of bearing children. This superfluous male domination tip to many women feeling snare in their own homes, unable to dodging from the childbed placed on them by their hubby. An illumination of these confines was accounted by Charlotte Perkins Gilman , a feminist writer of the nineteenth century, in her short account “The Yellow Wallpaper ”. In this story, Gilman portrays herself as a woman who is woe from post-partum depression. The woman is locked away from gild in a confined room, only to drive herself even more insane.
Passage Analysis #1 Charlotte Perkins Gilman, “The Yellow Wallpaper” Gilman, in this particular passage of “The Yellow Wallpaper,” explores the theme of female oppression through imagery and symbolism of the wall-paper. These elements of literature make the wall-paper come to life for both the narrator and the audience. “The front pattern does move”(55) personifies the wall-paper to be so animate and physically restraining that the woman behind it must shake it to attempt to escape. The italicization of “does” serves to further affirm that the wallpaper exhibits restrictive human-like behaviors - particularly those of dominant men in society. The narrator states that there are “a great many woman behind”(55), extending the metaphor to all Victorian women in the United States and others around the world who are oppressed.
Throughout the generation, women have always been trapped in some way or another. In the short story, ‘The Yellow Wall-Paper’ and the novel ‘The Awakening’ highlights the struggle of women in the late 1800’s and the early 1900s in society. The Yellow wallpaper is a short story about women giving birth and being imprisoned in a room with a weird view of the yellow wall-paper. This resulted in her hallucination lead to the development of mental illness. By the end of the story, she rips off the yellow wallpaper and kills her husband.
In the beginning of the story, Gilman incorporates a character who has convinced herself that she is living in a perfect marriage when in fact it is quite the opposite. In the story, along with her marriage, the woman becomes obsessed with patterns, beginning to criticize and become sceptical about every pattern. The women believes “the color [of the wallpaper] is repellent, almost revolting, a smouldering unclean yellow, strangely faded by the slow turning sunlight.” (2) The character has altered her body from a once lustrous to now grotesque.
She wrote “The Yellow Wallpaper” in an effort to open the public’s eyes to the unfairness of this treatment. By infusing Jane’s narrative with childish language and actions without ever actually calling “Jane” by her name, Gilman creates a universal experience any woman of the time could insert herself into. This allowed women to fully realize the injustice they faced. John’s belittlement of Jane also serves to create both a universal and eye opening experience for the women reading it. Additionally, for those who were willing to read into the symbolism, the nursery and the meaning underlying it added to the injustice Gilman conveys.
In the short story, The Yellow Wallpaper, Charlotte Perkins Gilman represents how wretchedness is overlooked and changed into blended sentiments that eventually result in a significantly more profound enduring incongruity. The Yellow Wallpaper utilizes striking mental and psychoanalytical symbolism and an effective women's activist message to present a topic of women' have to escape from detainment by their male centric culture. In the story, the narrator's better half adds to the generalization individuals put on the rationally sick as he confines his significant other from social circumstances and keeps her in an isolated house. The narrator it's made out to trust that something isn't right with her and is informed that she experiences some illness by her own significant other John.
Gender Inequality: A Woman’s Struggle in “The Yellow Wallpaper” In “The Yellow Wallpaper”, Charlotte Perkins Gilman captures the lives of women in a society based on societal expectations during the late nineteenth century. She focuses on the issue of gender inequality where women were often discriminated against and expected to fulfill the role of a perfect wife and mother. The narrator is based on on Gilman’s personal experience of suffering from her treatment for postpartum depression due to the social restrictions on women which represents a reflection on women's social status in society. The narrator, who remains anonymous, is depicted as a depressed and isolated prisoner who is oppressed under her husband’s control and struggles to break free.
