In our world today, there are a profuse amount of ways to deal with a disorderly environment: therapy, drugs, hobbies, etc…The way one person’s mind is wired to cope may be through playing a sport while others may enjoy meditation. In the novel, Sing, Unburied, Sing, by Jesmyn Ward, both Jojo and Leonie reveal that everyone's minds work differently when coping with a challenging environment.
Burdened with a lack of guidance from his parents, Jojo tends to cope by healing those around him. For example, when Jojo’s little sister Kayla becomes sick, he understands that he must take care of Kayla on his own, as their mother is not a dependable guardian: “Kayla need to eat. I can tell by the way she keep crying…I can tell there is something wrong
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Since birth, Jojo’s only guidance is through a semi-bond with his grandparents. As the novel moves on, Jojo becomes closer to his grandfather through Pop’s storytelling. Therefore, when Pop found the courage to tell Jojo this tragic story, he was able to surrender his emotional trauma by telling Jojo, and Jojo was ultimately able to relieve Richie of the enduring mystery of his death. This instance of Jojo healing both Pop and Richie allows him to overcome some of the anguish that is rooted in his parent's absence. One last example of Jojo healing the people around him is when Jojo rejects Leonie’s feeble-minded attempt at creating a potion for Kayla that seems to make her feel worse: “I carry Kayla into the bathroom and stick my finger down her throat and make her throw up… all the while, my heart beating so hard I can hear it in my ears, because I knew what Kayla was saying. I knew. I love you, Jojo… I heard her” (Ward, 118). Here, Leonie’s attempt to cure is passive as she persisted that Kayla’s feeling was only “carsickness”. Jojo shows a …show more content…
For example, when Leonie experiences a ‘high’ from drugs, she can see and talk to her dead brother Given: “Three years ago, I did a line and saw Given for the first time” (Ward, 51). When Leonie begins to overuse cocaine, Given begins appearing frustrated towards Leonie's actions. In this sense, Given is a symbol of the guilt and torment Leonie feels because of the way she treats her family. Leonie later swears to Given that she will quit cocaine, but of course, never does. This inability to quit shows that through the constant distress of her environment, Leonie resorts to drug use when coping. Another example of Leonie’s addiction takes place on a road trip on the way to visit the lawyer of Leonie’s imprisoned husband, Michael. They stop by the house intending to have a meal, however, Leonie does not arrive empty-handed: “When Leonie comes in from the car, holding her weeds in one hand, she trips on the rug… and a bag falls from under her shirt… and what was inside was the crinkled brown paper slides out. It is clear, a whole pack of broken glass, and I’ve seen this before” (Ward, 113). Here, Jojo narrates that he is familiar with Leonie’s habit of using crystal meth. Jojo’s immediate identification of meth displays Leonie’s constant use of drugs, even around her children. Through Leonie’s drug use, she comes across as a neglectful mother as her addiction comes
of Methadone and she reported maintain a satisfactory dosing level. During the last quartet, Pt. learned about heroin use, resentment, powerlessness and treatment progress. Pt. seemed to understand that she was completely without power, without strength, without any ability to control how much she used during her addiction.
The critical phrase “Given-not-Given, who is sitting there with a sad look on his face,” shows that he knows Michel's cousin is the killer and his inability to see his niece. The quote provokes the reader to believe Leonie might have made the wrong decision to be with Michel with an authoring tool called imagery. “We are all sinking, and manta rays are gliding beneath us and sharks are jostling us. I am trying to keep everyone above water, even as I struggle to stay afloat. I sink below the waves and push Jojo upward so he can stay above the waves and
I believe that the piece “‘The Pills are everywhere’:How the Opioid Crisis Claims Its Youngest Victims” is credible, after examining the article. The piece opens up the argument on the issue now surrounding parents struggling with addiction; their children. Their safety is in question, and this article, written by Julie Turkewitz, brings this issue to light. Turkewitz uses facts such as the total deaths of minors by opioid poisoning since 2015, but she also tells the story of Penny Mae Cormani, 1, and her family's response to the death of their daughter. She hears Penny’s grandmother, who gives her direct quotes for the article.
The book Slouching Towards Bethlehem, by Joan Didion, is centered in California during the start of the hippie movement in the 1960s. Growing up in that society, it was common to be depressed and dependent on drugs, that was the beginning of the acceptance of drug usage. By reading her text, one can assume that Didion was curious in her younger years. She was raised in California, so she explored the cities close to her and in which she lived, such as San Francisco, Los Angeles and Las Vegas. She wrote about what she encountered during her exploration, however, not what she felt.
“It was hard because, with their addictions, they put up a wall, so I never really got to know them. I just knew them as having an addiction. I didn’t know them as people, and they never got to know me as a person; they just knew me as a sister.” Being so young, Haley’s understanding of her sibling’s addictions was much
Overall, the music shows how it could be also metaphorically described as a drug because Connie would be in her own zone not knowing where she was
After reading the novel, Righteous Dopefiend, I have a different lens in which I can view substance abuse and individuals who suffer from substance abuse disorders. All of the characters in the novel offered a unique perspective to different aspects of substance abuse disorders and the challenges associated with substance abuse and homelessness. However, despite all of the interesting aspects of each individual in the novel, the character Tina stuck out most to me and had the greatest impact on how I will view and engage with individuals who may suffer from substance abuse disorders. Initially what caught my attention about Tina was the chapters that described how she lived as a female on the streets, which was often considered “a man’s place”.
Drug addiction is a constant war. It is a battle being fought between oneself, possibly family, friends but always, the drug. Yet for anyone that is struggling, there is hope. Despite our differences, there will always be a path to recovery. In “Water by the Spoonful”, Quiara Alegría Hudes incorporates several strategies and tactics through various character’s agencies and symbolism to ultimately create a piece that centers recuperation.
This is because of her escapades of the day that ended up with her crushing a stolen wedding limo into a house (Thomas). The film explores substance use disorder through the eyes and life of Cummings and the people she meets in the rehab. It also explores the challenges they go through in trying to get clean. This essay will show how substance abuse and its related disorder is being portrayed in the film.
Similarly, Chayla displays the use of alcohol and drugs to conform to an identity. A primary example of this is when Chayla describes the reason the substance abuse began, “... It wasn’t something that came naturally. I forced myself to smoke it a few times to get used to it. I wanted to be able to smoke it around my Native friends. They weren’t straight-A-type kids.
Liz Murray’s mother and father were drug addicts living in the Bronx. She was born in 1980 with drugs in her blood because her parents religiously uses cocaine and heroin. (Murray 11). A vicious cycle of her parent’s use of drugs and mental illness seem to carry throughout several chapters. Murray and her sister survives on egg and mayonnaise sandwiches, toothpaste, and even cherry-flavored chapstick.
Leonie is not just the failed mother most make her out to be because her thoughts are in the right place, trying the best she can given her own circumstances, but her past and her own childhood haunts her too
In the novel, Sing, Unburied, Sing by Jesmyn Ward, Jojo and Kayla often fail to be cared for by their parents, Leonie and Michael, due to their drug addictions. At home, the true nurturers of Jojo and Kayla are Pop and Jojo, himself. Throughout the novel, caregivers provide food, assist the sick, and hide information which contributes to effective nurturing. Feeding or giving food is an effective way of caretaking.
This helps her realize all of the caring and positive things her father has done for her, like attending night school to support the family, and risking his own life to find her during a dust storm. Billie Jo realizes that “[her] father stayed rooted, even with [her] tests and [her] temper, even with the double sorrow of his grief and [her] own, he had kept a home until [she] broke it” (269). Her encounter with this man changes Billie Jo’s perspective on her father, and causes her to head back home. When she arrives, “[her] father is waiting at the station and [she calls] him Daddy for the first time since Ma died” (273). As they walk home together, Billie Jo is “forgiving him step by step, for the pail of kerosene ...
She does not act the same way at home as she does when she goes