In both William Peter Blatty 's novel The Exorcist and Stephen King 's novel The Shining, there are two main characters that lose themselves and become dangerous instruments both physically and mentally. Regan, a young girl, undergoes a complete transformation and Jack Torrance a more gradual, yet definite transformation. Both their bodies become a threat not only to themselves, but to the people surrounding them. This paper will examine the different elements of how the human body becomes a source of horror and the different types of horror. When analysing The Exorcist we see a process in Regan, who starts of as a happy, eleven year old girl who says “I love you”1 to her mother, and turns into a monstrous being. The process of turning …show more content…
What makes this even more a source of horror, is the change not only in language but also the content of that language, in particular sexual speech. The first mention of this is when the doctors says: “She advised me to keep my goddamn fingers away from her cunt.”6 Then the highlight of this change is when she masturbates with a crucifix, telling her own mother to “lick” her.7 This becomes a horror as it destroys the image of the innocent child. Her vulgar language, actions and knowledge of sexuality, are the opposite of what she knew before and what is expected of a girl her age. Cynthia Freeland points out that 'horror involves severe violation of our sense of moral...order '8 which can be applied to this situation. In addition, there is also the image of the pure, innocent female that is destroyed. Critic Barbara Creed confirms that her transformation from an angel to a monster is ' a sexual one '.9 She continues stating that this 'suggests that the family home, bastion of all the right virtues and laudable moral values, is built on a foundation of repressed sexual desires including those which flow between mother and daughter '.10 Although, the argument of sexual desire between Chris and Regan could be a step too far, it does conform with the notion of Regan starting to become an adolescence and therefore experiencing new sexual emotions. In addition, it could also indicate to the the idea of women being restricted from expressing certain sexual desires. In …show more content…
The fact that there is another person or being coming going into Regan 's body is a horror at itself. Barbara Creed calls it “an outside force” that invades Regan.16 In the novel it starts of with the rappings in the attic.17 Regan the complains of someone moving her furniture18 and when it becomes more extreme Chris herself sees the unexplainable, extreme shaking of the bed, with Regan screaming: “Make it stop! Oh I 'm scared.”19 The external force than invades Regan 's body. For example her body “flings itself up horizontally into the air above her bed and then be slammed down savagely onto the mattress”20 and eventually changes in her voice. Regan seems to know who is 'invading ' her as she claims it is her ghost friend from the Ouija board, Captain Howdy claiming that Captain Howdy is “chasing her, pinching her...threatening to kill her.”21 Mrs Perrin states that “dabbling with” the occult “can be dangerous. And that includes fooling around with an Ouija board.”22 This conveys the idea of the danger of the supernatural in horror genres. This invasion of a demon has different aspects of horror in it. For example, this occupying and limiting someone 's freedom is a moral violation in itself, yet what makes it worse is the transgression of the “gender boundaries”.23 Although there is an ambiguity whether or not Captain Howdy is a man or woman, there seems to be signs of a male being due to the low voice. Moreover, Barbara Creed, although she argues that the
The tale of Arne Johnson’s possession revolves around a real-life case that captured widespread attention and became known as the “Devil Made Me Do It” case. This gripping incident unfolded in the United States during the 1980s and involved Arne Cheyenne Johnson, his girlfriend Debbie Glatzel, and the Glatzel family. The chain of events leading to the possession commenced with David Glatzel, Debbie’s younger brother, who purportedly started encountering peculiar phenomena, including unsettling visions and abnormal behavior. Convinced that David was tormented by demonic entities, the Glatzel family sought assistance from Ed and Lorraine Warren, a renowned couple specializing in paranormal investigations involving hauntings, possessions,
Superstition, Magical Realism, and Horrow in Hispanic Culture, Essay 2 Topics 4. Rewrite one of the eleven sections of Alejandra Pizarnik in The Bloody Countess to convey the horrors of Bathory’s torture chamber I remember that night. It was cold and harsh January night. The day before, I allowed my parents to sell me to the Bathory’s family which was one of the most influential families in Transylvania for that time.
Joyce Carol Oates tends to be known for writing about violence. Most of the violence in the story associates with mass murder, rape, suicide, autopsies and automobile accidents. She also uses the symbols of flesh, broken glass, explosions, floods and fire. Oates is very fascinated with dreams. Most of the characters dreams or nightmares often become hazy.
We’ve all heard the creaking floors when we were sleeping, the footsteps we pretend are the shifting of the foundation, the movement in the mirror we blame on our imagination, the distorted figures of monsters we soon realize are just piles of clothes. But what if it wasn't just our imagination? What if it was all real? The depraved monsters in our closets. The demons under our beds.
Before reading this musical, I did not have good idea of what it was about. I thought it was a comedy in some ways, but I did not except it to be so dramatic. This musical touches on subjects that are very fragile. I did not expect the son to be a ghost, and to have died when he was younger, and he is a ghost in the musical. With the musical being so emotional, there is a lot of adult content.
In this part of the story we see how she really is. When she is locked inside her house she starts to cry, “She cried out, she cried out for her mother…”(Oates 242) This tells us that she is still un-mature and still a
In almost all films and novels of any genre, evil does not and cannot triumph. This is the case in both “Jekyll and Hyde” and “The Shining” wherein evil is represented as a force that ultimately causes its own demise. Both antagonists commit suicide due to being overcome by their better nature. In “The Shining” Jack Torrance is on the verge of murdering his son, until “the face in front of him changed” and “the mallet began to rise and descend, destroying the last of Jack Torrance’s image”. This suggests that violent people meet violent ends.
She points to the deficiency of the Bakhtinian theory that fails to establish dialogism between the grotesque body and the female one. While explaining that although he relates the grotesque body to the images of womb, pregnancy and childbirth, he fails to recognize their close affinity to “to social relations of gender” (The Female Grotesque: Risk, Excess and Modernity 63). She condemns the Bakhtinian contradictory treatment of the female body, which simultaneously celebrates its generative and subversively debasing potential and abbreviates it to be a mere vessel to give new birth (RW 240). While trying to explain what “remains repressed and undeveloped” in her male counterpart, Russo points to the subversive potential of the female grotesque to overthrow the normative constraints on female actand look (Russo 63). “[D]efined […] in relation to the ideal, standard, or normative form” of the twentieth century, this work tends to argue that the female grotesque in contemporary age still has the power to create horror as it plays a fundamental role “to identity formation for both men and women as a space of risk and abjection” (Russo 12, Miles
The Impact of H.P. Lovecraft 's Fiction on Contemporary Occult Practices, Vol. 33 Issue 1 (2014): 85-98 (accessed February 16, 2018). Eberhart, Karen. “Rhode Island Archival and Manuscript Collections Online,” Howard P. Lovecraft Collection. (accessed February 2, 2018).
She knew that her father would not agree with what she was trying to do, and the furniture was too heavy for her to lift alone, so she asked the one person that her father and she had been trying to keep away from the room, her mother. She agreed to help, and Gregory was happy at the thought that his mother was going to walk into the same room he was in, even though he knew that he would have to stay completely hidden under the couch so that he did not scare her and so she would not faint. He was also excited about having more space to move around, and at
“Identity cannot be found or fabricated, but emerges from within when one has the courage to let go”- by Doug Cooper. Circumstances, experiences and society are factors in an individual’s life which contribute to the formation of their identity. Identity is not found, instead, it’s made by conflicts, hurdles, societal pressures and obstacles in one’s life which come together in harmony to create one’s identity in its purest form. How individuals act and respond to challenging circumstances determines their values, goals and beliefs, thus, forms them as a whole. In the text name “The Shining Houses” by Alice Munro, a character named Mary experiences stresses in her life which attribute to not only her individuality but to her development as a character as the story progresses.
Matthew Lewis’ The Monk and Ann Radcliffe’s The Italian are two of the most iconic Gothic novels of the Eighteenth Century, both written only a year apart and one in response to other. It is of no surprise that both novels have various subjects in common—one of these, the Supernatural. Ghostlike forces, specters, demons and locations are approached differently in The Monk and The Italian, one uses the supernatural deliberately—and in a much larger role—while the other uses the supernatural to heighten certain scenes of terror. Certainly, both novels use it as a shock factor, but furthermore both use it for different reasons in their novels.
In The Shining the main human body that becomes a source of horror is Jack Torrance. He is a more complicated issue than Regan. In a way, he is already dangerous from the start of the novel. One could argue even before the novel as his violent history such as the breaking of his own child's arm and the beating up of a schoolboy. He seems to be a complicated, human character, neither bad nor good, who struggles with drinking and domestic abuse.
This suggests that no matter who it is in the film, they seem to have a common understanding that intelligence is not what makes a girl “attractive”. This is further demonstrated when Cady feels the need to act like she is bad at math in
Stephen Chbosky’s The Perks of Being a Wallflower is a coming of age novel that was first published in 1999. After five years of having random ideas such as “a boy standing in a tunnel”, a girl he likes, and parties he goes, the author began to write the novel when he was facing difficult times in his life. Set in the 1990s, the novel follows Charlie through his first year of high school where he faces challenges many teenagers may experience, including drugs and alcohol, sex, love, depression, homosexuality, and just feeling like you don’t belong. Chbosky has stated in interviews that he wrote the book as “a blueprint for survival... for people who have been through terrible things and need hope and support.” Perks was intended to be an unparalleled