Three Roses by Anya Krugovoy Silver
This poem has three stanzas. Each has its own color and body part as a focal point. Stanza 1, beginning "Where only my scar line remains", speaks on the removal of a body part and a red rose. I believe that this stanza refers to passion. Red is a passionate. It is often to express sensual desires, and passionate love for someone or something. She uses terms such as "luscious" and "flaming center" to express the passion that she feels from the loss of this part. However, I sense a slight pain from the loss. She uses crimson to describe the rose's center. Crimson, normally used as a reference to hell, reveals a harshness about the passion. Another hint of pain that I sense is in the order of colors ending the poem: "quartz pink, blush, vermillion". Quartz pink and blush are very soft, pink colors, whereas vermillion is a bright cross between orange and red. That scaling may translate to mean very sensitive to extreme pain. What could this pain be in reference to?
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White generally relates to some level of purity. She continues this idea of purity by using terms such as "satin", "milk-soaked lace", and " a newborn ewe's plush". She creates this image of purity and softness. But what does this mean? It begins with the very first line of the stanza, "Where my right breast remains". Anatomically, breasts come in pairs. There will always be a right and left breast. Thus, the poet could be referring to missing something. With the left one gone, perhaps, she is experiencing an appreciation for a life once lived. This purity refers to how even though it is no longer there, she appreciates that the other remains? I'm really unsure. But, I would like to discuss this
Essay Outline (5%) 1. (Introduction) a) Thesis statement: In her poem “Nineteen”, in which she remembers about one summer, Elizabeth Alexander mentions the need for continuous psychological transformations, which are triggered by the curiosity of differences and the desire of learning from others. b) Plan of development: Through the use of symbolism, tone and contrast, Alexander puts the emphasis on the coming-of-age of the persona, which is significant regarding her personal growth. 2.
In the short story, “ The Scarlet Ibis,” the author uses symbolism to represent the story’s main ideas. Symbolism is represented by the Scarlet Ibis and Doodle. In the Scarlet Ibis, Doodle is a young boy who can’t walk by himself so his brother takes care of him. In the story, there are a lot of things that are red symbols because those represent Doodle. In the story, “ Even death did not mar its grace, for it lay on the earth like a broken vase of red flowers”
In Song of Solomon, each time the color white appears, it represents a fault or pitfall of white society. These traits build up to form the negative lens under which black society has come to view white people. The white peacock symbolizes the suppression of black people by upper class white people who believe themselves superior. This is supported by the difference in Guitar’s and Milkman’s reactions to the peacock.
Thesis: Much like waving a white flag, Emma Donoghue’s use of the colour white in “The Tale of the Handkerchief" is symbolic of both surrender, and the refusal to do so for the Princess and the maid. As the story unfolds and the white items signifying surrender are changed, so too are the Princess and the maid, and it becomes clear that it is the position, and not the person who occupies it, which determines whether or not surrender is an option. Supporting Statement 1: From her introduction on her mother’s white horse to her acceptance of the white handkerchief in unquestioning obedience to her betrothal, the colour white signifies the Princess’ surrender to the life chosen for her. Supporting Statement 2: As the maid throws the white
The few times the color red is mentioned, it was either on Marie or on the sand. The red on Marie is a red and white striped dress that Meursault loved seeing her in. The dress appears two times in the text, before the shooting and after the shooting. Each time he sees her in that dress, the feeling of lust erupts from him. The red in the sand connects to the blood
Margaret Atwood’s cheeky poem, You Fit into Me is very short, but it uses symbolism, imagery, and tone change in a creative and startling way. The poem models the way love can suddenly change and from a different perspective mean something entirely different. I am fascinated by how poem of this length can convey so much meaning. The author uses the symbol of a hook and eye to depict how lovers can appear to be made for each other, and fit snugly into one another’s lives.
While reading “The Myth of the Happy Yeoman” by Richard Hofstadter, he had mentioned “vice”. Vice had stuck out to me in this specific myth because he talks about the yeoman farmer being “ a very special creature, blessed by God,” which is completely different then what vice is (Hofstadter 34). Being immoral or doing wicked behavior, that is what vice means. This was deemable to young kids of farmers who did not like the way their parents were raising them. Leading them to migrate into the city's where “ they were sure to succumb to vice and poverty”(Hofstadter 33).
The dress itself is red, symbolizing the blood, she has shed and is covered in. Never being able to forget what she
The Prison Door In this Chapter from The Scarlet Letter, Hawthorne introduces the setting of the book in Boston. He uses a gloomy and depressed tone in the beginning of the chapter. He is able to convey this tone using imagery while describing the citizens, the prison, and the cemetery. However, as he continues to discuss the rose-bush, he uses parallelism to shift the tone to be brighter and joyful. To create a gloomy and depressed tone, Hawthorne uses imagery.
On May 28, 1779 the history of Irish music would change forever. On this time in history, Thomas Moore was born into a Roman Catholic family. At this time in history in Ireland, Roman Catholics could not own land, be educated, or vote. Even though Thomas Moore was born into a Roman Catholic family, he still achieved greatness through his music. Thomas Moore was one of the first Catholics to go to Trinity College.
The symbolism of the colour red cannot escape us: she has ‘rouged’ lips and ‘red’ fingernails; her mules are red and they are covered with ‘red’ ostrich feathers. First, it brings to mind a ‘scarlet’ woman – a dangerous woman who uses her sexuality to
How might you describe the flower situation at Nick’s house?Nick’s garden is untamed and grows wildly, until Gatsby sends over his gardeners. How does Gatsby look?Gatsby looks nervous and uneasy, something he never seems to look. How does Gatsby act while waiting for tea? Cite two examples. Gatsby is very uneasy and edgy, such as when he tries leaving before Daisy arrives and how he keeps looking out the window.
In Moby Dick, white is used to disguise the truth, so it would only make sense that in addition to being fascinated what the truth is, the narrator of Moby Dick, Ishmael, also explores the meaning behind the color white. In fact, Moby Dick has an entire chapter dedicated to the color white and is called, “The Whiteness of the Whale” which explores the concept of the color white or what white means if taken at a face value. Melville or rather the narrator Ishmael, notes that in most cultures, white is used to represent “the symbol of the divine spotlessness and power” (Melville 190). In general, white does, indeed, represent holiness and all that is good. However, to Ishmael, white has a deeper meaning behind it.
Only in one or two situations, white is used in connection with military actions, notably in the reference to “Brave horses bred on the white Tartarian hills” (p.10) that destroy the bowels of his enemies, or, in the same speech, the allusion to victory “resting herself upon my milk-white tent.” (p.35) It can be noted that the only consistent use of the impression of whiteness in relation to war is in connection with the white tents which Tamburlaine displays on the first day as a sign of mercy for peaceful surrender, before the gloomy red and black colours are displayed on successive days. The messenger reports to the Soldan of Egypt: “The first day when he pitcheth down his tents, White is their hue, and on his silver crest, A snowy feather
following. Graves’ book The white Goddess appealed both because of its festivity of poetry and of the idea of the poet but also because of his investigations into the mythical sources of the creation of poetry. The White Goddess – the basis of all poetry and of all life, the sublime muse – stands in direct contrast to the male, fatherly God of Christianity and rationalism.