Rhetorical Analysis Of Behind The Formaldehyde Curtain

As a result of the growing comfort of the topic of death over the ages, not many factors have changed in the normality of a society as a whole. As breed once frightened by the matter of an eternal disintegration, we have progressed yet remained a constant from routine involving death down to colors of a mourning party and after rituals beyond the grave and on earth. To see this variability in behavioral instincts shows how close yet so far away the Elizabethan era seems to one who would review a constant. In conclusion, the topic of rituals revolving around death is highly important because it displays how little and how much humanity has changed its behavioral traits towards death since the beginning of an eternity of inevitable

The theme for “A Good Man is Hard to Find” begins with saying; we've all probably heard the saying “everybody shuffling fault.” While we might discovery this set phrase reassuring in situations like misfiling a write up or a making a minor traffic violation, it is shuffling a much more disturbing observation in the case of umbrage like theft or murder. Of course, Flannery O'Connor isn't claiming that everyone's guilty of homicide; however, her short circuit narrative “A Good Man is Hard to Find” makes it clear that everybody's guilty of something. Author Flannery O'Connor - a diligent Catholic and life-long Georgia house physician - often relied on her religious beliefs and regional experience as sources of inspiration for her work. This is particularly true in “A

Both Joe and Tea Cake’s funerals are representative of how they lived as people. Joe constantly exuded an aura of power and dominance and made people respect him. As a result, he was seen as a god-like figure by many and in a sense was impossible to relate to. The imagery of “[p]eople on farm horses and mules; babies riding astride of brothers ' and sisters ' backs” (88) makes it seem as though they are going on a religious pilgrimage rather than grieving over a loved one. By mentioning how the “expensive black folds” of the coffin “were resurrection and life” Joe may be likened to Jesus in how he was resurrected after three days of being killed (88). However, although many idolized him, Janie did not feel remorse during the funeral. Rather,

Throughout the novel Tuesday’s With Morrie, the author, Mitch Albom, reflects on his Tuesday meetings with his old professor, now consumed with a terminal illness, and, using many rhetorical choices, reveals “The Meaning of Life,” which they discussed profusely and divided into several categories. Topics such as Death, Emotions, Aging, Money, Culture, and more are all discussed in their weekly conferences, Morrie passing his wisdom on to one of his favor students. And Albom, writing about their talks, uses numerous rhetoric devices to discuss this wisdom.

Jessica Mitford’s, “Behind the Formaldehyde Curtain,” is an assertive account of the true realisms involving embalming. Jessica Mitford takes a bold stand against the funeral industry and states that people are “blissfully ignorant” (Mitford 310) on preserving people. Ultimately, Jessica Mitford’s argumentative essay is successful due to her very somber but informative and organized tone, her style using dark vivid imagery and quotations make her claims credible.

In the essay, “The Death of the Moth”, Virginia Woolf uses metaphor to convey that the relationship between life and death is one that is strange and fragile. Woolf tells the story of the life and death of a moth, one that is petite and insignificant. The moth is full of life, and lives life as if merry days and warm summers are the only things the moth knows. However, as the moth enters it’s last moments, it realizes that death is stronger than any other force. As the moth knew life seconds before, it has now deteriorated into death. The moth which had been so full of life, was now dead, showing that the line between life and death is one that is fragile and easy to cross without intention, or expectance.

The attitudes to grief over the loss of a loved one are presented in two thoroughly different ways in the two poems of ‘Funeral Blues’ and ‘Remember’. Some differences include the tone towards death as ‘Funeral Blues’ was written with a more mocking, sarcastic tone towards death and grieving the loss of a loved one, (even though it was later interpreted as a genuine expression of grief after the movie “Four Weddings and a Funeral” in 1994), whereas ‘Remember’ has a more sincere and heartfelt tone towards death. In addition, ‘Funeral Blues’ is entirely negative towards death not only forbidding themselves from moving on but also forbidding the world from moving on after the tragic passing of the loved one, whilst ‘Remember’ gives the griever

Do you ever wonder how a brutal murder victim appears to look their normal selves at their funeral? Well, in Jessica Mitford’s “Behind the Formaldehyde Curtain”, she takes us through the amazing, yet disturbing process called Embalming and Restorative Arts. Mitford is disgusted and completely against it because she thinks it is inhumane, so she goes into illustrative detail by using similes, and a great deal of imagery.

In the essay “Executions Should Be Televised” Zachary Shemtob and David Lat argue that executions should be made public. They claim that while most executions are made to be painless, some may cause “unnecessary suffering”. This essay invokes a strong appeal to ethos, pathos, and logos leading the reader to really think about whether or not public executions are acceptable. Which they should be(actually, I am on the fence).

“Change is the law of life. Those who look only to the past or present, are certain to miss the future” (Peters, Wolly). A famous quote stating that change is normal, necessary, and sometimes needed whether it is wanted or not. The citizens of Pleasantville lived the same life, day by day, with no variation. This is why they fear change, but they soon find out change is not entirely a bad thing though it may appear to be. An analysis of Gary Ross’ movie Pleasantville reveals that change may seem petrifying because of how foreign it is to them, but change is inevitable.

In “The Funeral,” the narrator Henry James shows condescending and playful tone towards the people attending the funeral. But not being focus on the actual funeral and drawing his attention to the people, he grieve at all, as you usually do in a funeral.

In “The Yellow Wallpaper” by Charlotte Perkins Gilman, it is demonstrated that the oppression on women is a very real and hazardous thing. She depicts this through an experience of a crazy married woman who is trapped by her husband and contained in the mental prison that is her home. Using the aspects of gender criticism, “The Yellow Wallpaper” is in conjunction with these societal way to oppress women through the male dialogue and perspective.

Sandburg used stirring diction to convey death as peaceful. Death’s role in “Cool Tombs” is to show that “the ultimate peace is the silence of death” (Napierkowski, “Themes” 48). Sandburg portrays the peace in death through a variety

Through personification the speaker depicts death as a gentlemen, and not someone who brutally takes our lives quickly, but in a courteous manner. The use of symbolism to describe three locations as three stages of life. These three stages are used to show our childhood,adulthood, and us as elderly soon about to meet death, The speaker also uses imagery to show that all death is a simple cold, then we go to a resting place which is the grave, and from there on we move on toward eternity. Death is a part of life that we all need to embrace, and learn that it is not meant to be

In this world, there are certain issues that most people would rather avoid confronting, and at the top of that list is one a particular event that inevitably affects everyone: death. There were, however, a select few that accepted death – embraced it, even. Nathaniel Hawthorne was an author who explored this topic extensively through the myriad short stories he wrote in his lifetime. Initially, they were all published anonymously and separately in magazines and the like, which were very well-received by the public. He then collected them into multiple volumes and re-published them, hence the title Twice-Told Tales. This selection includes the stories The Haunted Mind, The Minister’s Black Veil, and The Wedding Knell, which all address common