Madison Marsh
Mrs. Shjarback
English 3A
31 May 2023
The Finding of Love and Self worth Throughout time women have changed the way they allow men to treat them. Zora Neale Hurston’s Their Eyes Were Watching God demonstrates the individualistic ideals of modernism through Janie's defiance of traditional gender roles in society. Modernism is a time period that shows change, and the desire to be free from authority. In the novel, modernism is pursued through Janie's journey towards self discovery and personal freedom in her relationships. The failure of the American dream that becomes her life reveals that challenging these traditions can leave you with nothing. From the beginning, Janie had hoped for a fulfilling relationship with both
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Janie had learned from her struggles to not allow men's words define her. She does not allow herself to fit the role of a black woman at this time, which was to obey all men and be “dominated by hard labor and financial instability” (Jordan 108). Meaning, women would work hard at home doing chores and cooking but received nothing in return. Once Joe learns of Janie's defiance, their relationship becomes very toxic. He finds any reason he can to bring her down and make her feel worthless. One day, Jody tells Janie she's “no young girl” ( Hurston 79) in front of the whole store of their friends. Jody has said things like this to Janie many times to bring her down. She had decided to reject “the impositions of tradition”(Trudy) and did not allow this to proceed. Which is what this time period is about, not keeping old traditions. To “liberate herself” from all the remarks he had made, Janie had enough and engaged in “a verbal battle with Jody”(Jordan 109). She told him to not talk to her like that and told him he had a “big belly”(Hurston 79). Although this may not seem as a big deal, Janie deprived Joe of the “illusion of irresistible maleness”(Hurston 79) that all men cherish. Due to this, Jody had formed a hatred for Janie and no longer treated her the same. He carried this resentment all the way to his death. Hurston killing …show more content…
Janie finds her one real true love that she had always dreamed of. When Tea Cake had died, Janie was able to “choose isolation” and she even realized she “chose herself”(Jordan 112). Her life had been fulfilled after this love and she was now able to be happy by herself. When she was in “possession” of a man she was denied any “self-defined goals”(Jordan 109). Once she was able to define her own identity she found how great it was “livin fuh themselves”( Hurston 191). She was at peace with the way her life turned out because Tea Cake allowed her to live the way she wished. Janie learned the ways of “progress and freedom” and “pursuit of reason”(Trudy) for happiness. That's what life during this time period has become about. Allowing yourself to find what makes you happy and being able to live independently with being “satisfied to be here”(Hurston 191). Janie finding happiness in the end shows the discovery of life throughout living. She is able to find herself and her desires to fulfill
Joe Stark’s death was the significant external event that illustrates Janie’s self-discovery and subsequent internal change that led to the actuality Janie covet, as well as the freedom away from the grating life Janie dread. Joe’s death matured Janie. Janie no longer had high expectations for love like she did before she met Joe. Janie learned from Joe that in a marriage, responsibilities come before love. In addition, the marriage between Janie and Joe stayed the same for years.
He turned out to be very controlling and possessive of her. He did not allow her to do anything and thought that “a pretty doll-baby lak [her] is made to sit on de front porch and rock and fan [herself] and eat p’taters dat other folks plant just special for [her]”(Hurston 29). Janie realized that she should be able to have some type of freedom in her marriage, and not feel
During this time period, men were seen as a really powerful figure, they were expected to have full control over their wives and daughters only because they were females. Joe Starks didn’t fully have the mentality of giving orders to Janie at first, but he slowly began acquiring it as time went by. Once, Joe ‘’order[es] Janie to tie up her hair [whenever she is] around the store’’(Hurston 55). Her hair is being used to represent the power and confidence she had been born with, and Joe ordering for her to ‘’NOT show it in [public]’’ (Hurston 55) is a symbol that highlights how Joe doesn’t want her to show how powerful, independent, beautiful, and confident she can be.
From a younger age, Janie is immediately pressured into a relationship, specifically with somebody who has plenty of money by Nanny’s standards. However, as much as the grandma could be blamed for this, she also enabled herself to fall into the trap of desperation. The first occurrence seems to be on page 28, when “She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight. So this was a marriage! She had been summoned to behold a revelation.
Their Eyes Were Watching God is full of many topics that would still be considered controversial today. One of the most important that Hurston decides to expand upon is the gender inequality/feminism portrayed in the novel. Gender inequality, and just gender in general, is a very important theme in Hurston’s novel Their Eyes Were Watching God, and through this theme Janie has the internal conflict of whether she should be a free and independent woman or if she should stick to the traditional womanly roles that were expected at the time. Throughout the novel Janie breaks stereotypical feminine roles by marrying three times, to men who were very different from each other. During her first marriage to Logan, Janie not only had to struggle to
(Hurston 42). Joe's behavior echoes the novel's patriarchal culture, in which women are expected to be submissive and obedient to their husbands. Janie's yearning for self-expression and originality is stifled in her second marriage, leaving her feeling confined once more. Janie feels a sense of liberation and self-discovery following Joe's death.
While Janie is at work in her store, Tea Cake happens to stumble across the small shop looking for some cigarettes. Instantly, they both feel a connection between each other. Janie feels as though she has finally found her rightful partner. Hurston describes him as if “he looked like the love thoughts of women” (Hurston 106). Blown away by Tea Cake’s good looks and flirtatious behavior, Janie leaves herself with no choice but to get married to this mysterious, wonderful man.
At the beginning of the novel, Janie is a young girl who is told what to do and how to act by the people around her. She is married off to Logan Killicks without her consent, and she feels trapped and powerless in her own life. This is evident when Janie says, "She knew now that marriage did not make love. Janie's first dream was dead, so she became a woman." (Hurston, 24)
Women are confined to single roles and are expected to be submissive and respectful. When Joe married Janie, he forced her into a role of subservience. Hurston indicates that Joe attempted to mold Janie into what white women do on a daily basis which is to “sit on their high stools on the porches of their house and relax.” Doing this, Joe believes he is granting his wife all the wishes she ever wanted while neglecting the fact that Janie takes pleasure in the simple things in life like chatting, laughing, fishing and dancing. “Janie [especially] loved the conversation[s]” that took place on the porch and sometimes “she thought up good stories on the mule, but Joe had forbidden her to indulge” because he didn’t want her to talk after those “trashy people” (Page 104).
Power dynamics come in several forms, including wife to husband, slave to master, and worker to boss. This concentration of power often affects societal feelings and actions, as abuse and corruption may occur. These topics are focal points for Zora Neal Hurston’s investigations into if power is the true source of fate. Throughout both the novel Their Eyes Were Watching God and the short story “Sweat '' by Zora Neale Hurtson, the topics of destiny and power dynamics are evident through each work's central theme. In “Sweat”, Hurston highlights the idea of self determination, whereas in the novel Their Eyes Were Watching God, Hurston looks at the fragility of social norms and the importance of fate.
Jody wanted Janie to know that women were less than men and that they don’t think for themselves, he almost compares women to animals, “Somebody got to think for women and chillun and chickens and cows. I god, they sho don’t think none theirselves” (Hurston 180). Once he passed away, Janie took a more feminist stand in her life, she started doing more of what she wanted to do and how she wanted to do it. Letting her hair down is an important point in the novel because it shows strength, “Before she slept that night she burnt up every one of her head rags and went about the house next morning with her hair in one thick braid swinging below her waist”
She expected to obey for her husband like others. “He ordered Janie to tie up her hair around the store” reveals that she did everything to his happiness not for her. Even though she is a wife of a mayor, she didn’t get any privilege rather she lost her social relationship with other people. She lived under the dominance of her husband
Pulled it from around the waist of the world and draped it over her shoulder. So much of life in its meshes! She called in her soul to come and see” (265). Hurston beautifully depicts this image of Janie’s soul emerging as a statement of her love for Tea Cake and of her vulnerability when she is with him. Likewise, at the end of the story, Janie calls on her soul to come out yet again at the moment in which she reflects upon her life with Tea Cake and in a way thanks him for allowing her to be free.
Hurston describes Janie’s quest to finding love and to recovering herself, though
Janie’s relation with Joes till his death is another step to realize the real meaning of domination and liberation. The moment that Janie kills her third husband Tea Cake is a must in the novel. Although Tea Cake liberated Janie from two different kinds of domination for a period of time but he turns to practice another kind of domination through his physical abuse and his jealousy; so his murder is a momentary freedom for Janie. Janie in her development and growth contends to replace the old culture concept that places women’s wishes on material and economic demands by love and affection.