The context that Psycho takes place in, is that when Norman was a young boy, his mother began to date another man after his father died. The complex that Norman possessed caused him experience feelings of rage and jealousy towards his mother’s partner; in turn, these emotions provoked Norman to take drastic measures by killing his mother and her partner in order to relieve himself of these emotions. Hitchcock’s movie, Psycho, depicts Norman Bates infected with multiple personality disorder, evidenced by him attempting to live the life of himself, and his mother. Consequentially of his complex, Norman additionally projects his feelings of jealousy onto his deceased mother. Norman is able to project his emotions onto his mother because of the facade, that he created, of his own mother being alive, due to regression.
The true internal struggles he faces explains why external forces such as the witches’ prophecy and Lady Macbeth’s assertiveness can easily manipulate him into darker ambitions. Within his soliloquy, Macbeth makes a reference to Hecate, the Greek goddess of witchcraft. Being a powerful figure in Greek mythology, witchcraft looks up to her and “celebrates” her practices, making Macbeth believe the witches are trustworthy (2.1.63). The themes of guilt and vulnerability can be linked together, as the culpability Macbeth feels forces him to look to a higher power for guidance. According to psychology, people suffering from mental instability have tendencies to lean on others of more stability, which is what Macbeth mirrors in this
She felt as if she was more of a man than Macbeth. After King Duncan arrived that night, Lady Macbeth ordered her servants to leave so she can help her husband murder King Duncan. Macbeth and Lady Macbeth wanted the prophecy to come true. Macbeth killed King Duncan. He not only killed King Duncan, but he also betrayed Scotland by causing an uproar leaving the kingdom’s people without a
By constantly shaming her husband, Lady Macbeth holds a great amount of control on the way he sees himself. Macbeth’s actions are ultimately based on pleasing his wife. When Macbeth informs his wife on the witches prophecies, she does not believe that Macbeth is strong enough to do whatever it takes to be the new king of Scotland. In Act I, Scene 5 of Macbeth, Shakespeare writes, “Yet
So although Macbeth was killed by rebels, Lady Macbeth has ultimate responsibility for his death. Lady Macbeth is responsible for killing her husband because she pressured him into the killing of others, which ended up getting him killed. As soon as Lady Macbeth found out she was becoming wife to the Thane of Cawdor, all she wanted was more power. Lady Macbeth applied pressure on Macbeth In Act 1 Scene 7 Lines 38-41 by saying, “. .
This is very different to the myth. In the myth, Hera it the one who sent the snakes down to kill Hercules, not Hades. She absolutely loathes him. She is so upset about her husband’s infidelity, she tries to get a baby killed. The change in the movie can be attributed to the common moral of monogamy.
One of his most notable theories was the Oedipus theory, where he believed that a child wanted to have a strong relationship with the parent of the opposite sex, so they started to gain a hatred towards their parent of the opposite sex. This theory was mostly used towards son’s and their attraction towards their mother. Over time, they would learn to hate their fathers, because they believed that the father would steal the mothers affection towards their son. Females were often left out of the question with this theory, so the Electra theory developed. The Electra theory is the psychosexual theory, where girls are in competition with their mothers for possession of their fathers.
In Shakespeare’s Macbeth, Macbeth’s visions and hallucination’s play a role and contribute to the development of his character. Macbeth starts to see hallucinations the night he kills Duncan. The first thing he sees is a dagger floating in front of him. Once he sees the dagger he gets it and kills Duncan on his room. They make the guards get drunk so they could be able to get into Duncan’s room.
She then tries to avenge his death by brutally killing many men of Herot. She, like her son, causes much distress for the kingdom. On lines 441-445, citizens of the kingdom as of Beowulf’s help. The quote says, “Our only help, Again, lies with you. Grendel’s mother Is hidden in her terrible home, in a place You’ve not seen.
Plato recognizes four distinctive types of ‘divine madness:’ prophetic madness, initiatory or ritual madness, poetic madness, and erotic madness. Subsequently, stating that all four forms occur from a divine source. Still, Plato tries to formulate a conscious difference concerning divine madness, believing it exists due to disease; notably epilepsy, such as the affliction of the Persian King Cambyses. Calculatingly, in the earliest of time, Plato could equate the negative aspects of the spiritual effects of ‘the theater’ and how it manipulates people’s minds, believing it happen to be
In Liz Flahive’s play From Up Here, she explains how a family deals with the aftermath and acceptance of a school shooting at the hands of their son/brother. In some way or another they all deal with the acceptance, or lack thereof, from those that are around them. Many themes are covered in this play such as betrayal, acknowledgment and looking deeper than what is on the surface. In the beginning of the show you get this overwhelming feeling that this family has does not listen to each other.
There are two approaches to what madness is: delusion and the behaviors that arise from it, and true knowledge that is merely beyond the comprehension of others. In Hamlet, madness plays a key role in the story, and while Hamlet’s madness is, for the most part, the focus of the play – he is after all the title character – Ophelia's sudden descent into madness is an interesting event. Ophelia’s madness shows itself through the perspective of others, but through her own words, she actually shows herself and her actions to be sane. Depictions of Ophelia’s madness and mad actions come from other characters’ accounts, as well as the transcriber, the editor, and even Shakespeare himself. In act 4, a Gentleman first describes Ophelia as “importunate,