Rochelly Mojica Professor Hearst English 102.0859 8 November 2017 The Devil In Disguise: In Oates’s “Where Are You Going, Where Have You Been?” Joyce Carol Oates takes everyday life situations and turns them into something much more realistic, by showing the dark and uncut version through her writing. She was an author born in Lockport, New York, who developed a passion for writing. Oates then went on to becoming a very successful author who wrote novels, stories, and even poetry. In her story, “Where Are You Going, Where Have You Been?”, there’s a character named Arnold Friend who has an evil to him. I argue that Arnold Friend is the devil, and here’s why. The story starts off with being introduced to Connie, a fifteen …show more content…
“I know everybody” (Oates 64). This refers back to the devil because besides Jesus, what other person actually knows everybody. Arnold drew an “x” in the air, which he says that it’s his “sign”, it stood there even after he put his hands down (Oates 65). If the sign was to be turned over, then it would be a cross. That’s another example of how Arnold Friend is in fact, the devil. Connie ends up realizing that Arnold Friend seems to be much older, and seems more frightened now. Back to the devil read, she says that her father will be coming back and Arnold seemed to be describing exactly what they were doing, as if he was right there. Any normal person would not be able to do that. As the confrontation continues between the two, Arnold states, “honey, I’m not coming in there but you are coming out here” (Oates 67). It has been said that the devil isn’t allowed to come inside a place unless he is invited, or if you go out to him. The narrator states, “the boots must have been stuffed with something so that he would seem taller” (Oates 68). It seemed animal like, as if he had hooves, similar to satan. Furthermore, Connie was growing tired of what was happening, and didn’t know what else to do. She was starting to feel this feeling of emptiness, and was starting to give in. “He ran a fingernail down the screen”, signifying that he could have claws, just like the devil has (Oates 71). Reaching the end of the story, Arnold states, “You don’t want them to get hurt” (Oates 71). She ends up making a “christ like” sacrifice in order to save her family, and so she ends up walking towards Arnold Friend, and there’s the ending. Connie “crossed over”, and it never explains what happened after. Through various things like temptation, the 33 19 and 17 numbers, the description of Arnold Friend, the X, all
Later, Connie is stalked by this person who might be in his late thirties. Arnold shows up at Connie’s house, when she is alone, and forcefully tries to persuade her to go with him on a ride in his car. After having some discussions with Arnold for some time, Connie begins hearing threats and warnings from Arnold. Although she is behind her kitchen’s screen door, Connie begins to panic and is not
Joyce Carol Oates’ short story, “Where are You Going, Where have You Been?” , shows how the devil used his tactics to trap and capture Connie. The devil worked in creating a predisposition in Connie that made her more susceptible to him. He deceived her in the beginning by showing her a false appearance. That false appearance only lasted a short while.
Arnold says he will hold on to Connie so she will stay with him. The devil holds onto sinners to keep them in sin. Arnold also demonstrates how he is portrayed as a symbolic satan when he waits for Connie from the outside of the house. Arnold insists that he is not going to go inside the house, as he tells Connie, “I ain’t made plans for coming in that house where I don’t becoming but just for you to come out to me, the way you should. Don’t you know who I am?”
In the Christian religion, the devil was once an an archangel that was banished from the kingdom of God for his unforgivable greed. The devil, often referred to as Satan or Lucifer, is commonly incriminated of tempting humans into sin, being the source of abhorrence and the initial example of betrayal. In the story, “Where Are You Going, Where Have You Been?” by Joyce Carol Oates’s, Arnold Friend emerges in convertible with no back story. Throughout the story, he shows Connie, a preposterous 15-year old teenager, how one must not wish to grow up too early, but fear what adulthood holds. From his behavior to his vast knowledge about the doomed girl, the reader can clearly infer that Arnold Friend is a portrait of the devil.
The short story “Where Are You Going, Where Have You Been?” was written by the author Joyce Carol Oates in 1966. Oates describes her idea for the story after briefly reading an article about the real-life murderer, Charles Schmid, who lured and murdered three teenage girls (Kirszner & Mandell 523). She uses this idea to create the character, Arnold Friend, and his victim, Connie. Connie is a typical teenage girl portrayed as naïve and self-centered. The short story appears realistic, given that the conflict in the story is based off of real events.
In the coming of age story “Where Are You Going Where Have You Been?” Joyce Carol Oates uses symbolism, conflict, and the third person to foreshadow fifteen-year-old Connie’s unfortunate, yet untimely fate. While one may think that the conflict stems from Connie’s promiscuity, it is clear to see her promiscuity is only a result to a much bigger conflict, her mother’s constant nagging and disapproval, alongside the lack of attention from her father. the author paints a vivid picture of what happens when a fifteen-year-old girl such as Connie goes elsewhere to find to find the love, attention, and approval that she lacks at home. All which is vital for her growth and wellbeing as a person.
He tries to seduce and persuade her to go with him for a ride similar to how the Devil lured Eve with a shiny and mysterious apple. Oates displays evidence of biblical allusions regarding Arnold Friend’s appearance and persona in the story by depicting his physical characteristics, his supernatural knowledge, and his demeanor as an image of evil. Connie wants to be desired for her sexuality and Arnold possesses this by his tone throughout the story. His appearance comes
Myles Hypse February 3rd, 2017 English 1B 3:30-4:40pm Two Psychopaths Both of these stories give the reader a good look into the eyes of two psychopaths, who both refuse to take no for an answer. One of them, Arnold Friend although at first appearing friendly, is nothing more than a malicious predator, similar in kind to The Misfit, who greets his victims in a much more sinister way. The two characters, when stood side by side, almost seemed as they become one, yet are polar opposites. When one compares the character Arnold Friend to that of The Misfit, more similarities come forward than differences.
It is quite possible that Connie has just invented Arnold Friend based on her love of music, at one point in the story it seems like Connie is falling asleep while listening to XYZ Sunday Jamboree and all of the sudden Arnold Friend shows up coincidently listening to the same thing. Instead of saying Arnold Friend knows Connie’s name and many things about her because he is the devil, you could say that Arnold Friend knows all of that because he is described as
Arnold randomly shows up to Connie’s house one day and shows that he knows Connie from the back of his hand without Connie knowing a thing about Arnold. He refuses to leave unless Connie comes with him. Not having the necessary
Connie’s first encounter with Friend was at a diner when he stated to Connie, “Gonna get you, baby”(pg.1142). Because Connie was use to this type of attention, she did not view it as strange that an older man was calling her in such away. However, if Connie had seen Friend as dangerous instead of just another man, her kidnapping might have been prevented. Later in the story when Friend showed up as Connie’s house, she walked outside and talked to him instead of questioning how he knew where she lived or calling the police. Oates described Connie's interaction with Friend by stating,“Connie liked the way he was dressed, which was the way all of them dressed: tight faded jeans stuffed into black, scuffed boots, a belt that pulled his waist in and showed how lean he was, and a white pullover shirt that was a little soiled and showed the hard muscles of his arms and shoulders”(pg.1145).
In both “The Devil and Daniel Webster and “The Devil and Tom Walker, they both came face to face with the devil. They had different strategies on how to confront the devil. In the two short stories, the resolution, the depictions of the devil, and the role of religion or the saving grace are the similar and different things. The main idea of both stories is the resolution of what had happened to Daniel and Tom.
Romanticism is a type of story that finds inspiration in myth, legend, and folk culture. Following this principle, Washington Irving has written many stories about romanticism. These stories include, “The Devil and Tom Walker” and “Rip Van Winkle. Irving’s stories, “The Devil and Tom Walker, and “Rip Van Winkle” both show traits of romanticism because they both include the supernatural realm, youthful innocence over sophistication, shunning civilization, and folk culture.
In Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been” the main protagonist finds herself in a very hostile situation. With an all most fateful encounter with a man known as Arnold Friend. Forcing her to choose whether to run off with him or taking her by force. This man known as Arnold Friend to the reader comes off as almost a demon. A person who uses many temptations, word play, and threats to take advantage of the young protagonist Connie.
Despite their deeply religious values, the members of the Puritan Society in Arthur Miller’s The Crucible are equally as sinful as the rest of the world. The Puritans, known for coming to God when given any matter at hand, lay blame on the Devil, regardless of their contradictory values. By putting blame on him for their wrongdoings, the Devil earns power by the Puritans resorting to involving him in a situation whenever any one thing goes wrong. Power is defined by one’s reputation, status, wealth, gender, and age.