Soto’s “Small Town with One Road” is a poem that deeply touches upon the issues of Latin Americans stuck in small towns. With the use of literary devices such as similes and imagery it illustrates the deep pain in the townspeople’s hearts. In line 24 the speaker thinks “Papa’s fields wavered like a mirage”(Soto “Small Town”) which shows the illusion of a perfect life in small town fading away. This is a simile that hints at the imperfections hidden in the small town of the speaker’s upbringing. The imagery in the poem such as "And its black strip of highway, big-eyed With rabbits that won't get across"(Soto “Small Town” 2-3) paint a picture of what the quality of life is in the town. The people in the town are caught in a cycle that keeps them in the town with only a few who make it through(Soto). The town is reminiscent of an old western town seen in movie that give an air of poverty and misfortune (Davis). The rabbits can also be perceived as a metaphor for all the young hopefuls in the town who have no way out. Soto is inclusive with his writing by drawing in the reader and forcing them to empathize with the story he has created. In the opening line of “Small Town with One Road” Soto uses the pronoun “we” …show more content…
“Oranges” is the story of a first date between two kids who decide to go to a candy store. This seems like an innocent and cute idea for a date in the beginning but things turn sour when at the candy store and the girl chooses a chocolate bar that’s more expensive than the boy can pay for. Thinking quickly, he pays what he can and offers an orange as part of the payment to the clerk. The clerk accepts this unordinary transaction. The cashier understood that the boy was just trying to avoid an embarrassing scene that could cost him the attentions of his girlfriend. This act gets to the true theme of the poem, helping others in need
There is only one person in our lives who loved and protected us from the moment that we born, our mothers. Thinking about that important person, Willie Perdomo wrote the poem “Unemployed Mami” in 2002 as part of the book Postcards of El Barrio (Poetry Foundation 2015). In “Unemployed Mami” and Postcard of El Barrio the author explores the culture, traditions and even the patriarchy that characterizes Puerto Ricans. Moreover, Perdomo shares the life of a son and the life of his beloved unemployed mother, in a time where women stayed at home without having a job, living from what their husbands earn. In order to enjoy and appreciate the content of this poems it is important to discuss what it means, where it takes place and what it tells about Perdomo’s life.
The small town is depicted as a closed off community where people are close-minded and there are clear social hierarchies that are strictly enforced. Using descriptive language and vivid descriptions, the author creates a sense of place that feels both familiar and claustrophobic. For example, “The town is so small that nothing can exist outside of it. The trees seem too tall and too green. The air is too
Julio, on the other hand, lives in highly ethnically diverse Los Angeles as one of the immigrant children devoid of family ties. This immediate environment of family is what Bronfenbrenner calls the microsystem. Luis enjoyed a physical presence and handling of the eleven family members in their home. But for Julio, it was a negative experience when aspect of physical development as she just a mere immigrant without parents around to give her moral support. On a worldwide perspective, both Julio and Luis desire a better world beyond theirs.
CRA: Anzaldua Borderlands In her poem “Borderlands,” Gloria Anzaldua strategically exposes readers to the true form of the Borderlands region as she conveys the internal incongruity that is rife with this state. As she characterizes the nature of the Borderlands, extending the idea of the Borderlands from a geographical region to an extensive social phenomenon, Anzaldua emulates an experience that is shared by many; conquered by fear. Anzaldua cogently employs the use of distinct structural elements within her poem as a form of illustrative depiction in order to express to readers the strenuous relationship between the inhabitants and their environment.
It is a poem that also emphasized identity and history. This poem describes the multiple identities of a fictional character, Joaquin, including the identities of Indians, Spaniards, and Mexicans, which indicates that Mexican Americans are a diverse community. It also discussed that their history was full of oppression and resistance. The author indicates the history in which they suffered from the oppression of Spanish colonialism, American aggression, and racial discrimination. I believe the author thinks this Chicano Movement is significant and it is a symbol of self-liberation for them.
People of any and every background face difficulties. Many people do not even know how many people support and care for them. For example, when a family's house in a community burns down, it is reassuring to see their neighbors, friends, family, and even strangers, come together in order to protect and help the family in a time of need. In Naomi Shihab Nye’s poem “Shoulders,” she shows just how important protecting loved ones is. “Shoulders” is about a father who needs to protect his son from the rain in order to let him sleep.
In the essay "Children of Mexico," the author, Richard Rodriguez, achieves the effect of relaying his bittersweet feeling regarding how Mexicans stubbornly hold on to their past and heritage by not only relaying many personal experiences and images, but also by using an effective blend of formal and informal tone and a diction that provides a bittersweet tone. Among the variety of ways this is done, one is through repetitive reference to fog. The word is used many times in the essay, especially in segments relating to Mexican-Americans returning to Mexico for the winter. One of the more potent uses reads as follows: "The fog closes in, condenses, and drips day and night from the bare limbs of trees.
This is an important role of poetry because everyone loses something precious to them at some point in their life. Her next example talks of a person who can receive
“Fiesta 1980” father and son. Junot Diaz story “Fiesta 1980” is a story about an immigrant family that came to the US in the hunt for better opportunities. The story includes a myriad number of culturalisms to show that Yunior’s family is still new and that they still conserve their traditions. Nevertheless, Yunior’s family is not so different from many other Hispanic families in the US; a great amount of Hispanics families can be represented by “Fiesta 1980”.
Richard Rodriguez analyzes the cultures of two places that have different points of view about how life should be lived in his book “Days of Obligation”. He analyzes the differences between the cultures of California and Mexico, naming one a tragedy and the other a comedy. The rhetorical devices Rodriguez uses include renaming the two places, and a type of reverse psychology. Rodriguez starts by giving new names to California and Mexico.
Situated near the U.S.-Mexico border during the early twentieth century is the fictional setting of Fort Jones, the outskirts of which is where Americo Paredes’ short story “Macaria’s Daughter” takes place. Emblematic of the disappropriation of Mexican land, as well as the increased marginalization of the Mexican people, the overbearing presence of Fort Jones reveals the struggle for preservation that characterizes the Mexican-American community of the story. “Macaria’s Daughter” is the tragic account of what happens in a small community when the upholding of Mexican values and institutions, and opposition to Anglo-American culture, become more important than a young woman’s life. In this essay, I will argue that “Macaria’s Daughter” is a text
“Oranges,” “The Seventieth Year,” and “Avocado Lake,” showcase Soto’s ability to move a reader using an emotional story without the use of rhyme or rhythm. Through Soto’s poetry, he indicates the traits that define Mexican-American community
The Story of the Vargas Family “Rosa Vargas’ kids are too many and too much. It’s not her fault, you know, except she is their mother and only one against so many” (Cisneros 29). In the novel The House on Mango Street, the author, Sandra Cisneros, touches on the many negative consequences of a single, impoverished mother raising an overwhelming amount of children. Poverty, discrimination, parental and neighborly responsibility, and respect are all issues and social forces that act upon the family; their presence or lack thereof cause several grisly occurrences to take place. Poverty was almost like a curse given to Rosa Vargas by her husband, who “left without even leaving a dollar for bologna or a note explaining how come” (29).
In the final stanza, Nye believes that empathy for others’ sorrows is a prerequisite to kindness with the poem lines, “Before you know kindness
In the poem “To live in the Borderlands means you”, the borderlands become a place of change, such as changing from just one culture or race into a diverse culture or race and not-belonging. (Singh, A., & Schmidt, P. 2000). The poem describes how the author’s own background ethnicity people, mixicanas, identifies people like her, chicanas, as “split or mixture that means to betray your word and they deny “Anlo inside you.” (Anzaldua, F. 1987). The poem describes that the borderland is a place of contradiction, such as of home not being a home.