The poem “For That He Looked Not upon Her” is written by a man that has been ravaged by love. The author fears love’s fierce power and ability to destroy as he attempts to escape his own uncontrollable desire. In his poem “For That He Looked Not upon Her”, George Gascoigne develops his complex attitude towards love and desire through the use of diction, imagery, alliteration, and poetic form. In the poem’s first quatrain, Gascoigne introduces his misery. He holds his “louring head so low”, and his “eyes take no delight” in his surroundings. The author is distraught by his pain, and he is beginning to fear love. As he addresses the woman, he states that he no longer desires to see “the gleams which on [her] face do grow.” Although he …show more content…
His first example is that of a mouse who “Is seldom ‘ticed with the trustless bait” after their first encounter with a trap. Once Gascoigne was hurt by love, he wanted to avoid it due to his great lack of trust, as he did not want to be trapped in the confines of desire again. He then continues to explain, saying that “The scorched fly which once hath ‘scaped the flame / Will hardly come to play again with fire.” One who is burned by love is not likely to return to its fire, and, as the author has demonstrated, they know all too well the suffering induced by it. Gascoigne quickly intensifies the dangers of desire through this quick change in imagery. The example of the mouse being trapped seems almost inconsequential, but the following idea of a fly being burnt alive greatly escalates the danger and the pain that may be induced by the flame of love. The author very clearly describes his attitude regarding this flame, as he feels that it is an inescapable trap and a blazing fire that burns men alive. If love is a fire, it has scorched him beyond repair - he is drawn to something that only harms him. Through these analogies, Gascoigne discovers “that grievous is the game / Which follows fancy dazzled by desire.” His use of alliteration brings a focus to the content of lines 11 and 12, as they hold the meaning of the poem as a whole: love is but an agonizing game that is difficult …show more content…
He can not look directly at his love, as he will not be able to resist her temptation. Gascoigne must take these precautions “Because [her] blazing eyes [his] bale have bred.” Alliteration brings considerable focus to this line in the poem, as the excessive repetition of “b” brings with it a preview of the author’s extreme disdain for love. He creates a negative connotation for his lover when he describes her eyes as “blazing”. The description of desire has changed from a positive view of the “gleams” on her face to a negative and dangerous “blazing” in her eyes. The “gleams” on her face entice him still, but the “blazing” fire of desire in her eyes terrifies him to the point of solitude - she is no longer safe to be around. This illustration of Gascoigne’s conflicting feelings is furthered by the fact that this poem is a Shakespearean sonnet. Shakespearean sonnets tend to be tragedies or romances that describe love, and this poem comments on the torment induced by love. The author’s choice for the form of the poem reinforces the meaning as a whole, that love itself is a
Throughout the entire passage, the narrator expresses his misery not with an outburst of raw emotion but rather with composed contemplation, shown by his subdued language and strict adherence to structure. Struck with the sting of betrayal, the narrator expresses his pain not through outrage but solemn speech. His litote, “mine eyes take no delight”, and sneer of “will hardly come to play again” are noticeably mild for the severity of the speaker’s suffering. This conveys the speaker’s moderation in discussing this topic. Despite the pain of the relationship, the speaker is not moved to expletives
“Love is when the other person 's happiness is more important than your own”-H Jackson Brown Jr. This exhibits that love is when you value someone’s love more than yourself prestige. In the book Cyrano de Bergerac, Cyrano tries to demonstrate the love between him and Roxane by the use of poems and using Christian as an assistant. For example, “A little longer she is always here”.
Mailer describes Griffith "like a cat " who "is ready to rip the life out of a huge boxed rat" when he is fighting Paret. The author uses imagery to describe the eagerness of Griffith when he is about to take the life out of Paret in the fight. The detail and imagery displays Mailer's baleful attitude toward Griffith by describing him as a vicious cat that is about to rip the life out of an innocent animal. The imagery and detail that Mailer uses gives the reader an image of how eager Griffith is to kill Paret. The image of cat killing a rat and how the cat looks before killing the rat is a very horrifying image which makes the reader transform Griffith from a boxer to heinous and vicious villain who is ready to
The eyes of the mouse is a metaphor of what one needs to sacrifice and perhaps even the courage that one needs to possess to progress in life–the jumping mouse needed the self-sacrifice, support, and help in order to achieve its goal to reach the top of the mountain, and at that time, one’s eyes may seem crucial to one’s journey, but the mouse was not selfish and wanted to help the larger beings because the mouse weighed their lives higher than the mouse’s own eyesight–a prime example of sacrifice and service for others. The odd roaring sounds is a metaphor for one’s calling in life to achieve more and to follow one’s goal. It is the sparking element that allows the mouse to go past the societal parameters and not only achieve one’s goal, but to learn that self sacrifice, service, and courage is required.
The cruel male figure in ¨Bloody Chamber¨ is compared not only to an animal but to lilacs. The husband is the representation of evil, symbolizing the man who is humiliated to animality. It is the presence of the omniscient evil that spreads like the scent of lilacs-a metaphor that has not been chosen randomly -and which, like them, stains: "The lilies I always associate with him; That are white, and stain you "(15). Using the term "stain" the narrator does not talk only about lilies but also about the way the Marquis made her feel. The unnamed heroine is objectified first by his treatment like she is just piece of meat or an object taking her virginity in a brutal way and this is associated with her stain.
Gascoigne is saying that every man wishes they could have every woman, but in the next line Gascoigne says that this is in vain. This is important because it shows how defeated he is and how humiliated, he is, at the mistress’s lack of fidelity. Near the end of the poem Gascoigne … “then I will laugh and clap my hand as they do now at me” (Gascoigne 6.4). This quote is saying that
In the poems ‘The Garden of Love’ by William Blake and ‘To His Coy Mistress’ by Andrew Marvell, both poets present barriers to love differently through the use of various poetic techniques denoting language and structure. Blake criticises institutionalised religion, not only emphasising its unnaturalness but also utilising the concept to frame it as a barrier to pure, unadulterated love. Marvell however, presents a barrier to love as the more structured construct of time through the juxtapositioning of the speaker’s longing desires and the imminent reality of the burdens of time. In ‘The Garden of Love’, the speaker displays his disdain to institutionalised religion as he believes in it hinders the exploration and advancement of love.
Steinbeck’s ‘Of Mice and Men’ incorporates a myriad of development for the character of Curley’s Wife. Her character is often portrayed negatively and is openly disliked by the majority of the males. Typical of a piece set in 1930 America, she is treated unjustly as women were highly subservient to men. She is also the sole woman, hence this stimulates the audience to harness empathy for her through her solitude.
“The Passionate Shepherd to his Love”, written by Christopher Marlowe, and “The Nymph’s Reply to the Shepherd”, written by Sir Walter Raleigh, accurately depict love in contrasting ways by using similar structure—form, meter, and rhyme—but different diction and imagery. Together, both works unintentionally depict a common human misfortune: unrequited love. Both authors employ the use of iambic tetrameter, or four iambs—unstressed, stressed syllable sets—per line. The pattern spans throughout all six quatrains, or four-line stanzas, of both poems. There is a slight variation between the rhyme scheme of both poems however.
“Upon its head, with red extended mouth and solitary eye of fire, sat the hideous beast whose craft had seduced me into murder, and whose informing voice had consigned me to the hangman”, the black cat successfully exploits the narrator’s hubris to lead the narrator to his destruction. The black cat acquires its vengeance for the narrator’s maltreatment of his wife and pets, including the black cat itself. The fire evident in the cat’s eye may be symbolic of the narrator’s impending journey to Hell, a spiritual location for people who have committed repressed
This gives the perusers in spite of the fact that his affection is extraordinary, it is potentially juvenile. He may feel a profound yearning for this lady, yet he has not possessed the capacity to relate to her sentiments and respect her emotions. On the off chance that he had, he may have possessed the capacity to relinquish her. As it seems to be, the ballad uncovers a failure to relinquish her, and a steadiness in acquiring her regardless of her
Lost love is a universal theme expressed in Romeo and Juliet, "`If You Were Mine If You Were Mine" and Sense and Sensibility. These books are written as historical fiction to show what life in a certain time was, but even more important to show was love for a certain period was. Perhaps a background to the topic as so better to understand what lost love looks like in famous works of British literature. The infamous Romeo and Juliet: written deep into the 1600 century to the light dawn of the 17th.9 A young 16-year-old man, Romeo and a young 13-year-old girl, Juliet.
It starts with a gentle, soft exchange between two lovers who seem to be in a state of unrest. As the poem progresses, it makes a drastic change both in tone and in meaning. A poem about love becomes an extreme display of passion or perhaps insecurity. Browning generally utilizes colloquialism, but this poem, as it is a more formal, dramatic piece, employs formal language that conveys the storm in the mind of the speaker.
In the late 18th century, a poet was born. He was one of the greatest poets of this time, and his name was George Gordon Byron, better known as Lord Byron. One of Lord Byron’s great pieces is “She Walks In Beauty.” The short, three stanza poem is simply describing the image of a girl. Through the use of stylistic elements such as details, imagery, and syntax, Byron reveals the romantic feelings of lust and affection toward the mysterious girl.
In the later sonnets, i.e. Sonnets 127–152 it is believed that Shakespeare is dealing with another relationship, one that is both similar and different from the one he had with the young male. It is similar because, just as with the youth, the relationship fluctuates between love, hate, jealousy and contempt, but perhaps more importantly, is the fact that the poet is dangerously dependent on the woman’s affections, as was the case with his male lover. The poet however, seems to be suffering more in this relationship as his dependency is one which surpasses the boundaries of love and praise, and is heavily reliant on lust. In fact, the poems addressed to the Dark Lady are expressed in a more overtly erotic and physical love than the sonnets addressed to the young man.