Charlie Parker, who was also simply known as Bird, introduced many new concepts and ideas while developing Bebop. He performed all chord substitutions and rapid tempos in his pieces with his sextet. One of the things Parker was famous for was contrafact, which in jazz means taking a known harmonic texture and composing onto it. Miles Davis was one of the most notable American jazz trumpeter, musician bandleader and developer of Bebop and other genres within Jazz. Miles Davis mostly used a harmony mute on his trumpet to create a lounge like sound in his music.
While in New York, Armstrong made dozens of records as a sideman, creating inspirational jazz and backup singing for many blues singers. Moreover, he had records as a soloist including "Cornet Chop Suey" and "Potato Head Blues." These solos changed jazz history, by incorporating daring rhythm choices, swing and high notes on cornet(Source B). Furthermore, in 1926, Armstrong finally switched from the cornet to the trumpet. After 1926, Louis became more and more famous and broke more and more barriers through his music.
Jazz became very popular and by the turn of the century New Orleans was flourishing not just as a ocean and stream port but additionally as a noteworthy entertainment city. While New Orleans was blooming from its foundation of jazz, Influential Jazz musicians were just being born. One famous person who had an enormous impact on jazz music was Louis Armstrong. Born in 1901 and quickly becoming a leader of the jazz movement as he was known as an “all star virtuoso”. Louis Armstrong was nicknamed “Satchmo” because of a greeting he received while traveling and this named followed him forever.
Louis Armstrong shaping scat singing to make it achieve posterity Louis Armstrong (1901-1971) is surely one of the most famous and incredible jazz singer and trumpet player. He influenced widely, and still does, jazz music. But there is something that only jazz specialists or some aficionados know: he actually reinvented a brand new genre of vocal jazz, the scat singing. And I said “reinvented” on purpose. Indeed, though Louis Armstrong 's recording Heebie Jeebies in 1926 is often cited as the first song to use scatting, there are some earlier examples of artists ' pieces of work that could be considered as premises of scat singing.
Louis music scene, and in 1952 he formed the Sir John Trio with pianist and band leader Johnnie Johnson and drummer Eddie Hardy. The connection with Johnson would be a lasting one, and the influence of the pianist's boogie style would become evident in Berry's guitar playing. Berry had a knack for pleasing the crowd, and the band eventually changed its name to The Chuck Berry Trio. The band's repertoire included the blues, ballads, and a number of "black hillbilly" songs that jokingly parodied the country music popular to the city's white audiences. While the trio's hillbilly songs initially provoked laughter, they became popular dance tunes among the predominantly black club-goers.
Ever since the year of its composition in 1945, jazz musicians have been playing and recording covers of this iconic piece. From Bill Evans to Chick Corea, swing jazz to fusion, improvisers from all over the world have been taking cracks at this classic tune and each time, creating something new. Jazz has been referred to by free jazz innovator Ornette Coleman as being the “...only music in which the same note can be played night after night, but differently each time.” The act of spontaneous improvisation, feeling the music with one's instinct rather than thinking about the notes coming out of one’s instrument, forces the improviser to create different ideas every time. Since one’s stream of conscious and unconscious thought is never the same at any two points in time, there will never be a time where a soloist will play the same solo
Langston Hughes was one of the most influential figures during the Harlem Renaissance, which was a time when African Americans were finding their role in American Society. During this era some of the best jazz musicians to this day such as Count Basie, Miles Davis, Duke Ellington and Louis Armstrong heavily influenced this movement. One of Langston Hughes poems, “Trumpet Player” portrayed how these musicians used jazz to express themselves and escape from the racial inequality at the time. Part I: Scansion and Analysis Trumpet Player is a short poem with a very moving and deep message. It is composed of six stanzas, the first four stanzas consist of eight lines, and the last two stanzas are comprised of four lines and one coda.
Trumpeters Louis Armstrong and Miles Davis became two of the most inspiring American jazz musicians of all time by accessing very differently to their art. In the analysis an album from each artist, I choose “What A Wonderful World” of Louis Armstrong and “Kind of Blue” of Miles Davis. Louis Armstrong (August 4, 1901 – July 6, 1971) was the most influential performer to affect a lot of Jazz musicians. He influenced the whole jazz population with his amazing voice and energetic trumpet. And he played a great role in the modernization of jazz.
Another artist who had a large influence in the black freedom movement and the third world struggles during the 1960’s and 70’s is Sun Ra. Sun Ra is a revolutionary jazz musician who began performing professionally as a kid. Once Sun Ra moved to Chicago in 1945, he immersed himself in jazz. Throughout his life, Sun Ra was influenced by space, religion and radical social movements and he expresses his beliefs and ideals through his music. Sun Ra’s love of astronomy and spiritual awakening opened doors for his music because he started fighting the constraints in jazz.
It was played all over America and 100 million jazz records were bought in 1927. King Oliver’s jazz band was the most popular at the time. It was a very upbeat style of music and gave a New Orleans feel. Louis Armstrong joined the band in 1923 and they became even more popular. New fast-paced dance styles went along with jazz music.
So many new entertainers, musicians, and inventions are becoming such a huge hit. From swinging jazz music to bright lights and the silver screen, this decade will get your shindig pumped up. A new type of music came out, it’s called “jazz music”, there are even different types of jazz just like “cool jazz” and “soul jazz’. This new music brings everyone a new happy atmosphere. Mostly people in black neighborhoods are listening to jazz because it was originated by African music and combined with band instruments and rhythm & blues.
(Jazz Standards.com) The 1920’s centered around these tunes more than others, but that doesn’t mean they were hated they just weren’t as popular; but despite the rankings the pieces affected the entertainment in the 20’s for the best. The first great wave of American influence that came on Japanese popular music came before the Second World War and the rapid expansion of Japan’s record industry began in the late 1920’s. Imports of American records, and songs brought a wide amount of music into the culture of Japanese music creating mesmerizing pieces of Japanese popular
There was also Ragtime music and Broadway musicals that were also very famous. Exuberant dances were invented for the upbeat tempo’s. Jazz spread to many dance alls and other venues. The main form of popular concert music was marching bands and dance bands. The arrival of the radio and the phonograph records introduced jazz to remote locations.
Without surprise, the music slid into a familiar crossover jazz spiced with thick chunks of spirited funk and smooth pop rock. Avid fans of the smooth jazz genre effusively applauded the quartet co-led by the iconic Dave Grusin and the Grammy award-winning guitarist Lee Ritenour. Rounding out the group are the bassist Melvin Lee and the drummer Sonny Emory, two musicians that belong to a much younger generation. This formation gained even more emphasis with the guests David Sanborn, an altoist whose career brought him six Grammy awards, and Phil Perry, a vocalist known for having a remarkable falsetto. The diversified repertoire included a couple of tunes from Wes Bound - Ritenour’s 1993 homage to the colossal jazz guitarist Wes Montgomery, a rendition of Oliver Nelson’s “Stolen Moments”, a pair of Sanborn’s numbers that move in a traditional pop-jazz meets R&B, Grusin’s “Punta Del Sol” and a solo interpretation of Jobim’s “Retrato em Branco e Preto”, and Phil Perry singing in a weird Portuguese the fantastic song “Arlequim Desconhecido” by the Brazilian Ivan
Professor Davis taught Louis how to play the cornet correctly and set him on the path of being a pro. Louis wrote years later, “My whole musical success goes back to the time I was arrested…. because then I had to quit running around and began to learn something. Most of all, I began to learn music.” (McDonough, 26-27) Louis Armstrong was the most influential person of the 1920’s because he was the most important figure in jazz during the 1920’s, he influenced civil rights through his jazz, and he helped transform jazz in 1920’s giving it a