Textual Analysis of the Tension(s) In the Story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates
Introduction
The story "Where Are You Going, Where Have You Been?" by Joyce Carol Oates is a prime example of the conflict between youth and experience since it pits Connie's naivete against the seductive yet dangerous Arnold Friend. Connie's need for direction from an older person and her yearning for independence is put into conflict by Joyce Carol Oates. Oates builds a tension that is released when Connie is forced to choose between her freedom and her safety through her descriptions of Connie's character, her encounters with Arnold Friend, and her choices. Connie's craving for independence and her susceptibility to Arnold Friend's scheming is understood by Oates, who highlights the need to make a responsible choice and the dangers of acting on instinct. Oates creates a strong contrast between these two forces via symbolism, imagery, and personality, finally leading Connie to face her mortality and the effects of her naivete.
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by Joyce Carol Oates, Connie's youth and naivete are juxtaposed with Arnold Friend's threat, creating a conflict between innocence and experience. From the novel's beginning, Connie is presented as a self-absorbed, naive adolescent girl who wants to be recognized by males. However, as the narrative continues, it becomes abundantly evident that Arnold Friend is no average adolescent. Arnold Friend gives off the impression that he is a force for evil due to his enigmatic appearance in a gold convertible, frequent allusions to the devil, and overstated age (′′he was thirty-five or something). Oates creates a sharp contrast between Arnold Friend's experience and Connie's naivety with this
"Where Have You Been, Where Are You Going?" is composed by Joyce Carol Oates which is where a young female who can't help herself, so she hits a watershed. She is narcissistic and fixated on young men. Young Connie starts to distance herself from her family and becomes deeply involved with Arnold Friend. Arnold keeps a close eye on Connie inside her house and gradually gets to know how she goes about her day. Arnold soothsays her, which makes Connie lose sight of herself and launch into a disconnected state of mind as she begins to appear to be trapped in her own heft.
Arnold Friend’s sudden appearance in Connie’s life takes her from childhood to adulthood in the blink of an eye and she ultimately becomes a passive victim. Not many fifteen-year-old girls are considered mature at that age and Connie is certainly no exception to that. She is presented as quite vain in her views of herself and those around her. Her mother, once a beauty herself, is constantly nagging at her and telling her to stop gawking at herself in the mirror. Connie considers her older sister June to be somewhat of a spinster who is described as “plain and chunky” (Oates
In the story, Connie meets somebody who goes by the name Arnold Friend, who possesses many strange traits and contains an unnatural amount of knowledge about Connie. There has been much
The first time Connie meets Arnold Friend is at the restaurant. Her beauty attracts him, and he can see the type of character she has. Arnold says, “Gonna get you, baby.” Connie doesn’t think much of it, but little does she know that this is the beginning to her nightmare, or freedom. The next morning on a Sunday Connie doesn’t bother to go to church which could have prevented her from being in the situation with sin.
Drew Dillon Juan Espinoza EN102 23 February 2023 Arnold is Not Your Friend In the story “Where Are You Going, Where Have You Been?” By Joyce Carol Oates, the author presents the reader with a very dark tale featuring themes of predator versus prey, corruption versus innocence, and freedom versus control. The character Arnold Friend at first appears to be a charmer, thanks to his actions and statements made within the story we are able to eventually see his true nature as a a manipulative and evil predator, preying and corrupting the innocencne of the 15 year old protagonist, Connie. Arnold Friend is introduced into the story when Connie has declined an outing with her parents and she is home alone.
In her short story “Where Are You Going, Where Have You Been?” Joyce Carol Oates gives the internal events of her short story the sense of excitement, suspense, and climax usually associated with external action. This is accomplished by providing the thoughts of Connie to the reader; showing the effects of the setting on Connie; and Connie’s final realization of her fate. She connects this to the idea that Arnold Friend is the demonic adversary who convinces Connie to cross the threshold into adulthood and lose her innocence by shear persuasion and threatening undertones.
From the beginning, a tone of disappointment and oppressiveness covered the story. Connie always has to deal with criticism from her mother, ignorance from her father, and comparison with her sister. The author gives the readers a tone of suffocation and struggles from within her own house and how her family members treat her. As the story progresses, the author is changing his tone from oppressive to suspenseful and anxious. At this time, Connie's meeting with Arnold Friend is taking place.
Arnold Friend was there to take Connie away; away from her childhood and home, which never quite felt like home until her fantasy world deteriorated and reality set it. The next moment is pivotal, this is when Connie forgets her hedonism and becomes something of much more substance. Before Connie studies Arnold Friend’s abnormal personality and erratic behavior she is fascinated by him and even worries that she is ill prepared for this
However, this is countered when Connie notes that “he was much older—thirty, maybe more” (315), a fact that frightens her. What Arnold is to Connie is a challenge of her want to be an adult, and a trail of her ability to deal with adult issue. Such as a man who singles her out sexual reason. Her wish to be an adult is something she seeks while passively avoiding it. Her avoidance is marked by day dreams of puppy love romance, like a typical teenager; yet, her attractive flaunt to be mature is presented as if she seeks to be an
Having been previously surrounded by only teenagers in her social circle, Connie took Arnold’s age for granted the first time they met at the drive-in restaurant. As the omnipresent narrator relates, “she happened to glance at a face just a few feet from hers. It was a boy with shaggy black hair, in a convertible jalopy painted gold,” which thus confirms that she initially saw him as a “boy” (1). Once faced by this new acquaintance at her house, however, the protagonist’s fear is what ultimately leads her to infer his true age, “she could see then that he wasn't a kid, he was much older—thirty, maybe more. At this knowledge her heart began to pound faster.”
Connie uses her attitude and appearance to attract boys. But she is not aware of the reality of the society in which she lives. Connie is living in a fantasy world, but when she gets trapped by Arnold Friend she is put into a scary reality. There
She listens to love songs and follows modern pop culture believing that she can command the attention of the boys with her style. She only draws herself closer to sexuality and becoming an adult. Characterization is brought out in Connie and Arnold. Connie is a naïve teenage girl who is conscious about her looks, making her an easy target for antagonists such as Arnold. Arnold is over twenty and is attracted to the weakness of Connie, which brings out the reality about him against Connie’s Fantasy (Oates 3) the literal device of symbolism is used in the short story wherein the walkaway to Eddie’s
In her short story "Where Are You Going, Where Have You Been?", Joyce Carol Oates utilizes a variety of literary devices to strengthen the story in its entirety. This short story is essentially about a 16-year-old girl named Connie and the conflict between her desire to be mature and her desire to remain an adolescent. Throughout the story, the audience sees this conflict through her words in addition to through her behavior. The audience is also introduced to Arnold Friend, a rather peculiar man, who essentially kidnaps her. This short story by Joyce Carol Oates functions and is additionally meaningful because of her usage of literary devices.
Reluctantly, her parents allow her to stay home alone. A few hours later, a familiar gold jalopy pulls up to her house. The driver announces to Connie that his name is Arnold Friend. His unusual physical appearance, his tone of voice, and what he may symbolize frighten the Connie.
Oates’s biography explained her fiction writing as a mixture violence and sexual obsession. The writing style definitely fits the plot point of this story with both of her literary ingredients being present in not only Arnold Friend but in Connie as well. The Protagonist Connie is presented in a very self-centered way. She is obsessed with her looks and often fantasizes about all the boys she meets.