People in poverty aspire to live similar to a middle-class citizen or a person who lives a life with no stress. In the memoir, Change Me into Zeus’s Daughter Barbara Moss illustrates the difficult conditions of a common family living in poverty in rural Alabama. Moss suffers from an abusive father who is addicted to alcohol, a mother who tolerates the abusive relationship of her husband, and lack of the minimum essentials to maintain living. The lack of minimum essentials includes food, health, and housing. The hardships of being in poverty inspire Moss to change her future. The author’s mother appreciation of poetry and music influences Moss’s aspirations of becoming a writer.
Beauty is a very powerful and prominent thing. It’s what makes you get out of bed in the mornings and makes the world go round. Despite all that, there are some negatives of it as well. “The House on Mango Street” by Sandra Cisneros gives a window back in time to a point where a little girl named Esperanza grows up on the streets of Chicago. Through the numerous rapes, abusive relationships, and the absence of respect for women, Cisneros portrays a theme that beauty is a double edged sword through the characters Esperanza and Sally.
Lucille Parkinson McCarthy, author of the article, “A Stranger in Strange Lands: A College Student Writing Across the Curriculum”, conducted an experiment that followed one student over a twenty-one month period, through three separate college classes to record his behavioral changes in response to each of the class’s differences in their writing expectations. The purpose was to provide both student and professor a better understanding of the difficulties a student faces while adjusting to the different social and academic settings of each class.
“The consequence of this is that I’m always finding humans at their best and worst. I see their ugly and their beauty, and I wonder how the same thing can be both”. Death is the narrator of the novel ‘The Book Thief’. Death implies that there is something ugly and beautiful in every human being he has come across, but yet he doesn’t know how they can co-exist in one person. The Book Thief explores how beauty can co-exist with brutality. Liesel Meminger, Rosa Hubermann and Hans Hubermann are three of the vast majority of characters who show their beauty in the midst of brutality.
In Edith Wharton’s most remarkable novel, Ethan Frome, the main character, Ethan Frome, is in love with a prohibited woman… his wife's cousin. His wife, Zeena, is a sick woman who has a villainous essence to her and an irrevocable hold on Ethan. Mattie Silver is Zeena’s cousin and the woman Ethan is infatuated with. Through Ethan’s eyes, Mattie is described as youthful, attractive, and graceful basically everything Zeena isn’t. This references to the theme: society and morality as obstacles to individual desires.
As the man in the stadium opened the door on the right, he found himself staring into red beating eyes. The man then realized he was staring into the eyes of a hungry drooling tiger. As the man ran like the wind he yelled, “please do not eat me I am only human!” The man ran and ran, meanwhile he began to lose his energy and strength. The man started to stumble and trip over his own feel, however he was able to stay ahead of the drooling tiger.
How do we establish virtue? For most of us, the answer is not so easily encountered, and nuance and ambiguity persistently muddy our paths to righteousness. In The Romance of the Forest, however, Ann Radcliffe explicitly crafts her characters’ morality, inventing a limited spectrum upon which most of her characters fall. On the side of uncomplicated wholesomeness exists Adeline and the La Luc family, whose introductions inform their goodness in plain terms. Conversely, the novel’s main antagonist, the Marquis de Montalt, inhabits the side of primarily uncomplicated evil (or at least, expressing a privation of righteousness). Although a convincing argument might be made that Radcliffe’s characters are all, at different moments, sympathetic and morally
There are many uncivilized leaders and it is hard to choose just one, but barbarism is the opposite of a civil monarchy. In literature, there are many examples of inhuman leaders, including Frank R. Stockton's barbaric king in "The Lady, or the Tiger?". The king is half barbaric and created a legal system that is dishonest and is used for the satisfaction of the viewers. Due to the absence of a government's influence the king’s inhumanity is extremely evident. The king is uncivilized because of his arbitrary and barbaric justice system and his lack of government in his kingdom.
The question of feminine insanity and madness within literature has been a topic of much debate within literary studies, particularly among those scholars who focus on feminist readings of the texts in question. Many of these new readings and analyses are based on or heavily rely on the influential work of Gilbert and Gubar, who focused on the issue of female madness within Victorian fiction in their work The Madwoman in the Attic. As they posit in their work, female authors of the time were confined to only two models of femaleness within their works, either the pure angel or the untamed madwoman. Here they also introduce the idea of the double, which harkens back to the dark doppelgänger from the gothic tradition. As they explain in the preface to the text, many of these work is dealing with female madness while seemingly placing two models of femininity opposite one another are in actuality “fantasies in which maddened doubles functioned as asocial surrogates for docile selves” (Gilbert and Gruber 6). Though the model of the madwoman in the attic was largely based around Brontë’s Bertha Mason, Gilbert and Gruber themselves have dubbed the aforementioned work as “Rebecca's aunt” (ibid. 336). With the many similarities and allusions du Maurier makes to Brontë’s work, Rebecca lends itself particularly well for
Imagine being told as a female in today’s world you must look or act a ¬¬certain way in order to be accepted. Being what you want to be is not allowed and changes have to be made in order to be included. They say “pain is beauty, and beauty is pain” as they way a woman looks today are completely different from ten or even fifty years ago. In this paper, the reader will understand the mind of a woman in today’s society and the difficulties to be not only accepted but being her own person as well. Not only has the appearance of a woman changed but also role titles and job descriptions as well. Jane Martin’s play “Beauty” shows us two different versions of the problems women are facing current while living in today’s world and taking a walk in
in “The Yellow Wallpaper” by Charlotte Perkins Gilman and “Aunt Jennifer’s Tigers” by Adrienne Rich
In comparison to the rigid patriarchal society portrayed in “My Last Duchess”, Keats’ “La Belle Dame sans Merci” illustrates how the freedom of individual expression in the romantic period affects people’s perspective on love. While the narrative persona in “My Last Duchess” demands his wife to devote her love to him, the protagonist of “La Belle Dame sans Merci” devotes to the woman he loves even though the love is unrequited. This is evident through the repetition of the line “On the cold hill side.” throughout the poem. The noun phrase “cold hill” suggests that the knight is lonely and depressed when he waits for the woman solely, however unlike the narrative persona of “My Last Duchess”, he would not demand the woman to love him instead he would wait patiently until the day his affection towards her is accepted. Subsequently, through the knight’s patience in waiting for the woman he favours, Keats highlights the strong affection she has for the woman.
In the Time of the Butterflies is published by Algonquin Books of Chapel Hill in 1994. Julia Alvarez (1950- ) selected a story that had haunted her since she was ten. This novel should be considered as a historical novel due to narrate the lives and deaths of the Mirabal sisters also known as “Las Mariposas” (Sirias 6). Julia is profoundly influenced by their deaths as states that “their stories ended just as ours began” (Garza 5). In the Time of the Butterflies was named a Notable Book by the American Library Association; selected as a Book of the Month Club choice; nominated as a finalist for the National Book Critics’ Award in fiction; and it was chosen one of the Best Books for Young Adults by the Young Adult Library Services Association
Originating in France, ‘The Necklace’ is a short story written by French writer Guy de Maupassant in the late nineteenth century, the period where literary movements realism and naturalism dominated French fiction. Maupassant played an important role in both the realist movement and the naturalist movement through his depiction of the setting as well as the character’s decision. The short story reflects upon the rigid patriarchal society during the late nineteenth century, demonstrating how the wealth of a person can lead to their generosity and greed; thus affecting their lifestyles. Through ‘The Necklace’, Maupassant aims to depict the conflicts between the upper-class and the lower class, how their inner desires vary. This essay will analyze ‘The Necklace’ and how Maupassant uses the social context, characters and literary devices in the short story to illustrate his misogynistic viewpoints towards women.