Joseph Campbell’s monomyth theory, also known as the hero’s journey, is a universal pattern found in many myths and stories across different cultures. It consists of three main stages: departure, invitation, and return. The hero leaves their original world, faces challenges and trails, and ultimately returns transformed with newfound knowledge or a boon to share with their community. The Legend of Perseus is a classic example of the monomyth, where the hero goes through a series of stages, including the call to adventure, crossing the threshold, facing challenges, and ultimately achieving a goal. The theory behind why the monomyth works is that it reflects universal human experiences and desires, making it a powerful storytelling tool. Myths …show more content…
By examining the stories that a culture tells, we can learn about their heroes, their goals, their fears, and their aspirations. Joseph Campbell’s Monomyth structure can be used to analyze The Legend of Perseus by examining the character of Perseus as he moves through Departure, Trials and Victories, and The Return; the following sub steps will be used to examine how Perseus moves through The Monomyth: The Extraordinary Beginning, The Call to Adventure, The Wise One, The Road of Trials, The Apotheosis, and Freedom to Live.
The Departure in Joseph Campbell’s theory holds the beginning stages of The Legend of Perseus. It is the first stage in Joseph Campbell’s theory, the hero’s journey. In The Legend of Perseus, the events that occur in the Departure marks the beginning of Perseus’ journey and sets the stage for his subsequent adventures and trials. The Departure of Perseus is developed by the Extraordinary Beginning. In “The Monomyth Hero Cycle Part One Video” by Bob Warren states that the Extraordinary Beginning, “is either about the birth or the very early life of the hero. The hero is typically identified as special in the myth” (Warren). The monomyth begins with his mother, Danae, being impregnated by Zeus in the form of a golden shower. Danae’s father,
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Perseus faces several trials in his legend. In Chapter 15 in the main textbook, it states that “Campbell describes the trials of the hero as symbolic of psychological dangers associated with overcoming the real problems of our lives” (Thury and Devinney 221). The Road of Trials in The Legend of Perseus refers to the series of challenges and obstacles Perseus overcomes to complete his quest, including the slaying of Medusa, obtaining the head of Medusa, and rescuing Andromeda from the sea monster. His victories consist in successfully completing the quests with help of various gifts from the gods, such as a reflective shield and winged sandals. He eventually became a hero and founded the city of Mycenae. In “Myths To Live By” by Joseph Campbell, the essay "The Emergence of Mankind" states that one can learn that “the hero is the one who has learned to penetrate the protective wall of those fears within, generally, from all experience of our own and the world’s divine ground” (Campbell, pg 30 & 31). Perseus learns a lot through the trials and quests that he encounters. This can help lead to the Apotheosis of the monomyth. In the presentation video part two, it states that the Apotheosis “is the point where the road of trials leads and where the hero transforms or is transformed” (Warren). The Legend of Perseus shows Elixir Theft, “when the hero gains something of grand significance” (Warren). This is the
Until Hercules convinces him to come out of retirement and train him because he can prove himself to be a great hero. This is proof of a turning point, Hercules is in desperate need of some direction so he can return to his true home with the Gods. Whatever Phil provides will serve him is his journey, it will give him the strength needed to begin his quest to becoming a God once again. This exhibits the proper explanation of the fourth step of Campbell's definition of the Monomyth. Another significant as well as final step is The Return
María José Garzón 7°B Index Hero's Journey--------------------------------------------------2 The monomyth Steps Rome’s foundation Myth (Romulus & Remus)-----------4 Rome Location Foundational myth Myth and The Hero's Journey Carthage foundation myth (Dido)-------------------------6 Carthage Elissar of Carthage Foundational myth Myth and The Hero's Journey Making Connections--------------------------------------------8 Sustainable Development Goals Gender equality Peace justice and strong institutions Glossary & Sources--------------------------------------------10 The Hero's Journey The Monomyth: The Monomyth, or the hero's journey, are the common story patterns found in ancient myths as well as in
Joseph Campbell was an American mythologist and philosopher. He wrote works such as “The Hero With a Thousand Faces”, “The Hero’s Journey”, and “The Power of the Myth”. Also, because this is interesting, he was one of the fastest half mile runners in the world at one point (The Hero's Journey Summary.). Campbell focused on comparative mythology which is when you compare mythology from different cultures and find common themes and ideas (Joseph Campbell Foundation). Joseph created a monomyth that summarized a hero’s journey, it contained seventeen stages (INTRODUCTIONS).
Fred Rogers once said “I am always comforted by realizing that there are still so many helpers - so many caring people in this world.” In this quote, he analyzed the nature of helping as well as the number of like-minded people in the world. He explained that the helpers were more important than anything else to a hero. The Hero’s Journey, derived from Joseph Campbell’s Monomyth tells the structure and stages that a hero must go through to achieve their goal. The most important aspect of the Monomyth would be the support from the Helper since there would not be a way for the hero to learn from experiences and receive guidance.
The theme of perseverance is one that stretches across the wide spectrum of genres when it comes to literature and film. Romance, horror, adventure, even cartoons/graphic novels all contain the element of heroic perseverance over blockades restricting the tale’s equilibrium. In The Odyssey we see Odysseus must overcome a tremendous amount of trials to make it home to his wife and son. The quantity of trials that Odysseus must face would be far too much for a normal man, but not heroic Odysseus. He battles and outsmarts a host of fiends including Polyphemus, the sirens, Scylla and Charybdis (twice), and even the underworld itself.
In his book, The Hero with a Thousand Faces, Joseph Campbell discovered a basic pattern that can be found in all stories portraying a hero. In his hero’s monomyth, the main character is called to an adventure into a foreign land and the skills obtained during the journey are later tested to defeat their toughest challenge. An example of a heroic monomyth can be illustrated in Marissa Meyer’s fantasy novel, Cinder, because the heroine is called to an adventure that she at first refuses, explores an unfamiliar landscape, the castle, where she learns more about her tragic past, and soon comes face to face with her greatest adversary. The events of Cinder follow a linear story that begins in New Beijing, China.
Joseph Campbell’s theories about “The Hero’s Journey” can be seen in many pieces of literature including mythological and superhero stories, such as in the movie Spider Man (2002) and in the book Theseus by Plutarch. Spider Man, a well-known and loved modern hero, follows almost every step of the “hero’s journey” exactly how Campbell intended for them to. The Ancient Western hero, Theseus, is also another great hero that follows Campbell’s steps closely. Spider Man, Theseus, and Campbell’s steps share many similarities, such as the “Call to Adventure,” “Crossing the Threshold,” and the “Road of Trials.” Theseus and Spider Man, in my opinion, are two exemplary models of heroes that most accurately represent Joseph Campbell’s steps of “The Hero’s
The return home for many heroes is difficult because their lives have changed so drastically that they can no longer live the life they once had. They can’t make peace with their past and the changes that the adventure brought them. Perseus was able to make peace and become a master of both worlds. Perseus accepted his identity as a demigod and a hero who would protect humanity from Hades while starting a new life with Io. Perseus’s adventure had finally come to an end and throughout the course became a true
In the story of a greek poem The Odyssey, Odysseus is seen to be an epic hero as well as Percueus in the movie The Clash of the Titans. Out of the two prominent figures in Greek mythology, there is no doubt that Perseus fits the profile of an Epic Hero more clearly. Perseus demonstrates great courage, elevated status, and superhuman strength which allow him to overcome obstacles throughout his journey. One of the qualities that allows Perseus to be a greater epic here is his distinctive courage. He takes on the challenge of saving his parents from the angered Gods.
The Heroes Journey, identified by American scholar Joseph Campbell, is a pattern of narrative that describes the typical adventure of the main hero, whether that be a fiction or nonfiction hero. The first step is the call to adventure, where something shakes up the hero’s current situation and the hero starts experiencing change. Consequently, this theory is also applied to the fictional hero Odysseus in The Odyssey and the real-life hero Martin Luther King Jr., a civil rights activist. In The Odyssey, Odysseus embarks on a 10-year voyage from Troy to Ithaca and encounters many monsters along the way including a gigantic Cyclops described as “…a brute so huge, he seemed no man at all…” (9 89-90).
Essay Draft In “The Odyssey” by Homer, Odysseus is trying to get his crew and himself home to Ithaca after the Trojan War. On the journey, Odysseus comes across creatures, dead souls, and gods. “The Hero’s Journey” by Joseph Campbell represents many world-wide views of what a hero is. In the article, it tells about many traits that universal heros seem to always exude in different stories.
Odysseus is cruel and quick to anger, arrogant, and does not truly win in the end. Along with the Hero’s journey, there is another journey that is not talked about. The villain’s journey is a parallel to the hero’s journey but usually ends the inverse of the Hero’s journey. Both hero and villain experience a call to adventure with guidance along the way.
When creating a story, many great minds will use a pattern to enthrall readers and shape them into a hero. Established by Joseph Campbell, The Hero 's Journey is the iconic template many utilize to plan their imaginative tale. The Hero’s Journey is the cycle in which the protagonist ventures into an unknown world where he or she will go through a series of adventures and learn moral lessons. Heroes in ancient myths such as Homer 's epic poem, The Odyssey follows this formula since the protagonist, Odysseus, faces hardships throughout different regions that ultimately change his once arrogant character. Throughout Homer 's monomyth, Odysseus undergoes challenges that teach him the importance of humility.
The main character of a story is oftentimes the one who receives the title of the hero, yet the protagonist in this case is Satan. Labeling him as such typically yields controversy, as one side struggles with moral and religious connotation, while the other applies a more literary interpretation. If this is construed as being the character at the center of Campbell’s monomyth, then Satan would be the hero, as his journey greatly parallel’s that of the Hero’s Journey. Therefore, outside of religion, many may agree that throughout this poem, Satan acts as the hero–regardless of one’s standard definition of that word. The separation stage of the monomyth is marked by Satan’s banishment to Hell, and his decision for revenge towards God.
Campbell writes about the concept that countless myths all share a basic structure, called the monomyth. In this, the hero of the story undergoes a number of steps in his journey, labelled Departure, Initiation and Return (cf. Ahmed, 2012, 4): (1) In the Departure stage, the hero enters a strange world of often supernatural powers and events, after being called to it in the normal world he’s lived in (cf. Colbert, 2008, 208).