In Camus’ novel, The Stranger, the main character Meursault depicts the absurd man and consequently shows the somewhat negative effect that has on a person. Throughout the novel Meursault is apathetic, detached, and a stranger to society. He embodies the meaninglessness of life through his indifference, he shows the atheistic aspect of absurdism, and indirectly lives by a quantity of experience. The beginning of the novel shows this acceptance and embracement of the absurd. The story starts with, “Maman died today. Or yesterday maybe, I don’t know. I got a telegram from the home: ‘Mother deceased. Funeral tomorrow. Faithfully yours.’ That doesn’t mean a thing” (Camus 1). He is introduced by his absurdist attitude and detached place in society …show more content…
Moreover, in Camus’ philosophy he believes there is no God and his character Meursault depicts this acceptance in the absurd. He talks to a chaplain while he is in prison, and during this talk the chaplain tries to console Meursault and narrates, “‘Then God can help you,’ he said. … As for me, I didn’t want anybody’s help, and I just didn’t have the time to interest myself in what didn’t interest me” (Camus 116). He sees no value in depending on any external source for meaning. He explains that whatever one does before they die is ultimately irrelevant. Also, throughout the novel his apathy leads to his involvement of a variety of experiences. He agrees to be “pals” with Raymond and even testifies for him when Raymond abuses a woman. He only agrees to these experiences because he cannot see any reason not to. As a result, he eventually finds himself on the beach with a gun. His apathy leads him to unpleasant situations but also allows him to encounter many features of life and live …show more content…
He focuses on the freedom produced through the acknowledgement that there is no existence of a divine intelligence. Preaching that “existence precedes essence”, one understands that humankind exists prior to a defined nature and one has the choice to determine what humankind ought to be (Sartre 22). Likewise, his commentary also brings to light a more promising tone in Camus’ misanthropic and disheartening novel. He explains the absurd is ultimately an inseparable part of the human condition because of mankind’s being in the world. In the novel, Meursault is confronting the world with his strangeness as a fully conscious being. Also, Sartre helps explain the passion of the absurd. The absurd man wants to live, even though he knows life has no meaning, and asserts his existence by revolting. Sartre clarifies how the absurd man, “stares at death with passionate attention and this fascination liberates him” (Sartre 78). Life is finite and realizing this creates an irresponsibility because God does not exist and humankind is impermanent, therefore everything is permitted. Furthermore, Sartre explains that the absurd man is innocent, he is neither moral nor immoral. Sartre illiterates this innocence by explaining the absurd man is, “Confronted with this ‘quantitative ethic,’ all values collapse…the absurd man, rebellious and irresponsible, has ‘nothing to prove’”
Those who don’t know their purpose may feel that their daily lives are ridiculous. Camus’ The Stranger, portrays an inexplicably nonsensical character, Meursault, who winds up in a unanticipated situation. Similar to real life struggles, the character perpetually repeats insignificant actions not accordant to any essence.
Close Reading - The Stranger In The Stranger, Albert Camus depicts a man, Meursault, who is emotionless to the situations that surround him. After committing a murder, he gets put on trial and is deemed as a danger to society, and therefore, gets sentenced to a death sentence. However, this decision was not made due to rational reasons but from false accusations on Meursault’s character and motives. In the passage, Camus uses point of view to portray how the people in the courtroom perceived Meursault the way they wanted him to act.
How far does nature and the sun lead to Meursault’s downfall? The Outsider by Albert Camus is a novel that revolves around the theme of the absurdist. The novel explores the character of Meursault, who is a taciturn and emotionally detached man. Meursault shows no emotion at his mother's funeral and is viewed as an individualist.
Through the use of diction, Meursault perceives life is meaningless, which leads him to have the absence of strong bonding with acquaintance around him. He indicates that he lacks empathy from personal and social level. Meursault is a simple man who lives his life in a stickler type and changes annoy him. As the novel introduces Meursault mother being dead, he shows lack of concern and a burden to visit his mother for the last time. “Maman died today...
According to Jane Addams “The essence of immorality is the tendency to make an exception of myself”. In The Stranger by Albert Camus, he examines the immortality of man; therefore social constructs are unreliable. Social constructs are changed when Meursault does not cry at his mom’s funeral, when he shows no sign of affection when Marie asked him to marry her, and when he has no remorse for killing the Arab. Thus, Camus examines in the novel, The Stranger, what happens to society and the people within it when people do not care.
The Stranger by Albert Camus follows the daily life of Meursault, a French-Algerian that embodies Camus’ philosophical views of absurdum. Meursault’s life is a simple one; at first glance, he is like any other working, middle class man. However, through the first person narration, we gain insight into his unconventional thought process. He does not place value on anything, including, possessions, love and ambition. Nevertheless, he is content with his life.
Although Sartre agrees with Dostoevsky who says, “If God does not exist, then everything would be possible,” he tries to pull back from nihilism by saying that each human must act “for all humanity” and before the audience of all of humanity. Sartre claims that all humans have no nature or essence, he disqualifies himself from calling them “all humans.” First Sartre affirms that human beings lack a nature, but if we lack a nature, then the term “human being” has no reference at all. The descriptive term that applies to something with inherent qualities and do what is required of the qualities can be identified as “human being”.
(59) After long passages describing the painful violence of the sun, Camus’s transition into the murder is shockingly abrupt, provoking a sense of bewilderment at the unexpected randomness of the murder, conveying effectively the irrationality of Meursault’s murder of the man. However, during the trial, when Meursault reveals that he murdered the Arab only because of the sun, refusing to allow others impose their logical but false interpretations upon his life, “people laughed” (103) and even his own “lawyer threw up his hand” (103) as they are unable comprehend and accept such an irrational motivation. To protect themselves from this harsh reality of the universe, they can only fabricate and impose their own logical explanation for Meursault’s behavior. The prosecutor, for instance, is convinced Meursault murdered the man in cold blood, certain in the narrative he has constructed out of events completely unrelated to the murder, from Meursault’s “ignorance when asked Maman’s age” (99) to his association with a man of “doubtful morality” (99). In both cases, Meursault’s indifference for societal standards of morality has painted him as a man immoral and cold-hearted enough to premeditate the murder.
The magistrate replied, “It was impossible, all men believed in God, even those who turn their backs on him” (Camus 69). Even though the magistrate tried all he can to convince Meursault to believe the fact that God existed and everybody believed in Him, Meursault still did not comply to believing in the existence of God. Moreover, Meursault’s behaviour was also different from social norms from the society. Camus uses his clever skills of writing to make the reader and the society see the lifestyle of an outsider and how he is a danger to the society. Camus uses Meursault to suggest how society
Critically examine the philosophical ideas that are expressed in Sartre’s novel Nausea Jean-Paul Sartre was a French Philosopher, novelist and literary critic. He was born on the 21st of June, 1905. During his life, he was one of the important figures in the philosophy of existentialism and also one of the prominent individuals in the 20th century French philosophy and Marxism. Existentialism is a 20th century philosophy which is basically centred on the analysis of existence, freedom and choice. It is the understanding that humans define their purpose in life and try to make coherent decisions although they exist in an irrational universe (Mastin, 2008).
In his novel The Stranger, Albert Camus creates an emotionally incapable, narcissistic, and, at times, sociopathic character named Meursault to explore and expose his philosophies of Existentialism and Absurdism. Throughout the story Meursault follows a philosophical arc that, while somewhat extreme - from unemotional and passive to detached and reckless to self-reflective - both criticizes the dependent nature of human existence and shows the journey through the absurd that is our world. In the onset of The Stranger, following his mother’s death, Meursault acts with close to utter indifference and detachment. While the rest of “maman’s”(9) loved ones express their overwhelming grief, Meursault remains unphased and, at times, annoyed at their
“Man is condemned to be free; because once thrown into the world, he is responsible for everything he does” (Jean-Paul Sartre). This reflectful proposition endorses the central idea behind No Exit and epitomizes Sartre’s existentialist perspective of mankind and the consequences of our freedom. Existentialism as a whole is a mind-boggling proposition and philosophy especially for those who depend on rules and reasons. Many religions and philosophies believe that human life and existence have a precursory meaning or purpose. Existentialism, on the other hand, implies that such concepts haven’t a meaning until humans give it to them, an idea articulated cleverly by Sartre himself as “existence precedes essence.”
Response to the discussion of Camus’s context (The Stranger) During the interactive oral, the class explored the elements portrayed by Camus, which opened my eyes to the reliability of the author and the importance of static characters, that must be understood in order to understand the themes of the novel. The reliability of the author, Meursault, was debated according to what the person felt affected the author’s reliability. Though I understand the concept of the ethnic divide between the French people and the Arabs, that this created separation into social class, it came to my interest that this concept could affect the author 's reliability.
In “Waiting for Godot”, written by Samuel Beckett, absurdism is a major theme within the play as an existentialist view of human reality is hugely reflected. The play revolves around the mocking of religion and faith in regards to futility. Ironically, however, the play would not exist without this idea that life has no meaning. The first example of the absurdism present in the play is how the main characters, Vladimir and Estragon spend the entirely of their time waiting for someone who they do not know will arrive.
In No Exit, Jean-Paul Sartre sets a scene with three characters who are placed together in a windowless room in Hell where they are unable to escape from or communicate with anyone outside of the confines. Being placed in a situation where they have no control, yet fully in control of their own behavior, philosophies of existentialism are cornerstones to understanding the metaphorical and symbolic themes of No Exit. Acting as if one has no control over a situation, despite having full control over their ability to choose, is an example of the existential philosophy Bad Faith, that splits the characters into antagonizers or victims. All of the characters display some Bad Faith throughout the play, but Estelle, a woman in love with her reflection, palpably acts in Bad Faith numerous times.