For my on campus review I decided to see a Variations On a Theme, or VOAT, done by the Rollins Improv Players; The theme of this particular show was Strength. A VOAT is a long form show in which the players ask the audience for suggestions involving the theme in order to create scenes that involve the given suggestions. After the players are given suggestions, they begin to share their own stories which are then used as influence for new scenes. Throughout the rounds the players make connections from the words and ideas given from the audience and stories given from within the group. This beginning process of the show is very important, because you see so many connections from this process and on throughout the show you can tell that the …show more content…
Instead of saying “yes”, or saying “yes and…”, an improviser can say “no”, however, this is bad improv technique and will keep the scene from moving forward. In one scene in particular, Jon and David played brothers who were looking for a family member’s urn. David asked Jon to pull out his flashlight multiple times and in different ways each time. Each time Jon was asked for a flashlight, there was a problem with the light. Jon gave David a small amount of information but overall stalled the scene and kept it from moving forward. The improvisers in this scene were very experienced and were most likely playing a game with each other, however, in other situations this may have confused another player and cause them to feel unsupported. During the show, there were a few obvious gags from players. Shey and David played in several scenes together, however, some of these scenes featured the hot button issue of sexism in the workplace. During one of the scenes, David continually said “that’s what she said”, seemingly in effort to get a laugh from the audience. However, the players involved in this scene did well to not only justify the gag, but also to explore the idea that sexism in the workplace will not be tolerated. To finish the scene, Shey ended it by firing David because of his sexist behavior. This kind of improv is very enlightening, even though one of the players made the choice to do something that is traditionally bad improv, it worked very well with the efforts to parallel real life issues on stage. Lastly, a very difficult and awkward scene to watch happened to be one in which one of the players made another do something she obviously felt uncomfortable doing. Pimping is always uncomfortable and uncalled for in improv, it can make another player feel very uncomfortable and unsupported in their team. Lena, the improviser who was pimped, was called in
If the Philadelphia Eagles beat the Cowboys in their next game and if Pat and Tiffany win a five out of ten in their dance competition, Pat’s father will win the parlay. Despite discovering that Tiffany wrote the letter from Nikki, Pat continues to rehearse with Tiffany until the day of the competition. After winning the bet, Pat has a short conversation with his ex-wife, Nikki. Tiffany rushes out of the building and is later followed by Pat. Although late, Pat has come to discover his love for Tiffany.
Through the eyes of David, the women in the classroom were subordinate to him. A backstory of Sedaris reveals an understanding why he became so sarcastic and sexist. He recalled to a point of his life where is mother was drink and saying “”Love?
At Sam’s Bar Mitzvah when Sandra showed up uninvited after he told her not to come because I would’ve been awkward. Then, as Phyllis went to go and grab Sam for a family picture, Sandra slapped Phyllis’ hand. Then, Sandra hit Phyllis on the side of her head with her purse then lunged at her. They began to grab “…at each other’s hair and face. They teetered back and forth in their high heels” (pg.97).
Hoopla Cliques production of ‘Chores’ entertained and influenced young audiences as they followed the life of two teenage boys Patty and Jules. By Completing their chore of cleaning their room Patty and Jules could continue doing the things they love. By Successfully utilising conventions of clowning and manipulating tension the production was easily able to communicate the dramatic meaning, when hard work is achieved, you can have the fun you dreamt of. Conventions of clowning where accurately manipulated throughout the piece to convey a storyline that kept the audience’s attention. One of these convention was the use of slapstick.
The language of this story, because so much of the pranks very verbal jokes rather than physical skits really are in themselves the performative aspects of the
In “A&P,” Sammy shows his support for the three girls by quitting his job. After Lengel confronts the girls, Sammy says, “I quit” (Updike 159) to Lengel showing his support. According to a critic, “Sammy feels ashamed of Lengel and the “crummy” mentality he represents” (Saldivar). Later, when Lengel questions him, Sammy says that Lengel should not have embarrassed the girls in front of everyone (Updike 159). As Sammy feels bad for the girls, he stands up for them thinking they might notice him (Updike 159).
During the prank calling you had to keep whoever answered the phone on the phone as long as possible. While prank calling, Lorraine realized that one of the boys was cheating. He was peaking out from under his hand at the phone and was cheating by dialing the phone number of an old lady that enjoys talking to anyone for as long as possible because she's lonely. Lorraine tried this for herself and called someone from around the area. Mr.Pignati answered and Lorraine pretended to be a woman named Miss Truman from the L & J Fund, which was made up by John.
After watching the first act of a play with Sally, Holden sees a phony movie star with a woman and says, “You never saw so many phonies in all your life, smoking their ears off and talking about the play so that everybody could hear and know how sharp they are,” (126). After Sally
Queenie comes in wearing bikinis, no real reason to as the beach is not too close, and grabs the attention of everyone. Especially Sammy, which causes him to pay attention to her and only her. Soon after a lot of staring from Sammy, the manager appears. The manager, Lengel, catches sight of Queenie and her girls and quickly approaches to tell them it is not appropriate for the store. Queenie and the manager get into an argument and soon enough Sammy sees his opportunity.
One day Joe beats Janie in the middle of the store for a small mistake she makes. Janie retaliates by commenting on Joe’s deteriorating body. After this Joe stops talking to her, and Janie confides in Pheoby. She cries to her that she “wouldn't do one thing tuh hurt nobody”(82). Even though it's her husband who is not understanding her, she goes to Pheoby for consolidation.
When the cashier wanted to be viewed by the girls as a hero, so he quit his job because his manager embarrassed the girls. Updike says “The girls, and who’d blame them, are in a hurry to get out, so I say “I quit” to Lengel quick enough for them to hear, hoping they’ll stop and watch me, their unsuspected hero” (Updike 242). Not only were the girls rebellious throughout the story but in the end the cashier showed his rebellious side by quitting because of lust towards Sammy. When his manager disapproved of the very thing he loved so much about the girls, he felt he gained the opportunity to become close with them, if he stood up for them. Once again showing how the opinions of the older generation was not valued by the generation to
In the end, the theme is to always have hope even in the hardest of
From there Bill, who decided to turn the conversation around by becoming consciously aware of how is character was being portrayed by Betty and took the initiative to change the scope of the conversation to one that is serious. Betty stated she was headed to the movies and asked “Would you like to come along” (Ives 15). Instead of Bill replying to the immature tone he has used throughout the play, he instead replied “That’s sounds like fun. What’s playing (Ives 15)? The shift in tone from sarcastic to genuine is the satiric form found in eighteenth century satire literary works.
An officer shoved a drag queen, who in return smacked him with her purse. The officer clubbed her, and was booed by the crowd. Some people began trying to overturn the wagon. Others began throwing pennies and beer cans. The crowd became angrier when a rumor spread that people still inside the inn were being beaten.
The two clerks tried to get a carpenter's wife into bed. John and Aleyn inflict upon Symkyn's wife and daughter as revenge. ohn and Aleyn inflict upon Symkyn's wife and daughter as revenge. Aleyn tries to return to his bed, the misplacement of the cradle causes him to crawl into bed with Symkyn by accident. Thinking he's John, Aleyn boasts to Symkyn that he had sex with the miller's daughter all night.