The movie Trumbo presents, Dalton Trumbo who is a talented screenwriter. However, him being a member in the Communist Party draws the neglect of anti-Soviet entertainment-industry figures. Trumbo is one of 10 screenwriters subpoenaed to testify before the U.S Congress in regard to alleged Communist propaganda in Hollywood films. In 1950, Trumbo serves eleven months in prison where he meets J. Parnell Thomas who was convicted of tax evasion. Later he resorts to giving the screenplay for Roman Holiday to his friend Ian McLellan Hunter, to take credit and a share of the money, and eventually the Academy Award for Best Story. He goes to work as a pseudonymous screenwriter for the low-budget King Brothers Productions. Over time, industry suspicion of Trumbo's ghostwriting develops, but he is careful not to confirm it. In 1960, actor Trumbo is recruited to write the screenplay for Spartacus. Right before its release, the head of the productions threatens a mass protest of Spartacus unless Trumbo's name is removed. When the Universal head refuses, he threatens it will be the end of his studio. Nonetheless, the film premieres with Trumbo's name in the credits. The Man in the Gray Flannel Suit (1956) focuses on the life of Tom Rath, a World War II …show more content…
For example, we see films like Trumbo where this screenwriter becomes part of the black market because he is part of the Communist Party. Throughout the film we see many comrades leaving his side but we also see those who agree to get their "names" on the writings so that they are accepted. Yet after so much work trying to do it on the low so no one would know he was the real writer he finally wrote a script where he got credit for it. In the book of The Man in the Gray Flannel Suit is a similar story where a veteran has to commute in order to work for his family to be stable. They struggle with money and they argue about things where they are not
Many encounter the beneficial effects of communism encouraged within world-wide governments; however, its negative outcomes are also revealed to the members in these societies. Communism is commonly described as a political theory that advocates social organization in a way that controls the economic and social activity as to make each member of society equivalent to their peers while highlighting the lives of its’ creators. In Ayn Rand’s novella, Anthem, each character faces the influences from this type of governing from the way they dress to their everyday professions. In addition to this novella, “Survival Ship”, by Judith Merril, also has a similar way of controlling the passengers harbored on the ship.
This fear within the film community brought about the Hollywood 10. Leading up to the Hollywood 10, Motion Picture Alliance for the Preservation of American Ideals pressured studios to weed out communist. The Hollywood 10 were held in contempt of court after being subpoenaed to testify about their possible communist connections. This group of ten was later blacklisted and not employed within Hollywood. Writers like Dalton Trumbo were forced to write under aliases and did not make nearly as much money as they did before.
“To be yourself in a world that is constantly trying to make you something else is the greatest accomplishment.” This quote by Ralph Waldo Emerson tells the world that it is okay to be who you are and that people shouldn’t listen to others who are going to try to change them. Donald Zinkoff, the energetic and unique protagonist in Jerry Spinelli’s book Loser achieves individuality inadvertently. Donald Zinkoff is a young boy that lives with his mom, dad, and baby sister Polly in a suburban ‘brick-and hoagie’ town. The book follows Zinkoff’s life starting in first grade where he starts to show that he is positive, kind, and impatient at John W. Satterfield Elementary going up to Monroe Middle School. During that time no matter what people
Bernie gave credit to people who could not pay during the Great Depression. Although racism was still showing through, he let anyone come into his theater. Even the Mills Brothers’, who had performed for the king and queen, were shunned when wanting to buy a room at ___ and ____. Graciously, Bernie brought them to his own home, where they stayed. (Gutzweiler 1) Buzzing with excitement, the theater hosted the first national screening of “A League of Their Own” on July 1, 1992 (Heeke 1).
According to the America Film Institute, On the Waterfront is labeled one of the one hundred Best American Movies. Elia Kazan directed the film with performances from Marlon Brando as Terry Melloy and Eva Marie Saint as Edie Doyle. The film is about the corruptions and crime in the labor union. Terry Melloy, a dock worker and would-be prizefighter, is in on the corruption, however, he does not know entirely of how the “king” runs the docks. Once Terry starts to see how the labor union is being handled, he starts to question the “king’s” authority.
Though these two movies each one is a dramatization of mob life, the other is centered on two ex-convicts. This paper allows the reader to examine the similarities and contrast.
Lies! Greed! Guilt! That’s all we get out of the mouth of Henry Hill, (Jay Liotta), a young mobster from Brooklyn, as he shows the intensity and the utter chaos of what being a mobster can do to an innocent life in Martin Scorsese’s 1990s film GoodFellas, as seen through the eyes of a young Irish-Italian boy growing up on the streets of Brooklyn. With the help of many others, such as well-known actors Ray Liotta, Joe Pesci, and the famous Robert De Niro, the story comes together to create one of the most famous mob movies ever made.
Alleged communists were hounded by the law, friends and families alienated them and jobs were lost. All that they did was express their democratic right to join a political
Presumably one of the most famous and talked about movies in history was “The Godfather,” published by Paramount Pictures and directed by Francis Ford Coppola in 1972. The movie shattered multiple records and was the first film ever to earn one million dollars a day. The plotline of “The Godfather” details a mob drama based on Mario Puzo’s novel. The movie explains a story about an Italian crime family and their refusal to be part of a drug community in exchange for mafia protection. The film depicts a vivid and interesting plotline that details public hysteria in the 1970s and gives audiences an insight into criminal activity such as mafia groups and drug deals.
Through his noir On the Waterfront, Elia Kazan tells an excellent tale of a misguided young man who struggles to discern good from bad, finally regretting his past and redeeming himself through sacrifice. This description is broad and applicable to many stories; it is an interpretation of the director's work, an implicit meaning. One may also say that Kazan tells the story of Terry Malloy, a young man who "does the right thing" and learns that he must sacrifice himself to take a stand to overthrow the corrupt boss, leading other workers in the right direction. As an explicit meaning, this explanation of the film focuses on the "point" of the story -- what Kazan is trying to communicate to his audience. A solid, tangible description of the film,
COMPARATIVE ANALYSIS Submitted by: Marcus Timothy L. Montaos Submitted to: Prof. Valerie Anne C. Miranda English 2 / IT1421 Comparative Analysis: Scarface (1983) and The Godfather (1972) I. Introduction Scarface is a crime-drama film that is famously known for being one of the most violent and profanes films during its time of release. Focusing on the rise of Tony Montana (Al Pacino) on the criminal ladder and becoming more psychotic as his career as the leader of his drug empire progresses, leading to his eventual downfall. Directed by Brian de Palma, written by Oliver Stone and with performance of the cast with the lead Al Pacino, Scarface became a cult classic among the masses.
The Warner Brothers were the first major film studios to produce a majority of gangster related films. Scarface(1932) and Little Caesar(1931) were some of the many gangster films that were filmed. With that being said, these two films had many similarities and different characteristics that makes the film unique from one another. To begin with, both of the main protagonist in the film had a similar goal of acquiring wealth and power through the crime industry.
Marx and Engels then follow with a series of rhetorical questions: “Where is the party in opposition that has not been decried as communistic by its opponents in power? Where is the opposition that has not been hurled back from the branding reproach of communism, against the more advanced opposition parties, as well as against its reactionary adversaries (1)?” Combined with the notion that holding power leads to corruption and immorality, the questions asked presents the reader with the impression that the communist party is being purposefully targeted by influential authorities. Marx and Engels further appeal to the emotions of their readers by adding that “The bourgeoisie, wherever it has got the upper hand, has put an end to all feudal, patriarchal, idyllic relations. It has… left remaining no other nexus between man and man than naked self-interest, than callous “cash payment”(4).”
Lumpenproletariats wish their lives would change but often do not have the means to change the way they live for the
The Godfather (1972) is said to be one of the greatest films ever made. When this movie was released in 1972, it was nominated for Ten Academy Awards and it won three: Best Picture, Best Actor and Best Adapted Screenplay. The film was adapted from the book with the same name written by award winning author of mafia fiction, Mario Puzo. This film takes place in a span of ten years following the life of Don Corleone, the head of the Corleone Crime Family. It was a film that changed the history of cinema, introducing a very talented filmmaker and several acting legends in the telling of a story of a Sicilian Crime Family.