Where Are You Going Where Have You Been Victim Analysis

In one moment it’s ripped away from them: the only thing keeping them young; the only thing keeping them shielded from the world. It’s the mother watching her fatherless daughter cry over his coffin. It is the boy being slapped by his loving father for the first time. I That thing is known as “loss of innocence”, but is it really a loss? All one loses is their naivety and artlessness. In “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, a boastful teenager lacks the knowledge of who a lady is. The knowledge Connie receives, brought upon by Arnold Friend, on that peculiar July afternoon must seem bittersweet.

The exposition of a story marks its beginning and introduces the reader to the narrative (Norton 89). Baldwin begins his story by introducing us to the narrator, who is learning of Sonny's arrest after being caught up in a heroin bust. On the other hand, the exposition of "Where Are You Going, Where Have You Been?" introduces us to Connie, the main character. She is a self-absorbed fifteen-year-old girl that is obsessed with her beauty. The opening of the story is quite different for two of the stories. For Baldwin, he begins the story with a more recent event and use flashback memories to show us how Sonny’s ends up addicted to heroin and how their relationship worsens. For Oates, she begins the story with introducing the

Connie has a conflict with her mother, presented in the story as they continually fight; her mom generally starts the conflict, "Why don 't you keep your room clean like your sister? How 've you got your hair fixed—what the hell stinks? Hair spray? You don 't see your sister using that junk" (308). Connie has a conflict with June, her sister. A repetitive notion made in the story, as June is used as a meter to compare Connie too; which naturally, no one would like: “June did this, June did that, she saved money and helped clean the house and cooked and Connie couldn 't do a thing, her mind was all filled with trashy daydreams” (308). Ellie 's character, even as quite as he remains, presents a conflict with Arnold. First when he over steps his boundary with Arnold and asked "You want me to pull out the phone?" (318), then being told by Arnold to "Shut your mouth and keep it shut" (318), only to ask about the phone again. To which Arnold responds with more conflict: "you 're deaf, get a hearing aid, right? Fix yourself up. This little girl 's no trouble and 's gonna be nice to me, so Ellie keep to yourself, this ain 't your date right? Don 't hem in on me, don 't hog, don 't crush, don 't bird dog, don 't trail me” (318). Arnold Friend, the ultimate conflicting person on the story presents Connie with conflict when she 's asks him to leave, only for him to say "we ain 't leaving until you come with us" (316). The

He knew her name even though she had only quickly glimpsed at him the night prior with no communication from her at all. He knows where her parents are, what they are doing, how long they will be, how they look he even knows who her best friends are. Essentially Arnold Friend is the very essence of nightmare to Connie he is everything she is afraid of. He pressures her in to a situation out of her control. He takes away her pride of rejecting people and forces her to choose her family being hurt of facing her demons and going with him. But he himself is almost a reflection of her sharing such similar traits only he comes out as the winner which is the ironic part. A big clue to Arnold representing what Connie doesn’t like is when he says “None of them would have done any of this for you” praying on her feeling of being unappreciated. Arnold is not only a demon in a physical from but also Connie’s eternal demon as

In this online exert from Allure Magazine, Constance Wu explains her experience with the Asian American stereotype in Hollywood. Constance Wu has broken many barriers and stereotypes that Asian American women have faced in the media, as she became a lead actress in a prime-time television show. Furthermore, this television show itself has broken many barriers as well because it is the first Asian American television that is about an Asian American family and played by Asians too. The show that I am describing is called, Fresh Off the Boat, which airs on ABC channel on Tuesday nights.

In Joyce Carol Oates fictional short story “Where Are You Going, Where Have You Been?” the majority of the story lies beneath the surface. More specifically than just the story, you realize that there is more to the character Arnold Friend than what may appear. The author has always remained silent and ambiguous about the real meaning of Arnold Friend’s true nature and she leaves room for the readers to make their own interpretation of him. Readers can analyze Arnold Friend and see him as the devil, he could just be the personification of popular music imagined by Connie in a dream, but Arnold Friend could also be the result of drug use.

Connie wants to be desired for her sexuality and Arnold possesses this by his tone throughout the story. His appearance comes

Connie’s first encounter with Friend was at a diner when he stated to Connie, “Gonna get you, baby”(pg.1142). Because Connie was use to this type of attention, she did not view it as strange that an older man was calling her in such away. However, if Connie had seen Friend as dangerous instead of just another man, her kidnapping might have been prevented. Later in the story when Friend showed up as Connie’s house, she walked outside and talked to him instead of questioning how he knew where she lived or calling the police. Oates described Connie's interaction with Friend by stating,“Connie liked the way he was dressed, which was the way all of them dressed: tight faded jeans stuffed into black, scuffed boots, a belt that pulled his waist in and showed how lean he was, and a white pullover shirt that was a little soiled and showed the hard muscles of his arms and shoulders”(pg.1145). Instead of realizing the danger that she was in, Connie was focused on what Arnold Friend was wearing and how attractive he was. Connie’s obsession with finding her own sexuality overpowered her gut feeling of danger. In an analysis of “Where Are You Going, Where Have You Been”, Barbara Wiedemann discusses how the antagonist Arnold Friend is based upon serial killer Charles Schmid, who murdered several young girls during the 1960s. In the analysis, Wiedemann

The short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates can be interpreted in a multitude of ways due to its ambiguity. A psychological lens, however, provides the most accurate viewpoint for analyzing the story as it clarifies certain obscure scenes and actions of Connie.

“We all decry prejudice, yet are all prejudiced,” said Herbert Spencer, a famous philosopher. Prejudice is frequent everywhere and difficult to stop. It is very difficult to destroy something in someone’s mind, and it will inevitably be expressed through various methods with different degrees of subtlety. Any expression of this can hurt. Subsequently, in Farewell to Manzanar by Jeanne Wakatsuki Houston and James D. Houston, the main theme is that prejudice is everywhere, and can be of varying degrees.

The story “Where Are You Going, Where Have You Been” was written by Joyce Carol Oates, published in 1966. In this short story, we are introduced to a 15 year old girl Connie. She is described to be very conceited, and she is always obsessing over her physical appearance. Her family life is perceived as very dysfunctional. Her mother is always comparing her to her older sister June, and Connie’s father is pretty much absent from her life. Because the lack of family support and guidance, Connie lies to her parents of her whereabouts, and she sneaks away to local hangouts. While being out, she unfortunately catches the eye of Arnold Friend. This man will erase Connie’s innosense and expose her to how cruel the world can actually be. Many literary

Arnold Friend, the antagonist in Joyce Carol Oates’s story “Where Are You Going, Where Have You Been?” represents the devil who arrives to bring Connie to the underworld. For example, his unusual appearance implies that he is an inhuman being, unlike what he wants to lead on. As he struggles to walk from his car to the front door, Connie notes that “his whole face was a mask...tanned down to his throat...as if he had..makeup on..but had forgotten about his throat”(5). Arnold Friend covers his demonic features in order to pass as a teenager with the intention of deceiving Connie into leaving with him. Disguising himself is a method he uses to ensure the she won’t immediately turn him down, but would at least consider his advances to get her

In the story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates the outcome and the meaning relies solely on the reader. For some it’s a riveting fight between good and evil and for others it’s a sordid tale of seduction and loss of innocence. Connie and Arnold Friend represent the struggle between good and evil. Oates’s mixture of literal, figurative, psychological and allegorical makes this a great and suspenseful tale.

The short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates is about a teenage girl named Connie who is in the mist of her adolescent rebellion. She wants to prove her maturity to others and herself. In the story, Oates describes that Connie always lets her mind flow freely in between her daydream. She even creates and keeps dreaming about her ideal male figure in her mind to make her happy and satisfied. Oates allows the reader to step into Connie’s “dream world” through the appearance of Arnold Friend. Throughout the story, there are many instances: the illogical time and settings, the similarity between Arnold and Connie and the unrealistic events show that the meeting between Connie and Arnold Friend is a dream. The dream is also a preparation for Connie before she steps onto the stage of being an adult.

In John Updike’s “A&P” and Joyce Oates’s “Where are you going, where have you been” there are multiple intriguing similarities and differences between both protagonists. Both stories involve an adolescent 's main character who goes through a type of struggle, however, the severity of their struggles differ greatly. “A&P” includes a young man named Sammy who loses his job grows an attachment to a small group of girls that are regular customers at the shop he works at. The situation in “Where are you going, where have you been?” is much more grim for the protagonist, a young teenage girl, Connie. She is put into a set of circumstances that put her life in danger. As Connie is home alone, a car pulls up into here driveway. She hardly recognizes