Where Are You Going Where Have You Been Victim Analysis
Connie: The Victim To A Demon The “heroine” of the short story Where Are You Going Where Have You Been written by Joyce Carol Oates has been interpreted in many different ways by many different authors across the globe. They all have their own opinions on why Connie had left her home and walked into the arms of Arnold Friend. Larry Rain makes the argument that Connie was a noble heroine that “chooses the side with the devil [to save her family]” (Rain Gale). It seems like a valid argument and paints Connie as a much more heroic figure than many believe, but it begins to fall apart once her character is actually examined. Through her actions and emotions, Connie shows traits of a passive victim by completely submitting to Arnold, being mentally broken by him, and by barely attempting to retaliate …show more content…
Through the duration of their “conversation”, Arnold was able to make her completely give up her free will to him. Connie gives up everything she had ever owned to him, even her “pounding heart [is] nothing that [is Connie’s]” after Arnold takes control of her. (Oates 11). Willingly doing whatever someone says regardless of consequence is enough to classify someone as a victim on its own. But not only was Connie doing whatever Arnold said, she was even giving herself to him. By giving herself up to Arnold she loses even “her own identity” (Korb Gale). By the end of Connie and Arnold’s conversation, Connie has lost herself. She has become a puppet that will do whatever Arnold wants her to do. Her submission to Arnold “spells a conquest of both space and will.” (Gillis Gale). Not only had Connie given up all the physical things she owned, but also her own free will to Arnold. She gave up everything she had available to her, a feat that could only be accomplished by a passive victim. A noble heroine wouldn’t submit herself to someone as easily as Connie
Where Are You Going Where Have You Been Arnold Friend Character
890 Words | 4 PagesShe sees the boys who give her attention as subjugations who “dissolve into a single face that was not even a face but an idea” (Oates 675). But soon enough her dreams and music materialize into the shape of Arnold Friend. Arnold Friend is described as a muscular, older, and mysterious character. He seems to be a work of her imagination as he is ultimately an idea she created that would fit into her perfect fantasy world. Connie is defenseless to Arnold Friend’s manipulations mainly because she has no visible identity of her own.
Arnold Friend Character Analysis
1137 Words | 5 PagesHowever, this is countered when Connie notes that “he was much older—thirty, maybe more” (315), a fact that frightens her. What Arnold is to Connie is a challenge of her want to be an adult, and a trail of her ability to deal with adult issue. Such as a man who singles her out sexual reason. Her wish to be an adult is something she seeks while passively avoiding it. Her avoidance is marked by day dreams of puppy love romance, like a typical teenager; yet, her attractive flaunt to be mature is presented as if she seeks to be an
Stereotypes In Constance Wu's Fresh Off The Boat
629 Words | 3 PagesIn the article, Constance identifies the reaction she received when she began playing her role. At first, Constance explains how grateful and happy she was when she would win any part of a production. Even if it meant that it was, “the supporting role, the best friend or the assistant to the white
Examples Of Allusions In Where Are You Going Where Have You Been
854 Words | 4 PagesArnold Friend’s Biblical Allusions In “Where Are You Going, Where Have You Been?”, Joyce Carol Oates tells a story of a young, innocent teenage girl, Connie who enjoys listening to music and begins exploring her sexuality and being with boys “the way it was in the movies and promised in songs” (Oates 198). In fact she catches the attention of Arnold Friend one night while at the mall meeting up with a boy. Not knowing he would appear in her life, Arnold strangely shows up at her house assuming they made plans to get together. His character is seen as the devil.
Where Are You Going Where Have You Been Arnold Friend Comparison
1190 Words | 5 PagesIn Joyce Carol Oates fictional short story “Where Are You Going, Where Have You Been?” the majority of the story lies beneath the surface. More specifically than just the story, you realize that there is more to the character Arnold Friend than what may appear. The author has always remained silent and ambiguous about the real meaning of Arnold Friend’s true nature and she leaves room for the readers to make their own interpretation of him. Readers can analyze Arnold Friend and see him as the devil, he could just be the personification of popular music imagined by Connie in a dream, but Arnold Friend could also be the result of drug use.
Theme Of Prejudice In Farewell To Manzanar
779 Words | 4 Pages(115-116). This sedate tone is a clear craft move by the author. She specifically makes Jeannie seem resigned and about to give up. Denials of small, everyday, opportunities like this can have a damaging impact on one’s mental health and can create an inferiority complex. For example, Jeanne starts blaming herself and her race for everything that happens to her.
Analysis Of Where Are You Going Where Have You Been
1203 Words | 5 PagesThe short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates is about a teenage girl named Connie who is in the mist of her adolescent rebellion. She wants to prove her maturity to others and herself. In the story, Oates describes that Connie always lets her mind flow freely in between her daydream. She even creates and keeps dreaming about her ideal male figure in her mind to make her happy and satisfied. Oates allows the reader to step into Connie’s “dream world” through the appearance of Arnold Friend.
Where Are You Going Where Have You Been Psychological Analysis
657 Words | 3 PagesThis interpretation of the story explains how Connie simply fell prey to the common theme of men acting as predators in society. Therefore, Connie had no say in her fate, so she just decided to go quietly with him. However, this theory completely disregards the psychological disorders that Connie has. Connie did not go quietly with Arnold because he was a dominating male. Instead, Connie left due to her numerous unconscious mental problems.
Where Are You Going Where Have You Been Arnold Friend Analysis
817 Words | 4 PagesReluctantly, her parents allow her to stay home alone. A few hours later, a familiar gold jalopy pulls up to her house. The driver announces to Connie that his name is Arnold Friend. His unusual physical appearance, his tone of voice, and what he may symbolize frighten the Connie.
Analysis Of Connie In Joyce Carol Oates Where Are You Going, Where Have You Been
1415 Words | 6 PagesAnother reason why Connie why wants to be independent from her mother is because she does not want to be like her. “Her mother went scuffling around the house in old bathroom slippers…”( paragraph 11). Connie’s mother is an image of the future Connie doesn't want -the life of a domestic housewife. Lastly, you can see that Connie has a love-hate relationship with her other, with whom she identifies, but at the same time she has to distance herself from her mother in order to establish her independence; “Sometimes, over coffee, they were almost friends, but something would come up – some vexation that was like a fly buzzing suddenly around their heads – and their faces went hard with contempt.” ( Paragraph
Character Analysis Of Connie In 'Where Are You Going, Where Have You Been'
984 Words | 4 Pages“Where Are You Going, Where Have You Been,” is about a teenager named Connie who is trying to come to terms with her transformation from childhood to adulthood. Through this process, Connie attempts to act older than she is an tries to gain the attention of boys. In “Where Are You Going, Where Have You Been,” Joyce Oates portrays Connie as obsessed with men to symbolize how one’s obsession and narcissistic attitude can cause danger to seem surreal. In the short story, Carol Oates describes Connie as having two different personalities, one being a narcissistic attitude.
Where Are You Going, Where Have You Been: Analysis
460 Words | 2 PagesTeenage girl’s desires to be beautiful and desired, feminism, and adolescent sexuality are a few of the issues Connie, along with others, faced during this time period (and some can argue today). Connie was responsible for her actions (obviously) but it only partially to blame for what happened to her. If she had never left her friend to go sit in some random guy’s car, maybe Arnold Friend would’ve never seen her, or had taken a liking to her. I’m not stating that what happened with Arnold Friend was her fault, he’s the pedophile that should’ve known better and not threatened her, but it could have been prevented if she had never ditched her
Where Are You Going Where Have You Been Literary Analysis
694 Words | 3 PagesOates’s biography explained her fiction writing as a mixture violence and sexual obsession. The writing style definitely fits the plot point of this story with both of her literary ingredients being present in not only Arnold Friend but in Connie as well. The Protagonist Connie is presented in a very self-centered way. She is obsessed with her looks and often fantasizes about all the boys she meets.
Analysis Of Where Are You Going And Sonny's Blues
1230 Words | 5 Pages“At its most basic, every story is an attempt to answer the question What happened?” (Norton 85) One of the most significant elements in a short story is plot. Plot is construct by authors and they rearrange the character’s action in a consequential way to shape our response and interpretation (Norton 85). In "Where Are You Going, Where Have You Been?" by Joyce Carol Oates and "Sonny's Blues" by James Baldwin, they use similar plot styles that contributes to the process of maturation for characters in the stories.
Compare And Contrast Where Are You Going Where Have You Been
693 Words | 3 PagesShe was fundamentally forced into an ordeal that she did not want to partake in. Although Connie is without a doubt a victim in this situation, an argument could be made that Sammy is a victim as well. While I wholeheartedly agree that Connie is most definitely a victim, I cannot agree that Sammy is a victim as well. It was by his own choice that he was left without a job. No one forced him to call out his boss for kicking a couple girls out of the shop he worked in.
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