As a photographer myself, the theory of punctum is not unknown to me; however, the application of the concept of punctum towards the perfomativity of a photograph is unchartered territory. The photograph I chose to analyze is Dorothea Lange’s renowned portrait Migrant Mother, which is a Great Depression-era photograph featuring a migrant farmer, and is among the most famous photographs from this turbulent chapter of American history.
The raw emotion in the mother’s face, paired with her body language and grimy appearance, captivates viewers; however, it is not the mother that makes this image so powerful to me, but rather, the turned away children framing their mother. This detail adds a new dimension to the portrait for me. It makes the image all the more powerful; the irony of the children finding comfort in their mother’s embrace and presence is defeated by the mother’s uneasiness about their present situation. The children do not see the mother’s distressed look, which makes the coziness they feel even sadder. A mother is turned to in times of distress, as evidenced by this portrait, but whom does a mother turn to when she is burdened and overworked? I have turned to my mother many times seeking comfort when problems have arisen in my life, and she has always been there to be that comforting outlet.
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Punctum, Barthes explains, is “that accident which pricks me [Barthes]” (Barthes 27). Punctum is the detail, different to every person, which reaches out and demands the attention of the viewer. To put punctum practically, it would be the lead role tripping at a pivotal moment within a play- a sort of candidness that contributes to the overall performance and how well the audience would recall this same performance. In Migrant Mother, the punctum, as aforementioned, is the turned away children sitting on either side of their
In Alison Bechdel’s, Are You My Mother?, the reader is exposed to her internal struggles as she writes her mother’s memoir. The author uses both graphics and her dialogue to relate her story with her literary inspirations. The author uses many repeated images to display the relationship One image that stands out is that of Alison crying as the real image of who she is. This is a repeating image as she is trying to discover her true self.
There is no going back from this moment on. She is no longer just her mother’s child-- she is a mom. Her baby’s mom. It is as if her whole world changed in a blink of an eye, but despite the rapid change, she embraces it. She loves her child to an extent only a mother can imagine possible.
A Photograph is one of the ways to preserve memories, event, and the moments. We take pictures for memorizing the moment or just want to see it later. Before camera that print out the photograph realistically, many cameras and print out methods developed for several decades. Camera Obscura, Daguerreotypes, calotypes, and Camera Lucida. Photographer used darkroom to print out a photograph.
‘Migrant Mother’ is a picture taken by Dorothea Lange with a Graflex camera in California, USA, in 1936. It is a portrait of Florence Owens Thompson with her three children. The original caption reads: "Destitute pea pickers in California. Mother of seven children. Age thirty-two.
In life difficulties may arise, but an “instructive eye” of a “tender parent” is a push needed in everyone’s life. Abigail Adams believed, when she wrote a letter to her son, that difficulties are needed to succeed. She offers a motherly hand to her son to not repent his voyage to France and continue down the path he is going. She uses forms of rhetoric like pathos, metaphors, and allusions to give her son a much needed push in his quest to success.
This interpretation, in my eyes, is a negative portrayal of the particular photo. She saw these people as being very tired and stressed because of their inability to be successful in
The fact one picture can say so much is beautiful. Pictures can be happy, unhappy, peaceful, violence, and much more. This picture is even full of irony. This picture was taken by Dorothea Lange’s during the Great Depression of two men walking to an unknown, infinity of open road. This picture separates social class.
The barrier between her and the neighbours after her husband’s death forced her to become reserved and quiet. Her and her son only went into town if they had to. They preferred to stay close to the garden where they felt safe. The death of the husband is the cause of the mothers’ complete change in character. The death let the audience connect with her on a deeper level to understand her pain and suffering.
Unlike “From Childhood,” set within the home of the mother and son, this mother-son-duo is at a party. This mother is persistent in taking her son away from his surroundings and reeling him in to her—keeping an eye on him is simply not enough. Nowlan writes, “The touch of her hand embarrasses him” (Nowlan, 390). Taking the term overbearing to new extremes, the mother is not content unless her hands are physically on her son. While it is completely normal for a mother to have protective instincts and to watch over their children, the level of overbearing the mother in the poem reaches is radical.
The loss of mother is touchy, also the sadness and grief shows gloom. The poem is reflective as it contains generalizations about life of an orphan black girl, her suffering, and hardness faced by her during her puberty. Smith believes that a girl has equal desire and ambitions as men. But she is deprived of laughter, opportunity, talk, questioning, and absolute happiness. Smith wants the girl should get chance to speak openly and puts her view in social and political matters.
A mother is a person who loves and cares for their child unconditionally and will put her their needs before her own. When her child is sick, she will stay beside them no matter what. A mother is always there when someone is down and needs someone to talk to. However, in the stories, “The Rocking Horse Winner” and ‘The Yellow Wallpaper,” both authors portray the mothers, Hester and Jane, somewhat similar when describing their relationship with their child. The stories’ definition of “Mother” are described in a negative manner that not many readers can relate to such neglectful behavior.
This shows what she had to endure to try to keep her baby healthy. It appeals to the loving protective side of the reader. It makes them think about what the baby must be going through beacuase of their economic situation. Rhetorical questions are used to directly engage the
By doing this, the piece also relays a sense of power, and strength, a universal description of mothers.
As I read the title I found myself delighted that the daughter could possibly be the narrator along with appreciation the daughter has for her mother then I thought to myself how cute that is. I’m convinced that the message through the text but mostly through the art is no matter what circumstances or tragedies a family may go through, together a family can hope for better and brighter days. The art which is definitely appealing to me in A Chair for My Mother illustrates with warm, bright and sadly a few dark colors. In any picture book it’s very important to realize the art that the illustrator is interpreting. Many illustrators convey messages in their art in many ways whether it’s through color, lines, or shapes.
We are now able to confirm that the woman hanging the photographs was Cecilia Priego and the little girl her daughter. The film’s trajectory allows us to learn some things about the people and events pictured. The prologue and epilogue therefore function as mirror sequences that permit us to read the film holistically as an actualization of the family photo album. However, it is only in these bookended sequences that the photographs appear orderly and clear. In the interim, the director subjects her archival materials to a battery of operations whose goal is to denaturalize them, problematize their referents, or make them say something altogether