Social Issues In Virginia Woolf's To The Lighthouse
This chapter provides a review of available literature on social issues in To the Lighthouse. The basic focus is on the social issues related to every character in the novel. Issues like feminism, marriages, death, vision, religious doubts, optimism, pessimism, materialism etc. The relative work is connected to the objectives of the study. Mrs. Ramsay uniting family, and Charles Tansley religious doubts and degrading women, and Lily’s painting, similarly the marriages of Victorian and Modern Age through the characters of To the Lighthouse, and at the end how they all deal and respond to all these different social issues.
The death of Edward’s mother, Queen Victoria, means the end of the Victorian age. Edward’s reign and rule was short i.e. (1901-1910), however for people who attended the period, it was completely different from its previous era. It was the beginning of a new era named “The Modern Age” or the world before and after the Great War. Throughout Woolf’s life, she had many periods of depressions, though also a love life with males and females. Critics like Eileen Barret and Patricia Cramer declare that Woolf has incorporated many of her own experiences in her fictional works. This novel is also autobiographical.
Throughout history, women have been locked in a struggle to free themselves from the borderline that separates and differentiate themselves from men. In many circles, it is agreed that the battleground for this struggle and fight exists in literature. In a
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Moments Of Non-Being In 'To The Lighthouse' By Virginia Woolf
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Feminism In Janie By Hurston
1330 Words | 6 PagesThe modernist writing explores one’s inner-self if this is the case than Clarissa has many aspects of individualism and an identity crisis. Clarissa loses a sense of identity within the confines of a patriarchal society as throughout the novel, she continually moulds her identity into nothingness and associates herself as a product of Richard Dalloway. Although Clarissa Dalloway was what an ideal woman should be and encompasses the notion of a proper hostess, she feels as “This body she wore.. this body with all its capacities, seemed nothing- nothing at all” (Woolf, p.11), trivialising the humanity of Clarissa, when she obtains all the ideals of a proper Victorian lady. Within her era, the notions of love and the conceptualisation of love and sex are impermissible, however, women are regarded as the objects of men and beneath the ‘dominant’ male species (Khrisat, pp. 141-142). In regards to this, elements of the modernist writing is constructed by Woolf as her character explicitly loses her own sense of identity, through marriage yet she is conscious of her identity crisis.
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