Spiritually, water is equated with healing and energy. The energy from water can be good or bad depending on the outlook a person has on it, and the idea of using water to heal dates back hundreds of years ago. In the Farming of Bones, Edwidge Danticat uses water as a significant literary device to emphasize the idea of hurting and healing, demonstrating the effects based on certain experiences. Throughout the novel Amabelle’s perception of water changes continuously as she faces new experiences. Her feeling on water also depends whether she is dwelling or grieving a death, or accepting a new life. The theme of water presents itself often during Amabelle’s journey, progressing and representing many complex emotions and thoughts.
Amabelle’s conception of water is concrete at the beginning of the novel. She believes that it means nothing but …show more content…
She has been able to give herself time to heal from her physical and emotional trauma, and begins to rethink her belief. Amabelle is dropped off by the driver, and she begins to walk along the river bed. Here she believes that “..the river ceases to exist, allowing you to imagine just for a moment that all of them died natural deaths… the kind of death where there is time to think of what we are leaving behind and what better things lie ahead.” (Danticat 308) This quote showcases how Amabelle has realized that death is natural and can be peaceful. The conclusion she comes to helps her to look forward into the future without dwelling on the past. Even though Sebastein “... stayed inside the waterfall”, (Danticat 306) she knew that he was alright based on the healing that she had done in order to not be afraid. Amabelle also is able to come to this realization while being near water, indicating that she is no longer fearful. She is able to be somewhere that has caused her so much anguish and grief, and is accepting her past and pressing
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Throughout the story, alcohol is depicted as a destructive force that has a negative impact on Anna May's life and relationships. Her addiction to alcohol is shown to be a major factor in the loss of her son and her difficulties in maintaining stable relationships. At the same time, alcohol represents a form of escape and coping, highlighting the ways in which addiction can serve as a response to trauma and difficulty. Water is used as a multi-layered symbol in the story, representing life and growth, as well as danger and uncertainty. Water is depicted as a source of vitality and renewal, essential for survival.
She collected water from the pond into a gourd, balances the gourd on her head, and walked home, where she immediately deposited the water, turned back, and did it all over again. (p.14) She walked to the pond and back every day for seven months of the year. (p. 26) Even when the pond dried up, the clay of the lakebed still held water. Nya would take water from the clay but the water was filthy, more mud than liquid.
The water is filled with the history of the transatlantic slave trade and the struggles that Marcus’ ancestors had to face. Fire represents the pain that plagues the characters on the Gold Coast, modern-day Ghana, due to their family's participation in the slave trade. Effia, the half-sister of Esi, is born during a fire and separated from her real mother, Maame. She marries a white man who governs the slave trade in Ghana. Fire represents the curse of guilt on Effia’s family for their involvement in the slave trade and frequently appears in Effia’s descendants' lives.
Amabelle returns to the river where she finds a man nearby and says, “I wanted to ask him, please to gently raise my body and carry me into the river, into Sebastien’s cave, my father’s laughter, my mothers eternity.” (Danticat 310). Throughout the novel, the river has continuously represented the death of Amabelle’s loved ones. But at this moment, Amabelle is finally able to make peace with her grief and use the river to bond with her loved ones. The river ultimately represents the obstacles she has overcome in order to replace her grief with loving
She “fed [Amabelle] the soup” as if she was “a sick, bedridden child” (Danticat 225). This corresponds to the memory of Amabelle’s mother taking care of her when she was sick. Henceforth, Man Rapadou becomes a surrogate mother to Amabelle. In light of Amabelle not retaining any family, Man Rapadou provides Amabelle with a sense of identity and connection to
To many people skulls represent death and negativity however, for Mexicans that celebrate Day of the Dead sugar skulls represent death in a positive manner. In Mexico it is believed that death is not the final stage in life but rather a step forward onto a higher level of consciousness. This is similar to the beliefs of the Aztecs. The Aztec skulls were a positive symbol, not only of death but also of rebirth. The symbolism of sugar skulls is rooted in the decoration around the eyes.
Throughout the entirety of the novel, Amabelle has constant dreams that almost always revolve around the death of her parents and occur when she is in the midst of a difficult point in life. Soon after the death of her friend, Amabelle reaches a state of emotional vulnerability to the point that she has a dream about a conversation with her mother where Amabelle says that she “...will never be a whole woman…for the absence of [her mothers] face”(208), which references the war Amabelle fights within the depths of her consciousness. People linger on the past to question their life choices and show their uncertainty, which causes the prevention of evolution within oneself and the build-up of emotional pain. Focus on past decisions causes people to hinder themselves from experiencing the present and working toward the future. Amabelle relives her past sorrow, with the constant curiosity of what life could have been like, rather than accepting the reality of her situation.
Both poems share the imagery of water as a dividing and uniting force. By its very nature earth's basic fluid is for all intents and purposes doing both almost simultaneously, as water can be divided by a denser object yet instantly reunite. Water is a fundamental metaphor for change, and Merwin uses it in these poems to cover love, familial and romantic. Love is water--two of the most ceaselessly changing forces in the
Water is seen a lot throughout the story of the Big Fish. Water, in the story, is a symbol that can represent purity. An example from the story, that shows the viewer the meaning of water, is when we first see Edward lying in his bed because William had come to bring Edward his extra protein. Edward asks for the water that was sitting right next to him. He says something to the effect of he needs it, water.
The ocean has tides that push and pull the sand, the rock, and the land around it, sometimes taking a piece of the shore with it and never returning it back again. As seen in “Dreaming in Cuban,” water can take from and bring comfort to its characters. Water is a symbol for the grief and transformation the characters experience in “Dreaming in Cuban,” as evidenced by Felicia’s, Celia’s, and Lourdes’ relationship with water. Having lived most of her life by the sea, Celia experiences the pull of the tides within every major moment of her life. The ocean is a paradox to her – serving as an agent of comfort and isolation.
Often, the reader sees him act like the ocean. He wants to be free on the llano and to not be held back by the town. Another character that water is used to represent is Cico. When he is telling Tony about the mysterious Hidden Lakes, he is also telling about himself. “There’s something strange about those lakes, like they are haunted.
The most direct use of water establishes a parallel birth between Sethe and Beloved, connection that places Sethe in the role of her mother. When Beloved first appears at 124, she is said to have “walked out of water” and is “sopping wet” (60.) From the outset, Beloved is inextricably connected to water imagery. As soon as Sethe sees Beloved, she suddenly has an overwhelming desire to pee, and upon making it to an outhouse, “the water she voided was endless” (61). In this passage, there is a parallel between Beloved’s emergence from water and Sethe suddenly releasing large quantities of it, implying that Beloved has come directly from Sethe’s own water.
She feels uncomfortable, irritated, and bewildered meaning she is trying to grasp the situation but it’s hard because she is still stuck between 2 worlds. Next, Claudette is dreaming of “when we dreamed of rivers and meat.” Claudette is craving drinking water from the river but she can’t because humans don’t drink water from rivers.