Beloved Word Essay: Water Motherhood is a major theme of Toni Morrison’s Beloved, as multiple characters often lament the futile extent to which they can be mothers. In Chapter 5 Beloved, the reader is introduced to two new motherhood dynamics, both relating to the mysterious Beloved. Wherever motherhood is mentioned, water imagery—with its established connections to birth, healing, and life—used as well. Because it factors into Beloved’s symbolic “birth” and nurturing, water is an important image that relates to giving and sustaining life and motherhood in Beloved. The most direct use of water establishes a parallel birth between Sethe and Beloved, connection that places Sethe in the role of her mother. When Beloved first appears at 124, she is said to have “walked out of water” and is “sopping wet” (60.) From the outset, Beloved is inextricably connected to water imagery. As soon as Sethe sees Beloved, she suddenly has an overwhelming desire to pee, and upon making it to an outhouse, “the water she voided was endless” (61). In this passage, there is a parallel between Beloved’s emergence from water and Sethe suddenly releasing large quantities of it, implying that Beloved has come directly from Sethe’s own water. Additionally, the act causes Sethe to remember to Denver’s birth, comparing how “there was no stopping water from a breaking womb” when her daughter was born, just as “there was no stopping [it] now.” Both Sethe and the reader draw the connection between water in this context and “breaking water” and childbirth, implying that …show more content…
As demonstrated through the water imagery, both Sethe and Denver have developed their own definitions and roles as “mothers.” This contrast may serve to be a point of tension as the meaning and extent of “motherhood” continues to be defined throughout the
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But this was not what he had expected. He was holding not his daughter in his arms, but a hard, still statue. Distraught, he went to the fountain to wash his hot tears from his face. But as he scooped up the water in his hands, it turned into liquid chocoalte.
Holy Water In the essay Holy Water, by Joan Didion, water is scarce and only certain people have control over this liquid. The story is about a Woman who lives in California, where water is limited and the supply of water comes from other parts of the state or country. In this uniquely written essay Didion uses personal reflection and a sense of place, to help develop the association between sacredness of the water and her fascination with the ability to control it.
In both Like Water for Chocolate by Laura Esquirel and Grapes of Wrath by John Steinbeck, the role of motherhood is emphasized. Everybody has a version of what they picture a mother to be, but some qualities, such as being nurturing and protective, can be agreed upon. In these two books the main roles of motherhood, protector and emotional supporter, are both explored. One of the roles of motherhood is to be a protector to the children, especially when a father isn’t in the picture.
Water & Blood When Auntie invited Brook, Mom and me to go with her and Trent to Noah's Ark Water Park, Dad demanded to know why he wasn’t invited. Brook said, “It’s, like, a girl’s thing,” and Dad responded, “Trent’s not a girl.” So here we all are, Dad driving Trent, Auntie, Mom, Brook and me up the Interstate Five. It’s not even four a.m., so we’re one of the only cars on the road.
As a photographer myself, the theory of punctum is not unknown to me; however, the application of the concept of punctum towards the perfomativity of a photograph is unchartered territory. The photograph I chose to analyze is Dorothea Lange’s renowned portrait Migrant Mother, which is a Great Depression-era photograph featuring a migrant farmer, and is among the most famous photographs from this turbulent chapter of American history. The raw emotion in the mother’s face, paired with her body language and grimy appearance, captivates viewers; however, it is not the mother that makes this image so powerful to me, but rather, the turned away children framing their mother. This detail adds a new dimension to the portrait for me.
2. Water in the Old Testament In the Old Testament, we see water rightly at the creation story. The first mention of water is found in Genesis, where it is said: “the earth was a formless void and darkness covered the face of the deep, while a wind from God swept over the face of the water”. Furthermore, in Genesis, it says: “Let the waters bring forth swarms of living creatures”.
SURVIVAL ESSAY This is the story of A Long Walk To Water by Linda Sue Park. This is a good story about a boy named Salva and a girl named Nya. They live in different times. Salva and Nya need water and food. Salva has to walk a long way to get away from a war.
"A young woman, about nineteen or twenty, and slender, she moved like a heavier one or an older one, holding on to furniture, resting her head in the palm of her hand as though it was too heavy for a neck alone" (66-67). Morrison uses imagery, similes and syntax to portray the girl that showed up in the front porch of 124 after Sethe, Denver and Paul D returned from the concert, to be the dead baby of Sethe, Beloved. In chapters three-five, Morison’s use of imagery of the girl named Beloved and the flash backs and descriptions of characters and events, more district dialogue between the characters, syntax and characterization in the novel, portray the theme of the haunting past. The girls to “rest her head in the pal of her hand as thought it was too heavy for a neck alone” reminded me of the baby Beloved that her
is his next question. Nicodemus is not able to see beyond natural birth. The water that Jesus speaks of is different from the natural water of birth. The water he speaks of points to something beyond a human understanding, it requires faith. Ratzinger says Baptism, the gateway into communion with Christ, being interpreted for us here as rebirth.
I picked this excerpt because it shows a couple different important parts of the story. First of all, in this excerpt, Sethe is finally making the connection that Beloved is her daughter. When she is making that connection, her mind first goes to what her mother told her about how to recognize her if she could not recognize her face. Sethe recognizes her daughter by the characteristics she noticed and the what her mother in law told her about what she remembers of the baby.
Moreover, she states, “We’re mother first, women second, and share a burning desire for our children’s happiness.” (par.2)The details build an appeal to logos and impress upon the reader about the warm heart of a mother, which makes the reader sympathize with women who are worried about her
At Penelope’s wedding, her mother makes a small speech, although not very helpful to Penelope at the time. In the speech, her mother says: “Water does not resist. Water flows. When you plunge your hand into it, all you feel is a caress. Water is not a solid wall, it will not stop you.
The images of waves, simmering, and bubbling all relate to water. After Stephen vomits and weeps, both signs of self-cleansing, “The rain had drawn off, and amid the moving vapours from point to point of light the city was spinning about herself a soft cocoon of yellowish haze. Heaven was still and faintly luminous and the air sweet to breathe, as in a thicket drenched with showers" (Joyce 145). This scene–dewy, comforting, and reviving–contributes to the purifying meaning of water in regards to Stephen’s spiritual awakening. When Stephen confesses, Joyce employs water imagery: "His sins trickled from his lips, one by one, trickled in shameful drops from his soul festering and oozing like a sore, a squalid stream of vice.