Brutus’ emotional wound ultimately deals with his internal conflict of the decision to kill Caesar in order to better Rome. In addition, he deals with such difficulty over the decision because his reason to kill Caesar does not come out of hatred or jealousy, but due to his fear of life under Caesar’s rule. In Act I, scene ii, lines 39-40, Brutus says, “Merely upon myself. Vexéd I am / Of late passions of some difference” (Shakespeare 848).
Such violence made him a “tyrant” and eventually killed by Macduff in anger of Macbeth’s crimes. After the battle, Macduff comes to Malcolm and cried “For so thou art. Be hold where stands/ The usurper’s cursed head. The time is free./
Agamemnon’s taking of Briseis enrages Achilles and spurs him to remove himself from the war, leading to a massive death toll in the Achaean forces. In stealing Briseis from Achilles, he is not only robbing of him of a material prize, but also a symbol of honor, his geras, in Greek culture. In retaliation, Achilles removes himself from the war and prays to his mother, Thetis, that she will ask Zeus to damage the Achaean forces. Achilles’ only goal is that “even mighty Atrides can see how mad he was to disgrace Achilles” (1.488-490). Despite having no true grievance against the Achaean army as a whole, Achilles’ rage blinds him from the potential harm that may befall his troops.
It is an almost universal taboo to shoot the messenger and a deep level of contempt is reserved for those who do. Contempt Machiavelli argues is something to be avoided. “A shrewd prince will lay his foundations on what is under his own control... He should simply take pains not to be hated” (Machiavelli 47). This is the establishment of a theme that Machiavelli continues through the rest of the book, the theme distilled is that a loathed prince cannot remain in power for his people will not support someone they hate and welcome his demise.
At the play’s conclusion, Oedipus gouges his eyes and banishes himself from his land. In this quest for truth, Oedipus leads himself to many revelations, all of which cannot be described
The rise in paranoia and insomnia leads to further problems. Macbeth feels the irrational need to cover up his tracks, and the only witness he cold suspect is Banquo. His impression of Banquo is that he has the qualities of a king, which make Macbeth anxious and jealous, “Our fears in Banquo/ Stick deep; and in his royalty of nature/ Reigns that which would be fear’d" (3.1.53-55). In fear of his own sovereignty, Macbeth quickly becomes apprehensive of Banquo’s prophecy of him being the father to forthcoming kings, “Thou shalt get kings, though thou be none” (1.3.70). Furthermore, it convinces him into believing that Banquo is a threatening enemy, and he can only be safe if Banquo is killed.
Tybalt tells Romeo to fight him, but since Romeo is now married to Juliet, he says that he can’t. To this, Mercutio responds with,“O calm, dishonorable, vile submission!”(3.1.74), and then proceeds to fight Tybalt on Romeo’s behalf in defense of the Montague name. It’s clear through Mercutio’s rage felt diction towards Romeo such as “dishonorable” and “vile” that he believes Romeo’s efforts to make peace are acts of betrayal to his own family. Because of Mercutio’s brash actions in the act of defending his family’s honor, he ends up being injured and killed by Tybalt, all because he felt so much hate that he couldn’t stand down like Romeo had. Mercutio’s death made Romeo blindly angry to the point where he killed Tybalt, who was technically a part of his family.
Julius Caesar is about to become crowned king, so a group of conspirators rise up against him. Shakespeare reveals that when an individual attains great power, both the individual and society are corrupted. Julius Caesar becomes corrupted, and he then corrupts society. Julius Caesar became corrupted by attaining power, through which he obtained by killing everyone else in power. “And do you now strew flowers in his way /
Sophocles uses mockery to demonstrate the eagerness of mankind to blame that which harms us onto others in his play Oedipus Rex. We see the theme of faulty accusation while challenging the often occurring subject of the dominance of fate within greek literature, while continuing to reveal the danger of arrogance. Sophocles uses this denouncement of the gods as a guidance to take responsibility for what you can, to make and take responsibility for what you can do and look to yourself first for blame. Role of the chorus Act as both the people of thebes and the audience Opening Choral ode (Parodos-following Prologue) prayer to the Olympian gods to save Thebes and is chanted by the elders ask the gods release Thebes from the pestilence expresses a
Not only does he refuse to admit when his actions cause something bad to happen, but his unwillingness the help the greater good rather than only himself is the deciding factor in why he is ultimately the main character to blame. After Romeo is banished from fair Verona, the Friar portrays the outcome like it can solely be linked back to Romeo when he tells, “Romeo, come out. Come out, you frightened man./ Trouble likes you, and you’re married to disaster. ”(3.3 1-4)
However, Machiavelli suggest that “when Prince and Minister are upon this footing they can mutually trust one another; but when the contrary is the case, it will always fare ill with one or other of them” (Machiavelli 63). Due to his hypocrisy and stubbornness, the brave soldiers of the country of Thebes are afraid him to report to him, and his wise subjects refuse to advise him. Creon’s inflexible mind and behavior provoke a clash between him and his subjects which would ultimately lead to his
As seen with the Mytilene debate where Athens decides whether to slaughter the Mytilene’s for their rebellion, Cleon, a demagogue, explicitly states “I have often seen a democracy is incapable of ruling an empire (67).” He goes on to argue “you relent out of compassion, your softness puts you in danger and does not win the affection of your allies (67).” To him, qualities such as sentiment and indulgence hurt an empire. The Athenian empire must be unyielding and forceful to control its subjugated people for the subjects only follow the Athenians because they “exceed them in strength (67).” This goes against the tenants of democracy where the people supposedly discus their issues and not rule each other with force.
Agamemnon’s pride breeds so much contempt between him and Achilles that Achilles actually wishes to leave the Achaean army and his commander because he simply cannot bear to witness the constant exhibition of Agamemnon’s pride. Agamemnon’s pride is in fact so overbearing that it in fact shames the Achaean army as illustrated through Achilles’s threat of abandonment. In the Greek tragedy Antigone, written by the legendary tragic poet Sophocles, the author describes the many character traits and attributes of Creon that parallel those of Agamemnon’s character in The Illiad. In the tragedy, Creon is the uncle of the protagonist Antigone and the ruler of Thebes.
In the play Antigone, by Sophocles, the main character Creon goes through major character development as the story progresses. As King of Thebes, Creon establishes a series of decisions thought to be ethically correct for the city. However, many of his family members and townspeople disagree and revolt against his decrees and, as a result, leads to his downfall, making him a symbol of a tragic hero. One of those people is Antigone, the headstrong female protagonist who defies Creon’s orders in order to bring justice to her brother. Her conflicting motivations and rationale advances the plot and contributes to Creon’s development as a tragic hero.
In Sophocles play antigone creon pays a primary the king of Thebes. Creon's unorthodox and conflicting views lead to a morally ambiguous character. His need for common good lead to a bad mix or rage and irrational thinking.eteocles death provoques Creon causing his disapproval for antigone's brothers burial. Creon says “ 0 fate of man , working both good and evil !