Uncovering Deeper Meaning in Andre Dubus’ “The Fat Girl” In the critical period of forming her identity, Louise battles with her obesity. Criticism from her family and friends cause her to question her body image and consequently, her self worth. Louise is not the only adolescent to struggle with her appearance; with his depiction of her transformation, Andre Dubus addresses those whose view of themselves is marred by society. After years of her weight and emotions fluctuating, Louise realizes a deeper change. Through Louise’s journey, Dubus communicates that the power to change oneself emanates from one’s self control and ability to surpass societal pressure. Dubus first uses foreshadowing to convey that societal influence is responsible for future self-deprecating behavior. As a young girl, Louise’s mom convinces her to value a thin appearance over satisfying her hunger: “In five years you’ll be in high school and if you’re fat the boys won’t like you” (233). She internalizes her mother’s pressure to restrict her food intake, thus restricting her identity. Meanwhile, Louise has no faith in her ability to comply to society’s standards, as she understands that “she was fat because she was Louise” (234). Her starvation makes her “weak …show more content…
When Louise is at her thinnest and is perceivably most attractive, it is presumed she will stay that way. However, she gains all the weight back, thus going against the assumption that being thin is enjoyable. Furthermore, Dubus uses figurative language to compare Louise’s struggle to that of others: “For a while she stood eating in the dark, then she turned on the light” (245). With the motif of darkness symbolizing Louise’s blind indulgence, and light symbolizing her newfound awareness, Dubus communicates Louise’s development of self-control and
Olivia Clarke’s essay called “One Percent of Me” discusses the harsh reality of high school and the effects it causes in your adult life. She goes into depth about her struggles with being the only African American woman in town, the effects it started to have on her once she entered high school ongoing into her adult life. The struggle of her race being a leading factor of not fitting in enough for White people nor Black people that surrounded in certain points of her life. Dealing with not fitting into the image that in advertised around us, body image is a huge problem within young children. Clarke eventually learning in her adult years that she is not identify by her image but by her experiences.
We had already acquired the habit of doubting ourselves as well as the place we came from” (pg 96). Although all four sisters were beautiful individuals, America’s perception of “beauty” caused self doubt in the young girls. They were too busy trying to look like something they were not to enjoy their true
When seeing the title “The Fat Girl” by Andre Dubus, I assumed it to be another story about a fat girl who would be depressed and insecure about her size. However, as I started reading, I learned that Louise, the fat girl, was not ashamed of herself and I became interested because my assumption was wrong. All the conflict about her size came from her mother and other relatives or friends. The title itself tells what the entire story is about. The entire story is about the life of “the fat girl”.
Yusufali claims in her essay, "Whether the 90's woman wants to admit it or not, she is being forced into a mould." (page 49) As explicated by Yusufali, this type of influence by popular media manipulates young women into developing signs of bulimia as they are sticking their fingers down their throats, or overweight adolescent females hanging themselves. Yet, fortunately, Rabinowitz's character realizes as she attempts to peruse the nigh-impossible goal set by the media: "I have my whole life to spend fixing my body to fit the mould." (page 49) however as these two quotes convey different subjects, both revolve around the concept of "the mould". Rabinowitz's character realizes that attempting to reach that goal will be futile, and that even if it is reached, the majority of one's life would have ended.
Although Constance was previously humiliated for her appetite and large appearance, she utilizes consumption as a weapon to revolt against the higher order, that is, to emasculate men. Constance innately abjects humanity and embraces the monstrous
The most common, widespread epidemic in adolescent is the lack of self-esteem. If a teen loses confidence, they may engage in self-destructive views. To try to combat the lack of personal confidence, Canada and other individualistic countries emphasize being unique. In the short story, The Metaphor by Budge Wilson, Charlotte lives under the rule of her stern mother. Through her mother’s criticisms, her lack of confidence, and her desire to fit in with the community, Charlotte is shown to be insecure.
Dolores was given snacks and sat hours in front of the TV, allowing her weight to exceed and be fat. Soon, her mother would die in a car accident and Dolores would honor her mother’s wish and attend college. She met a lesbian janitor and they became best friends and they were both fat. “We’re Whales” (232), she said hunchbacks specifically due to their bellies. But she was happy, “This is new.
In the short story “Mrs. Buell”, Kate learns that everything is not as it seems through a series of events. When one considers certain factors such as abrupt personality change, encounters with unexpected people, and changes in first impression, it can be seen that there are many things to be discovered that may change our impression of one’s being. Kate is startled by Mrs. Buell’s actions when, she hurts her knee while walking into Mrs. Buell’s convenience store. Although, Mrs. Buell shows compassion towards her, Kate can’t quite believe that Mrs. Buell had shown any type of sympathy. This is evident when Kate assumes, “She was probably sorry now that she’d fixed my knee.
(290) Peck uses the phrase “woman of substance” as a non-judgmental way to describe the woman because she understands and ponders on what they might feel to being called impolite names. She portrays the fact that people who do not have any struggles with body weight do not understand that people of size are humans too and will sympathize or judge them which is a form of
Then, when she reached puberty everything changed. She lost here childhood life which she has nothing to worry about such as how she looks and acts. “You have a great big nose and fat legs” is the what her friends called her. The girl is humiliated by a really harsh and mean words until she loses her confidence and questions her physical appearances.
They are also seen as mentally subordinate because of their health conditions, with Jane having a nervous condition and Louise having heart troubles. Both of these literary works reveal how the Culture of Domesticity made its mark on the ideal image of women and their place in
Robert Haas’ “A Story About the Body,” perfectly illustrates the shallowness that some people have and Haas is able to embody shallowness inside a single bowl filled with something beautiful and something repulsive; after all, those two things cannot be found without each other. The story starts off with Haas
In the poem, When The Fat Girl Gets Skinny, by Blythe Baird, the poet addresses the issue of social ideology and how these trends affect young women. Told in a first perspective point of view, the poet supports her theme by describing how teenagers are being affected, establishing a social conflict of false need to achieve trends by identifying motifs for teenager’s actions, incorporating the use of life experiences from the past to the present tense and finalizing with a shift to highlight positivity in change of habit. Baird’s purpose is to illustrate a major conflict among young women who are being affected by social idolization of being skinny. She creates a mood of hopeful in order to inspire young teenagers who are currently harming
Identity is often a cornerstone in a many important works of literature. The struggle of a protagonist to reconcile with their identity and the expectations or restrictions that accompany this struggle often mirrors real life endeavors and makes important critiques on social structure. The essay A Room of One’s Own by Virginia Woolf makes an influential claim that a woman’s identity as lesser than a man’s in society prevents her from the opportunity to fill her role as a writer while the novel The Bell Jar written by Sylvia Plath describes a woman’s struggle to reconcile with her expectations as a woman in the 1950s. Both pieces make a statement about the impact of identity and its influence on the women faced with the consequences of these societal expectations.
Lindy looked at herself in the bathroom mirror. Her dark brown hair began to thin and fall out, her bones started to show beneath her paling flesh. The girl had begun to bear a striking resemble to a walking skeleton. However, Lindy was not aware of the dramatic weight loss she forced upon herself. In fact, from the moment she stepped on the scale to assess her progress, Lindy expected there to be an even lower number than the digit she saw four weeks ago.