When small, happy towns are pictured, most people imagine generous townspeople who act like a community. On the contrary, Pleasant Street in the short story “The Possibility of Evil” by Shirley Jackson, may come across as a delightful town, until more of the truth is revealed. Miss Adela Strangeworth comes off as a sweet, old lady, but as the story continues, readers will encounter that Miss Strangeworth is not the character that was portrayed at the beginning. Adela is a deceptive, obsessive, and oblivious woman who is well known throughout the town. Adela’s reputation is ruined when the townspeople identify Miss Strangeworth as deceptive. Adela anonymously sent nasty letters to people throughout the town. Miss Strangeworth became sneaky about it as the letters that were written were done on stationary used by many and in a child’s block writing. The act of sending these mean notes became malicious as Miss Strangeworth “had always made a point of mailing her letters very secretly; it would, of course, not have been wise to let anyone see her mail them” (Jackson, 1941, p.172). The perspective of Adela is misleading at the beginning of …show more content…
In the short story, Adela’s house is described to be kept like a museum. At Miss Strangeworth’s house “every window sparkled, every curtain hung stiff and straight, and even the stones of the front walk were swept and clear” (Jackson, 1941, p.168). Not only did Adela keep her house tidy, she also tended to her roses outside. Miss Strangeworth’s grandmother had planted the roses, and Adela continues to look after them. Adela keeps many roses throughout the house as well. Miss Strangeworth is pleased with the way her house and belongings are kept tidy and “[Adela] [is] fond of doing things exactly right” (Jackson, 1941, p.169). Miss Strangeworth has a compulsive personality, and becomes obsessive about everything being in the right
Last night, on September 12th, by 1337 Elington drive, Ms.Adela Strangeworth’s roses were supposedly vandalized by an unknown towns person. There has been speculation as to why a towns person vandalized Ms.Adela Strangeworth’s roses. Townspeople have recently called out Ms. Strangeworth for harassment in the form of letters that she sent them anonymously, and townsperson angered by Ms.Strangeworth’s letters most likely ruined her flowers. The roses were allegedly cut down with a knife or a similar sharp object and damaged by a lot of force. A few hours after Ms.Adela Strangeworth reported the incident, most townspeople were aloof about the matter, while others were sympathetic.
When, all of them were telling gossip and lies about Janie, her best friend came to defend her with a brazen of assurance. When the town’s people saw Janie, the women weren’t capering with joy to see she has returned home. The town’s women seemed to chastise Janie for how she looked and dressed but the men felt otherwise.
Typically, the "bad guy" is easy to spot. He wears black, sneaks around in the shadows, and intention is to destroy. But maybe evil is hidden where it is least expected. Sometimes the blindfold that people become so accustomed to, must be removed to see the true corruption.
Yet I have to disagree with these statements because we see how Adeline’s reputation as a “fallen” woman is not the result of a shameful behavior but of her negation to conform to the norms and moral codes of the period. She is taking a stand for femininity and independence, as well as contesting the notion of the docile woman that conduct books so vehemently affirmed. Because of that Adeline has to endure the pain caused by society’s rejection, and to use Gary Kelly’s words “she is taken to be anything from naughty to vicious by other good characters”(1980: 200). Thus, we are lead to see Adeline’s virtuous character as irrelevant as long as she endorses in radical philosophies which guide women towards vice and immorality. But is her behavior in any way degenerate and leading others on “the path of sin?”(Opie, 1999: 240), or the real problem has to do more with the fact that, in a patriarchal society, Adeline professes her desires and dares to live with her lover outside the confines of
Introduction. A Jury by Her Peers authored by Susan Glaspell narrates the investigative events that occur after the death of John Wright in his house. As neighbors and the Dickson County administration, themes of sisterhood and gender roles appear through the actions and hidden motives of the characters. The book, A Jury by Her Peers, expounds on the silent suffering of women and being perceived as unintelligent while providing justifications for covering up of John Wrights death.
Miss Strangeworth loves them and tends them as much as her citizens in the town. When letters get around, the street isn’t so pleasant anymore. On page 7, “She began to cry silently for the wickedness of the world when she read the words: LOOK OUT AT WHAT USED TO BE YOUR ROSES.”
Flannery O’Connor uses style, tone, and character to tell the story of a family and a band of misfits as they struggle with good over evil in the Southern Gothic short story ‘A Good Man is Hard to Find’ (Kirszner & Mandell, 2012). The style and tone of the characters are depicted in a way that makes it difficult to feel compassion or sympathy for them. The figurative language and style used by the author depicts characters with casual, informal, and extreme Southern stereotypes, diction and attitudes. The tone of the story is ironic in regard to both the characters and plot. O’Connor uses colorful language to describe the characters of the story in a way that allows the reader to vividly see the characters as cartoon like, grotesque, and exaggerated.
This quote also gives you an idea of how Miss Strangeworth enjoyed gossip or talking about someone behind their back. Miss Strangeworth was writing letters to “The town where she lived had to be kept clean and sweet” it's ironic how she could say this when in reality she was doing all the evil of the town. The way Miss
For most people, the words evil and harsh are not the typical traits used to describe an elderly woman. However, in the short story “The Possibility of Evil” by Shirley Jackson, the 71 year old character Miss Adela Strangeworth, has a dark predatory nature hiding behind her highly respectable and sweet exterior. She preys upon her peers by misleading them into thinking everything is fine, only to subsequently tear them down. She accomplishes this by concealing her cruel, deceitful and perfectionist personality by maintaining an honourable reputation within her town. Miss Strangeworth shows no mercy when she anonymously reveals secrets about the family and lives of people in her community.
Of course, one almost intuitively understands that the novel’s leading women adhere rather closely to socio-gender norms; both Adeline and Clara, the two women who most represent Radcliffe’s idealized morality, are traditionally beautiful, focus on emotional intelligence via poetry and music rather than on scientific pursuits, and represent the appealing innocence of ingénues. In the same manner that Adeline’s unconsciousness contributes to her integrity, it also appears that her extensive physical beauty results in part from her inherent saintliness, her beautiful eyes linked to some intrinsic purity (7). Further highlighting this ethical preference for femininity, Adeline exhibits fear related directly to the presence of men; in the Marquis’s chateau, her terror specifically abates when she realizes that “elegant” and “beautiful” women surround her, and later the inverse occurs as she balks in fear at “the voices of men” (158, 299). On some level, Adeline seems to recognize that masculinity poses a significant threat to her, and instinctively shies away from its
The author of this short story- Shirley Jackson begins the story by introducing Miss Adela Strangeworth as a sweet old lady “Miss Adela Strangeworth came daintily along Main Street on her way to the grocery.” And she pathetic fallacy to mimic nice mood “The sun was shining, the air was fresh and clear after the night’s heavy rain, and everything in Miss Strangeworth’s little town looked washed and bright. Shirley Jackson clearly wants the reader’s perspective on Miss Strangeworth to be pleasant,
The story opens with Mrs. Wright imprisoned for strangling her husband. A group, the mostly composed of men, travel to the Wright house in the hopes that they find incriminating evidence against Mrs. Wright. Instead, the two women of the group discover evidence of Mr. Wright’s abuse of his wife. Through the women’s unique perspective, the reader glimpses the reality of the situation and realizes that, though it seemed unreasonable at the time, Mrs. Wright had carefully calculated her actions. When asked about the Wrights, one of the women, Mrs. Hale, replies “I don’t think a place would be a cheerful for John Wright’s being in it” (“A Jury of Her Peers” 7).
Many people face some kind of adversity in their lives, but only few are recognized to the same extent as Adeline’s experiences in the autobiography ‘Chinese Cinderella’, written by Ms. Adeline Yen Mah. ‘Chinese Cinderella’ suggests that mental strength is what is needed to overcome all forms of adversity in life. This essay will discuss the ways in which that Adeline uses intellectual power to overcome the difficulties in her life, the outcomes she achieved and the messages she portrays. The ways that Adeline uses mental strength to overcome adversity occurs through many different events in her childhood.
He places her in the nursery of the colonial mansion, despite her requests to be placed otherwise, “I don 't like our room a bit. I wanted one downstairs... but John would not hear of it” (Gilman, 2). The narrator’s husband dictates all aspects of her life to the point where she internalizes her husband 's authority, accepting his dominance over her, “I sometimes fancy that in my condition if I had less opposition and more society and stimulus—but John says the very worst thing I can do is think about my condition, and I confess it always makes me feel bad,” (Gilman, 2). Even though the narrator knows what she needs is to be active surrounded by people instead of cooped up alone in a house out in the countryside, she abruptly stops her train of thought as she remembers John’s instructions to not think about her condition.
Miss Brill is lonely, has a completely messed up mind, and tries to hide her true self by trying to live other people’s lives. Miss Brill views each person at the garden differently. The people who are mostly like her are the ones she judges the most, “Miss Brill had often noticed-there was something funny about nearly all of them. They were odd, silent, nearly all old, and from the way they stared they looked as though they’d just come from dark little rooms or even-even cupboards!” (Mansfield 185).