The Greatest Showman is a 2017 American musical drama film directed by Michael Gracey in his directorial debut, the movie was written by Jenny Bicks and Bill Condon and starring Zac Efron, Hugh Jackman, Rebecca Ferguson, Zendaya, Michelle Williams and Rebecca Ferguson. The film is inspired by the story of P. T. Barnum 's creation of the Barnum & Bailey Circus and the lives of its star attractions. The Greatest Showman is now the sixth biggest movie in the world, generating 113million in only five weekends.
“The Greatest Showman” is a good old-fashioned cornball PG musical that is also a scintillatingly flashy — and woke! — immersion in up-to-the-minute razzmatazz. It is has a rating of 8/10. It takes the life of P.T. Barnum, the anything-goes circus impresario of the 1800s, who is played with irresistible effervescence by Hugh Jackman, and turns him into a saintly huckster-maestro who invented the spirit of modern showbiz by daring to follow his dream. At the same time, the film takes Barnum’s infamous believe-it-or-not attractions — Tom Thumb, Dog Boy, Tattoo Man, the Bearded Lady — and makes them over into sensitive enlightened outcasts, a kind of 19th-century freak-show gallery of identity politics.
The movie starts off with P. T. Barnum performing at the circus (The Greatest Show).
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in “Cabaret.” And though “The Greatest Showman” offers a much more family-friendly vision (this film about the sleazy bottom rungs of the entertainment world is one you could easily take young children to), it conjures the spirit of Bob Fosse — his imperious snap and verve — in the sexy precision of its choreography, and in its vision of a lowly circus that titillates and thrills because it demonstrates that all the world’s a
As the next scene rolls over, the Grauman’s Chinese theater has the title The Royal Rascal. During this time all the actors were arriving to the premier. The fans were going crazy. Suddenly, Cosmo shows up and
The Addams Family musical is inspired by the creations of the legendary American cartoonist Charles Addams, who lived from 1912 until 1988. Addams had a wonderful childhood complete with devoted parents and middle-class comforts. His first foray into art was at the age of eight when he was arrested for breaking into a Victorian house that was undergoing repairs and drawing skeletons all over the walls. According to Linda Davis, Addams’ biographer, young Charles was “known as something of a rascal around the neighborhood.”
Fosse’s choreographic style was known to be sexually suggestive, considering he grew up in Cabaret nightclubs. Bob Fosse’s signature style became popular and he began choreographing musicals such as, Pajama Games, Damn Yankees, Sweet Charity, Pippin, Chicago
Amidst the protests about student deaths like Michael Brown, a light shines on segregated school districts in cities, and it is evident from student successes that a proper education is key to success. The power of a proper education is astounding, and yet the political machines rarely aid education reform. Themes in The Wire, The Other Wes Moore and “School Segregation, the Continuing Tragedy of Ferguson” all showcase the importance of education in every child’s life. Both Wes Moore and Mah’Ria’s showcase the importance a proper education in destroying racial oppression.
The curtain slowly rises, the lights come up, and the audience is silent. It's showtime on Broadway. Broadway can do so many different things to a person. It can make one laugh, cry, want to yell, and then suddenly everyone is content. Similarly, the United States of America changes time and time again.
Rudd, Malco, and Rogen provide so many gut-busting laughs that the movie can float with them alone. Many of the film’s best moments come from the interactions of these three actors, who also are able to offer some of the most quotable lines of dialogue in the film. In addition to the supporting cast, there are also a great number of cameo appearances from other comedians and stars such as Jonah Hill, David Koechner, and Kevin Hart to name a few. The worst aspect of this film is the somewhat long running time.
Through Biff Loman, Miller illustrates the failure of the American dream through the paradoxical relationship between him and his father, Willy Loman, presenting the notion that the secret to true happiness and success lies outside of the confines of the typical American dream of wealth and materialism. Molded by his father’s unrealistic ambitions, it became near impossible for Biff to assimilate as a functioning member of the
Michael Gracey’s passionate film The Greatest Showman teaches viewers how easily ambition can turn into greed. Phineas Taylor Barnum had a poverty-stricken childhood. While working with his father at a young age, he meets a girl named Charity. Charity was born into wealth, but they fall in love and have a family despite different backgrounds. In hopes of giving his children the childhood he never had, he creates a circus with a group of outcasts and quickly gains success.
From the cinematic techniques to the plot line, the film incorporates many elements of the style of film. Despite being set in an older period of time and adapting the elements of the spaghetti westerns, it appeals largely to the modern audience due to the certain things which capture their attention. Director Jocelyn Moorhouse
S. Porter in 1920, and serves as a perfect illustration for Gunning’s examples on Aesthetic of astonishment. This movie retells what happened during that period of time, when movie is first introduced. The naive reactions of early audience are shown here when people were shown clips of movies with no narrative-- purely “cinema of attraction” where the film main function is to attract audience as an attraction without narrative. Uncle Josh is a representative of how the audience should not have reacted; his reactions to the clips are exaggerated, but clearly demonstrate how early cinema audiences reacted to films when they first watched them. The beginning of the film is showing uncle Josh watching Parisian Dance, a dancing
Depictions of Extravagance The “Roaring Twenties” was a time of great prosperity in America. F. Scott Fitzgerald captures the booming spirit of America in his book The Great Gatsby through his grandiose description of Gatsby’s parties. Baz Luhrmann draws from both The Great Gatsby and Hieronymus Busch’s “The Garden of Earthly Delights” to portray his own cinematic interpretation of this time period. Philippa Hawker analyzes Baz Luhrmann’s Gatsby parties and depicts their lavishness in her article “The subtle art of staging Gatsby's lavish parties.”
Limited for most of the time to two sets, the film 's great strength is the interplay between the two leads, who play former spouses having a tough time remaining apart. It also boasts one of the blackest comedy situations ever, as a small-time loser finds himself up against city corruption and imminent execution. Clever, witty and extremely satisfying, this marvelous film is still achingly funny
I was surprised by the magnanimity of the speech, which perhaps had not dawned on me when I had seen the movie during my college days’ years ago. Every word and line seemed to stand out from the speech. The protagonists may have changed, but characters like that of the barber, in the film, will be forever adored. People who personify sanity and can stand up to deliver
“Imagination no longer has a function”, says Emile Zola in his essay, ‘Naturalism in the Theatre’. Many of the ideas which Zola has discussed in this essay have been taken up by modern theatre, both in theory and practice. Modern theatre, for instance, is aware of the fact that analysis and not synthesis should be the basis for theatrical production. It is with this theory at the back of his mind that Bertolt Brecht has discussed theatre’s role as an educator only if the elements associated with spectacle are removed from theatre.
If you haven't heard already, Michael Gracey's The Greatest Showman is very loosely based on the life of P.T. Barnum, the legendary circus ringleader. Looking at the film's inspirational themes, and the vast liberties taken with the facts, it's clear making another biopic wasn't the intent. Instead, screenwriters Bill Condon and Jenny Bicks use the symbolism of Barnum to remind us to dream, show benevolence and focus on what matters. We watch Gracey's Barnum from his youth as a misfit (Ellis Rubin). He copes with the bleakness of his poverty-stricken life with imagination, charm and humor.