Throughout chapters 8 and 9 of Your Inner Fish, Neil Shubin discusses the relationship between humans and other organisms, specifically the connection regarding the sense of smell and vision. Fossils and the geological record are powerful sources of evidence about the past. By extracting DNA from a tissue of varying species, the history of any part of the body, such as smelling, can be deciphered. Similar to fish, amphibians, reptiles, mammals, and birds, the human’s sense of smell is housed in the skull. Like the other animals, there are one or more holes through which air is brought inside and a set of specialized tissues where chemicals in the air can interact with neurons.
Motif: an image or idea that occurs many times in a work of literature. The motif in the short story, “What, of this Goldfish, Would You Wish?,” is wishing. In the short story, the motif of wishing applies to the characters, Yoni, Sergei, and the goldfish, based on each of their lives, and they’re similar and different from each other in the sense that the wishes are all for themselves and are wished under different circumstances. To begin with, the motif of wishing applies to Yoni, Sergei, and the goldfish based on their lives.
In the book Biggie, by Derek Sullivan, it takes place in a small town in Iowa called Finch, where almost everyone plays sports. Biggie however, is an overweight kid who sits at a computer desk during all of his free time. Biggie eventually meets a girl named Annabelle, who he falls in love with right away. Biggie goes to gym class one day and throws a perfect game in wiffle ball and then is pushed by his brother and his mom to try out for the school baseball team. Throughout most of the book Biggie is in love with Annabelle, although at the end of the book, Biggie ends up meeting a different girl named Courtney that he ends up falling in love with.
“Kept in a small fish bowl, the goldfish will remain small, taken out the fish will grow double, triple, or quadruple its size.” This metaphor was read in an encyclopedia by Edward in Big Fish. The metaphor is directly linked to the movie by showing that Edwards ambition was too great for the small town of Ashton and he had to leave to grow. Although this can be linked to the real world, if you are in a small confined city your ambition, knowledge, and bonds do not have room to grow. Furthermore if you leave the confinements you can increase your ambition by going new places, your knowledge by learning new things you could not on your previous location, and your bond by strengthening old ones and forming new one.
Clean, accessible water is critical to human health, a healthy environment, poverty reduction, a sustainable economy, and peace and security. Yet over 40% of the global population does not have access to sufficient clean water. In the book Long Walk to Water, there are different symbols to represent water, like perseverance, a journey, and hope, but the main symbol that represents water in the book is the balance between life and death. My knowledge of this book is immaculate considering that not only have I read the book, but I have also answered comprehension questions about the book. So, water is a symbol for life and death rather than anything else.
Amy Tan uses imagery in the short story “Fish Cheeks” in order to let the reader feel the way Amy felt at the table on Christmas Eve. For example, in the story it states, “ My relatives licked the ends of their chopsticks and reached across the table dipping them into the dozen or so plates of food.” This explains that Amy felt embarrassed that her family wasn’t realizing the fact that they had no manners at the table. Amy was completely embarrassed with the fact that, that was the way her family had acted while they ate. Everyone is put into a situation where they wished their parents or family members had not acted the way they did in front of them, and Amy Tan writing this story makes you remember those times.
“C’mon it’s delicious!” “No, it’s nauseating.” I mumbled “You’ll never know if you don’t try.” “Fine. “
“I think a lot of kids feel alone and slightly isolated in their own world,” said Tim Burton. In this quote it says how kids have a aura of isolation and still have an innocence that has yet to go because of believing they are the only ones alone. Tim Burton directed both, Edward Scissorhands, a drama fantasy, and Big Fish, a comedy drama. In both, they exhibit cinematic techniques to convey emotion, and the director does his job well if you feel anything while watching a movie. Tim Burton, in Edward Scissorhands and Big Fish, uses lighting, angles, and music to display the innocence of characters throughout the movies.
Eden Robinson’s Monkey beach is set in the small, coastal village of Kitamaat in western B.C., home to the province’s Haisla community. Robinson’s characterization of a Haisla family living in present day Kitamaat exposes the challenges that are faced by the Aboriginal people conserving their traditions, values and social mores under the dominating influence of Canada’s West Cost society. She frames these concerns by following the struggles of Lisamarie (Lisa) Hill as she reconciles the ideologies of her modern Canadian upbringing with the often-discordant beliefs of her First Nation heritage, which becomes more complicated by the experience of the supernatural appearances that only Lisa can see. Lisa’s relationship with the spirit world allows her to transgress the history of abuse and reconnect with her heritage, however, she must struggle with North American ideologies which consider the supernatural as flawed. With the help of Ma-ma-oo (Lisa’s grandmother) she begins to gain control within the spirt world, thus re-connecting with her heritage.
You don't need water to feel like you're drowning do you ? That is a question that many people ask when they are going through many obstacles and can not seem to overcome their problems. The water is used to represent isolation, loneliness, and alienation. To be isolated, alienated, and lonely you can either push yourself away from people or someone is making you be alone. Suffering from these things you may have some issues that make you feel that way.
Water is seen a lot throughout the story of the Big Fish. Water, in the story, is a symbol that can represent purity. An example from the story, that shows the viewer the meaning of water, is when we first see Edward lying in his bed because William had come to bring Edward his extra protein. Edward asks for the water that was sitting right next to him. He says something to the effect of he needs it, water.
1. In "High Tide in Tucson" Kingsolver pressures on the thought that things never go to arrange however they never quit changing and with this consistent change one must adjust to the earth around us. We must adjust to the adjustment in tide and simply float along with those tides. 2. In "Creation Stories" the author raises the prospect that a few individuals are shyer than others and they like to live like a recluse crab inside their home. Life is intriguing however not when one stays home throughout the day, one must go out to get the chance to experience life and all its renown.
Water was a very interesting character in The Odyssey. Water had the capacity to kill, prevented people from getting somewhere, kept something alive, had what seemed like an endless span, was a method of transportation, the substance of life, and showed up in gas(pg. 50) and liquid form. Water was a dangerous force to be reckoned with in The Odyssey. Water has a part in why Ulysses didn’t get back to Ithaca for twenty years.
The desire for love can break the bonds of confinement sometimes leading to positive occurrences and other times to negative ones. Freedom is always wanted, but when it is not available, constraints will be broken. One’s personality in the novel analyzed will decide whether they break the rules or follow them. In Water for Elephants, the main characters are either confined or free, and they deal with and create this underlying theme depending on their personality and character. Jacob, Marlena, and August conflict with each other in the fight for freedom and love.
The “Belly of the Whale” situation, an allusion to the biblical story of Jonah and the whale, is the hero’s near death experience and his symbolical rebirth. “The hero, instead of conquering or conciliating the power of the threshold, is swallowed into the unknown, and would appear to have died. […] the passage of the threshold is a form of self-annihilation […]. But here, instead of passing outward, beyond the confines of the visible world, the hero goes inward, to be born again” (Campbell 83-84). As soon as the hero “crosses the first threshold” and escapes the “belly of the whale” he is a changed man and his previous life is no more.
