1. Definitions
The last decades have brought about an inflation of visual materials and the occupying of a central place of the visual in contemporary Western culture. Many theorists claim that “Westerners now interact with the world mainly through how we see it” (Rose, 2012, p. 3) and that seeing has become our main source of knowledge and comprehension of the world (Rose, 2012, p. 3). This has led to the formation of a visual culture; that is, a multitude of ways in which the visual is integrated into social life (Rose, 2012, p. 4).
Images are the result of particular means of understanding and attributing meaning to the world, they are interpretations of the world. Realising this made the term ‘visuality’ become increasingly important in visual culture theory.
Visuality refers “to the ways in which both what is seen and how it is seen are culturally constructed” (Rose, 2012, p. 2), an image never being fully objective and candid.
The ways in which the world is viewed and made to be seen by a certain discipline are called by Gillian Rose (2003) ‘disciplinary visualities’. In geography, there is a great variety of such ways and they are created by the relationships between the geographers, the images and the audience (Rose, 2003, p. 213). For example, a certain choice in the
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The methodology – consisting of photographies taken by participants and semi-structured interviews – allows for the contestation of traditional, urban pictorials which present the city as an “aesthetic product” (Datta, 2012, p. 1727) and focus on “museumified visions of urban spaces” (Crang, 1996, quoted by Datta, 2012). These representations claim objectivity through their distanced, detached gaze, which lacks presence of the observer-photographer. By using visual narratives, participants are engaged in the research process and subjective, embodied views of everyday life in the global city are
In the book Why Geography Matters: Three Challenges Facing America; By Harm de Blij I learned many things and my perspective about the world and what's going on it has changed after reading this book. After reading this I wished that I had payed more attention to what was going on in the world and now, I will work hard to keep being aware of the world so I am no longer ignorant of it. Harm De Blij points out many things and makes clearer for me. In Why Geography Matters, Harm de Blij exhibits how geography's viewpoints yield one of a kind bits of knowledge into the inter connections that stamp out onto our ever changing world. The book talks about three major problems.
The field of criticism is one that varies from academic to absurd. There are critics in academia who examine data, creative works, and various cultural anomalies to learn a higher truth about the world. There are media critics who judge bodies, faces, and “looks.” While these media critics provide valid insight into the cultural ideals of society, this criticism has not found a place in academia (excepting the arts, where judgement of beauty is based not from the subject, but the form and medium). A third kind of criticism falls in between the two: a form of criticism that, while primarily entertainment, is an academic medium which analyzes the arts in society.
In The Puzzle of Experience, J. J. Valberg argues that, concerning the content of our visual experience, there is contention between the answer derived from reasoning and that found when 'open to experience '. The former leads to the conviction that a physical object can never be “the object of experience,” while with the latter “all we find is the world” (18). After first clarifying what is meant by 'object of experience ', the 'problematic reasoning ' will then be detailed. Afterwards, it will be explained how being 'open to experience ' opposes the reasoning, as well as why the resulting “puzzle” cannot be easily resolved. Lastly, a defence of Valberg 's argument will be offered on the grounds that it relevantly captures how we understand our visual
With this statement, Mackinder makes a claim and says that no rational political geography can function without being built upon the ideas of physical geography. He says the idea of political geography is currently based upon no principles of physical geography and must not be considered a true discipline. This defines the complex and typically unseen relationship between political and physical geography, “Geography is like a tree which early divides into two great branches, whose twigs may none the less be inextricably interwoven.” (Mackinder 159). After Mackinder makes an interesting claim about how the rivalry between physical geographers and geologists are perceived.
The 1950s saw the full development of a design movement that is apparently the most critical visual design style of the twentieth century as far as its sweeping effect, its life span, and its scope of pragmatic applications is concerned. The style started in Switzerland and Germany and is often alluded to as Swiss Style, yet it is formally known as the International Typographic Style. Its strength in numerous territories of graphic design covers a twenty-year period from the early 1950s to the late 60s, yet it remains impactful up till the recent times. As Richard Hollis puts forward in his book “Swiss Graphic Design: The Origins and Growth of an International Style, 1920-1965”, the Swiss Style has vital elements that are widespread throughout
Harm de Blij’s Why Geography Matters: More Than Ever explains the necessity of geographic knowledge in today’s society and the need to further expand interactions within the United States and other countries. This novel expands on the economic, cultural, physical, and political geography of our nation. De Blij outlines on the importance of geographic thought by focusing on climate change, terrorism, the rise of states, and development in Africa.. I believe that while geography has proven to make a noticeable difference in the knowledge of our vast world, it will require an extensive amount of effort in order to make geography known.
The variety and assortment of products in today’s world is growing heavily making consumer decisions harder and harder. Thus, the need of in-store visual merchandising be-comes relevant as never before. The more choices consumers are faced with, the more time they tend to spend while making purchasing decision, and visual merchandising may help to facilitate those choices. This reflection paper is aimed at drawing understanding on how visual merchandising influence consumer behaviour and how it stimulates the purchase de-cision.
Winsor McCay is said to be the father of Animation. McCay served the world of animation from 1911-1921 and took a simple camera trick to a whole new level. McCay worked on each of his cartoon himself and every cartoon of his belonged to him only. He used to take a lot of time to make perfect cartoons; he even spent more than year just to make a five minutes cartoon. However the expanding universe of film couldn't sit tight for so little, thus the advanced activity studio initiated existence.
The use of lighting and filters for colours is not just used for simple illumination but it is more meaningful. It helps to understand the characters and focus our attention on certain objects and actions. The colour can be used as a motif, an occurring manifestation in which the shades themselves become an important part of the story, reflecting emotions, altering situations and underlining scenes. (Bordwell, Thompson and Smith, n.d.)
Cultural appropriation has been used throughout history to imply messages in both art and design. Often used in political art, satire and contempary art, this type of insinuation uses popular symbols of a culture or sub-culture (these symbols often stem from stereotypes so that they can be understood by the masses) to further layer an artwork or imply a deeper meaning by hinting towards a characteristic of said culture. The key to identifying appropriation is whether these symbols and signs are being used out of their original context. It is therefore important to understand the meaning of cultural appropriation and how it is used, to completely comprehend these works of art. This essay considers three works and how cultural appropriation was
Physical geographers apply the positivist approach in trying to understand the physical world. Bennett defines positivism as “a philosophy of meaning, of what you say that something is true, when you offer it as something which others must also accept because it is, according to some allegedly neutral standard true” (2009, 310). In this paper the way in which geographers use the positivist theory to understand the physical world will be discussed along with the advantages and limitations of using this method. There are a host of factors involved in the positivistic approach to physical geography. Physical geography is viewed by many as being hands on work with less theory.
Does technology help shape society’s standard of beauty? By: Allegra Sudarto Introduction: The world we live in today is a world of technology; the advancements in technology has been greatly integrated in our lives, and it is readily available and accessible. Technology has evolved it is not so much of magazines, newspapers, or posters, but technology has made the availability more at ease through smartphones.
Every day we see images, whether they are ads that we simply glance at in passing, or pictures that hold memories that we take the time to really absorb and look at. How we interpret or give meaning to those images is affected by its context and our context. I find it interesting to think about how different people can see the same image and yet, each one of them can get a different meaning out of that one image. There are so many things that can factor into that. For instance, the historical context may be different for the people seeing that image and as a result, the image takes on a different meaning based on the time period that it is or was seen.
In this essay I will write about the strengths and weaknesses of perception as a way of knowing. Perception is the way we perceive the world through our senses. We use all five of our senses, which are sight, hearing, smell, taste and touch to understand the world and interpret it. We can then say it’s a Primary way of knowledge. We can also say that, because the senses is the way our body communicates, we have at least three more senses: kinesthetic sense, which is our awareness of our body’s dimensions and movement; vestibular sense, which is the awareness of the human’s balance and spacial orientation; and organic sense, which is the manifest of the internal organs (for example, hunger or thirst).
Descriptive Essay I have never thought that drawing would help me out in life until I tried it. The interest started when I was in second grade when I saw one of my best friends drawing. I am thankful for her, she is the one who taught me to be patient and practice makes perfect. It gets a little frustrating and overwhelming when your interest is there, but you are not good at it.