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    Dystopian fiction is a contemporary literary sub-genre that falls under the umbrella genre of speculative fiction. This type of fiction predicts the possible, oppressive, futuristic sociopolitical changes that deprive the society of worldly pleasures. Dystopian fiction was defined by many scholars. Basu, Broad, and Hintz in their edited book Contemporary Dystopian Fiction for Young Adults: Brave New Teenagers (2009) defined dystopia as a fiction that “describes non-existent societies intended to

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    Science fiction is a genre of writing involving plots and themes related to future scientific advances and major social changes, often coming from the author’s imagination rather than from factual knowledge. With the advancement of Man’s knowledge resulting from the scientific revolution, fictional predictions about the future resulted in believable new works of science fiction. Some authors pictured future technologies that would benefit mankind in some way or would let mankind explore new boundaries

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    Dystopian Fiction Analysis

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    Q1- Speculative fiction texts frequently have a clear political critique at their center, offering warnings about the present and the future. How can dystopian fiction go beyond warning to testimony? Use texts by both American or European and Middle Eastern or North African (MENA) authors to explore how dystopian fiction can be a medium for testimony or bearing witness, as well as criticism. Are there aspects of dystopian speculative fiction that make it particularly appropriate for testimony? Focus

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    on rigorous research. If I say a character leaned against a fence on a windy day, then I have at least two sources to back up these details.” This one quote beautifully summarizes my paper which will discuss the need for accuracy in narrative non-fiction. Narrative is a form of storytelling. It is a technique that produces a visceral need in the reader’s mind to want to know what happens next. It is a way to present thoughts and events in a coherent and logical manner which makes it fascinating to

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    As argued by Andrew Dix, ‘narrative reoccurrence may also denote the complexity and ambiguity of an event, its openness to multiple interpretations’ (2008, 114), and Pulp Fiction certainly supports this. An example would be in the prologue of Pulp Fiction, where the action and event isn’t resolved till the end, emphasising the films relationship between film time and real time. It is this which makes the shot chosen in the opening scene to be an essential part in the films overall narrative, something

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    Historical fiction, loved by many. Historical Fiction tells a story through fictional characters who are placed in a real time in history. Hearing/watching a historical event through the eyes of a character, and sometimes an unexpected author of history seems to draw people in more than one would expect. The historic events are told in a more relatable and comprehensible way appeal to people. The Book Thief by Markus Zusak does just that, draw people into the story. The Book Thief tells of a young

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    Detective fiction is one of the most popular forms of fiction in America. In his article, “American Detective Fiction,” Robin W. Winks addresses the fact that in spite of this popularity, the genre has received little critical attention that studies the work for itself. He explains the two types of errors that critics have made when looking at detective fiction: the high road, where critics claim classic works were detective fiction all along, and the low road, where critics poorly execute their

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    indeed fan fiction, has been studied extensively as a social phenomenon. Regarding fans as audiences rather than readers has led to a lot less attention to fan fiction in literary studies, and most of those studies try to defend fan fiction’s status as literature rather than fan fiction being a form of literary criticism. To explore fan fiction as literary criticism, literary theory offers more appropriate methodologies than media studies. Most literary scholars who do explore fan fiction as criticism

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    historical fiction are virtually identical, realistically only being separated by one major difference; history is an account of the past, presented through facts while historical fiction recognizes the facts but is flexible with the author’s use of fiction. At face value, historical fiction appears to be virtually pointless; why would fiction be relevant in history, a recollection of the past based on facts? A historical novelist, Steve Wiegenstein, discussed the purpose of historical fiction in his

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    Harry Potter Fan Fiction

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    Turning Severus Snape’s life upside down - Motivations and reasons behind reading and writing fan fictions For as almost everyone knows at least the name Harry Potter, many would be surprised to know how many versions besides the original canon exist. Some fans even go so far to make it their mission to rewrite all seven books through the lens of other characters. One of the longest stories of that kind written in German can be found on the website FanFiktion.de, consisting out of 629 chapters

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    those that can be argued for or against, and both arguments have their suitable and understandable points. In the film Stranger Than Fiction by Marc Forster, the complex ideas of literature making us socialise, routines isolate us, and needing people to change are lives are argued through the use of composition, long shots, and symbolism. In the text Stranger Than Fiction, complex issues have been constructed through visual techniques. Harald Crick, the protagonist, is an anti social character. The

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    Pulp Fiction Narrative

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    Pulp Fiction, directed by Quentin Tarantino uses shock, surprise, and mystery, all paired with bizarre humor to surprise and possibly offend his audience. The film is supported with ample suspense and sincerity; Tarantino tells three interrelated stories of thieves, mobsters, and power that are filled with violence, sex, and drugs but also an underlying of religious representation. Compelling roles are utilized to construct a sense of reality and entertainment, and the interest of the film is increased

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    science fiction. A sense of wonder is specifically associated with the works of science fiction, as opposed to any other modes of work. A sense of wonder is an important element in the works of science fiction as it allows the works of science fiction to grow as a genre and expand in what it encompasses as a category. The feeling of wonder that is created within the reader/viewer allows the reader to have some form of control/power over the writers of science fiction themselves. Science fiction is built

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    while men have been associated with physical and intellectual dominance. The twentieth century, however, was marked by a transition from traditional roles to those of a more equitable nature among the genders. As a result of such events, science fiction authors have incorporated these ideals in their narratives.

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    Falling statues presaging somebody’s death, terrible dreams which soon became reality... were an essential part of the Gothic novel. In detective fiction, a character may see a shadowy figure committing a crime against another one and explain to himself it was only a dream but in the end it turns out that the whole scene had been real (Harris 2008: 1). Omens, portents, and/or visions do also shape

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    Pulp Fiction Analysis

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    Universal Design Film Review Does the film fall into any particular genre? Quentin Tarantino 's Pulp Fiction is a mixture of a few different types of genres, it is considered a gangster movie but there are more layers to it than one genre, at the time when it was made it was an independent film (Indie Film), black comedy, Drama and a Thriller. How does the film address the themes/issues of adversity? In general, the film is about American nihilism, the transformation of the characters involved

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    Science Fiction is a broad literary genre. Many have tried to contain it’s definition into a much simpler terms. Science fiction has influenced several media across the world and continue its way to influence more. Science fiction, unlike any other genre, is not only changing the literary world but also changing the world we live in. Science fiction is the proof that there’s nothing impossible that science can’t achieve. The rampant advancement of the technologies indicates that there are no boundaries

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    investigation of the influence society has on science fiction as a genre. However, previous research, using various methodologies, has indicated a significant relationship between science fiction and society, but much of the research focuses on the inverse of my research question: how science fiction has influenced society, instead of how society influences science fiction. Within that relationship, several different aspects of science fiction have been studied, so they are included here for context

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    In this essay, Design Fiction, Julian Bleecker talks about how design is everywhere these days and how stories are attached to objects. He talks about of being different, thinking different, opening the gates of creativity and enabling our brains to work its magic towards imagination. He accentuates about how we should be making new and unexpected things that comes to life through the process of revealing ourselves towards new experiences, social practices telling stories, observing our surroundings

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    Science fiction is a genre that allows the author to delve into topics concerning the future. These topics consist of a myriad of ideas to explore into the future of mankind and how they affect the daily life of the average person. These stories give key insight to how the future might be. Topics can be unique, such as a new invention that changes the way civilizations work, a new weapon that causes intergalactic war, a new alien species that enslaves mankind, and more. The idea of the future allows

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