Sacrificing. Suffering. Despising. The novel Frankenstein by Marie Shelly tells the story of Victor Frankenstein, a young scientist who creates a grotesque creature in an experiment trying to invent life of his own. Victor regrets his action so turns the creature lose to the world and closes himself in his abysm of thoughts. The creature toughly discovers the world on his own and declares war on humanity. Frankenstein’s act as God conducts his life and his creation’s into a series of terrific events. As the novel progresses, Victor and his monster vie for the role or protagonist. At simple site, readers think the monster and Victor are two completely different people, but in fact they share the same desires. The creature ironically becomes Victor’s doppelganger by both wanting affection, their miseries and hate for each other. Victor and the creature are both driven by the longing of love. After long years of hard study and work for life origin and structure, Victor committed himself to create a life of his own. “A new species would bless me as its creator. Many happy and excellent creatures would owe their existence to me” (Shelly, 21). While …show more content…
These driven characters thrive for the same goals, feed of similar pain, and feel the same loneliness, remorse, and isolation as one another. These similarities are so extreme that it is for no reason that most of the world recognizes the creature by the name of Frankenstein himself. Regardless of their considerably different looks, physical manifestation and lives, Victor and the monster have many similarities in the physiology, emotional and habitual domains. The monster and Victor represent the same and their differences complement each other. With the progress of the story, the creation manifests itself as an identification of the traits and qualities of his creator, Victor
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In the famous novel “Frankenstein” by Mary Shelley, Victor Frankenstein’s creature is blatantly mistreated by his creator and misunderstood by the people around him. Mary Shelley introduces the daemon as a hideous creation made by Victor. Being appalled by the creature Victor instantly abandoned it, whose goals now are finding his creator again, and finding out why he is alive. Only by understanding the creature’s story can the reader form a full opinion of the creature and react more sympathetically. Early into the creature's creation, we as readers know very little of his story.
Victor and the Creature seem to rival each other for the title of “the monster.” Everyone saw the Creature, including his creator, as a hideous monster. His physical traits left him isolated from the world. He could never socialize with anyone or know what it meant
Fighting a Mirror In Frankenstein by Mary Shelley, self deception eclipses Victor Frankenstein and clouds his judgment. Victor’s passion in breaking the bounds of nature guides him in making the creation, but when Victor regrets giving life to the hideous creature, he deserts it. The abandonment is just the first step Victor takes to introduce the creation to malevolence followed with Victor’s assumptions of evil and lost responsibility in the results of his own zeal. Victor Frankenstein’s self deception not only forges evil into the creation, but also incriminates him for the consequences of Victor’s ambitions.
Frankenstein by Mary Shelley is a gothic horror novel about how, after weeks of being at sea, explorer Robert Walton comes across a very ill man named Victor Frankenstein. In a series of letters to his sister in England, he retells Victor’s story of the creation he made and how it forever changed his life. In the novel Frankenstein, readers know the real monster is Victor Frankenstein because he was selfish and only focused on himself, abandoned his creation, and let other people die as a result of his actions. In the beginning, Victor Frankenstein starts to show how selfish he truly is by ignoring his family’s requests to write letters to them while he is away.
Victor Frankenstein. As a young and ambitious Swiss scientist fascinated with creating life, Victor creates an artificial creature known as ‘The Creature’ through years of intensive study. Once The Creature is brought to life, Victor abandons it out of horror and disgust, neglecting his responsibility as its creator. Rather than nurturing and guiding his creation, he rejects it, which exacerbates The Creature's isolation. Dr. Frankenstein fails to consider the moral and emotional implications of his actions.
Victor Frankenstein creates a being that is initially kind and gentle, but eventually becomes vengeful and destructive. The question that arises is whether the creature's behavior is a result of his inherent nature or the way he was treated by society. In the novel, the creature is rejected by society and is never given the chance to experience love or acceptance. As a result, he becomes bitter and resentful towards his creator and the world around him.
The novel Frankenstein brings to light many problems and situations that shed light on the faults of mankind. Cruelty was a huge factor in the novel; throughout Frankenstein is cruel to his body and to his creation. When he first makes the creature he runs from it, leaving the creature to fend for himself; even when reuniting with the creature he continues displays cruelty. The creature, in turn exhibits Victor cruelty right back. Within Frankenstein cruelty can be attributed, often affecting both Victor and the creature; serving as a crucial motivator and revealing their anger, pain, frustration till eventually both die.
In Frankenstein, Victor Frankenstein is a scientist who brings a conglomeration of human and animal parts back from the dead. Despite his logical act of destroying the monster’s bride, Frankenstein still imprints hate, and hunts down his monster, making him the villain of his own story. The first clumsy act of villainy Frankenstein commits is when he first creates the monster. This horrid creature, made of human and animal parts, is born without intelligence, but more importantly is born with the ability to learn.
Victor Frankenstein is selfish. The novel portrays Victor as a selfish character who is only concerned about his own well-being. Frankenstein wanted to manipulate the power of life. He abandons his creation because of the creature’s appearance and also withholds information or lies about his creation. Due to Victor 's selfishness, readers feel sorry for his creation.
Frankenstein by Mary Shelley is a gothic novel that tells the story of scientist, Victor Frankenstein, and his obsession with creating human life. This leads him to creating a gruesome monster made of body-parts stolen from grave yards, whom upon discovering his hideousness, the monster seeks revenge against his creator, causing Victor to regret the creation of his monster for the rest of his life. Shelley uses the literary elements of personification, imagery, and similes to give a vivid sense and visualization of Victor Frankenstein’s thoughts and feelings as well as to allow us to delve deeper into the monster’s actions and emotions. Throughout the novel, Shelley uses personification of various forces and objects to reflect the effect in Victor’s actions.
Society views those who are aesthetically pleasing in a positive way and those who are less pleasant to the eye are immediately judged in a negative way. In the novel Frankenstein, author Mary Shelley shares the comparison between Victor’s actions and how a man should not sacrifice his humanity in the pursuit of knowledge. Mary gives us many examples as to when Victor did not remain engaged in the real world and how that backfired. Victor’s creation slaughters his cousin, younger brother, and best friend. Victor’s actions become the characteristics of a monster to which he kills the monster’s potential mate and causes the death of the most important people to Victor.
In Frankenstein, Shelley presents two characters who represent the different sides of the same character. The monster was a clear reflection of his creator because; they had the same development, same pain and suffering, and were recluses. Victor and the monster did not physically resemble each other, but they had the same personality and traits, therefore,
Mary Shelley’s Frankenstein follows the story of a scientist and his experiment gone wrong. Victor Frankenstein, the scientist, abandons his creature at the first sight of it coming to life. The monster, left alone and afraid, transforms from a warm, loving character to one that seeks revenge as the toils of nature and reality begin to take control. Their title changes of “master” and “subordinate” are often referenced in Frankenstein, and plays off the feelings of vengeance they have for each other. Shelley has built the novel around this relationship in a way that captures not only the audience’s attention but also the character’s feelings of regret and hatred as the consequences of exceeding these moral boundaries come to haunt them in the decisions they make and influence the people around them.
The monster continues by reassuring the creator of his independent intelligence and power over the creature by telling Frankenstein, “This you alone can do”. Here, the creature assumes a role of submissiveness and reliance on Frankenstein. Frankenstein’s monster gains the sympathy of the reader who, despite condemning the murder of innocent people, commiserate with the lonely creature who is in search of an acquaintance, which he will likely never find. The monster also displays power and aggressiveness over Frankenstein; “You are my creator; but I am your master; obey!” The monster wants to desolate Victor’s heart, not by killing him directly,
Virginia Brackett asserts in her analysis of the novel that “Due to the monster's rejection by the cottagers and other humans, Victor serves not only as his creator but also as the only social construct on which he can build his reality” As the creator of the creature, Victor adopted the responsibility of his creation and the duties that accompany it, however, instead of answering the call of duty he fled and disregarded his obligation to the creature. The creature