Gothic fiction Essays

  • The Characteristics Of The Gothic Hero In Gothic Fiction

    1096 Words  | 5 Pages

    anticipating moments in the novel or the appearance of the evil figure .84 Thirdly, the Gothic Hero (Protagonist) , in any gothic fiction a vicious character is substantial to establish the atmosphere of horror . However, a gothic hero is not necessarily a gothic villain . As in early gothic novels, specifically Radcliffean gothic fictions, the gothic protagonist is simply a helpless heroine: The very words "Gothic heroine" immediately conjures up a wealth of images for the modern reader: a young,

  • Gothic Fiction In 'Where Is Here '?'

    745 Words  | 3 Pages

    Author Joyce Carol Oates ' discovery of the stories of Edgar Allen Poe and Ann Radcliff “sparked her interest in Gothic fiction”. These Gothic elements typically include gruesome or violent incidents, characters in psychological or physical torment, and strong language full of dangerous meanings. Oates herself is citied as saying that "Horror is a fact of life. As a writer, I’m fascinated by all facets of life". “Where is Here?" This story is sort of eerie and tells the tale of a grown-up man who

  • A Comparison Of Gothic Fiction In 'A Rose For Emily'

    1588 Words  | 7 Pages

    simple pleasures of family, church, or profession. Rather, I write to those beings like myself whose existence is compounded by a lurid intermingling of the dark and the light” B. E. Scully said this as a description for Gothic fiction. Two writers, who focused on American Gothic, were William Faulkner and Charlotte Gilman. William Cuthbert Faulkner was born in the South in Mississippi, in 1897, and lived there until he left high school to join the Royal Canadian Air Force in 1918. He met a fellow

  • The Elements Of Gothic Fiction In 'The Tell Tale Heart'

    780 Words  | 4 Pages

    These stories are all in the genre of gothic fiction. They have different ways to show the themes of the stories like using darkness villains and death. The authors of these gothic fiction stories were Neil Gaiman“The Sandman” Edgar Allan Poe“The Tell Tale Heart” and Don’t Ask Jack“Neil Gaiman”. Gothic fiction is a writing type that has horror, death and fear. These are some elements of gothic fiction. In The Tell tale heart there is a butler that goes insane by a man that has an eye the size of

  • Vokey: A Gothic Analysis

    1335 Words  | 6 Pages

    The gothic has a close affinity to the literature of the fantastic which is about the not-yet or what is to be achieved in the future. It is defined as a ‘fantastic escapist genre’ as it enables female writers “escape from powerlessness, from meaninglessness, from lack of identity except through the performance of unstable and unsatisfying roles, and from the covert perception of the hollowness of the promises of social mythology about women’s lives,” to use the words of Kay J. Mussell (qtd. in Vokey

  • Gothic In The 19th Century

    1096 Words  | 5 Pages

    Godwin, “turned to the gothic and reinvested it with a power that would render his work influential to later writers in the genre as Charles Brockden Brown, Percy Shelley, Charles Robert Maturin ,and his daughter Marry Shelley” . 45 It is impossible to talk about early gothic novels without mentioning Marry Shelley’s Frankenstein (1818), or The Modern Prometheus for it creates anew turn in gothic fiction. Frankenstein is an idealistic scientist believes that he has discovered the secret of life

  • Symbolism In Gothic Literature

    1013 Words  | 5 Pages

    Gothic literature is the succession of romantic literature and a genre that particularly covers the period of time from approximately 1764 to 1840 although it has been prominent until this day. It emerged in England but expeditiously spread to France and Germany to finally pervade almost the whole world. As Jerrold Hogle writes: …it exploded in the 1790s (the decade Walpole died) throughout the British Isles, on the continent of Europe, and briefly in the new United States, particularly for a female

  • Transgression In Gothic Literature

    948 Words  | 4 Pages

    Hugh Blair labels the artistic gothic architecture – the setting, as a source of the sublime “A gothic cathedral raises ideas of grandeur in our mind, by its size, its height, its awful obscurity, its strength, its antiquity, and its durability”.14 Another key feature of the gothic genre is transgression. Transgression is simply the violation of social, cultural and moral norms. Gothic tries to get over conventional boundaries and break the rules of law and nature by transgressing to supernaturalism:

  • Rationalism In Gothic Literature

    747 Words  | 3 Pages

    therefore, that what at first the reader considers inexplicable (it cannot be explained) ends up becoming unexplained (it can be explained), a procedure that clearly approximates the Gothic story to the detective fiction This point is confirmed by Hoveyda (1967: 19) who states that these types of novels, the Gothic, also called black novels, which were very much in vogue at the end of the 18th century, have a special feature: they begin with the fear of the invisible and end with an explanation,

  • Suspense In Detective Fiction

    1807 Words  | 8 Pages

    The detective story usually places its characters into an old house, a mansion, and the feeling of claustrophobia and mystery arises from darkness, shadows, stormy weather and light strange reflections. Atmosphere of Gothic suspense came from the threatening feeling or fear enhanced by the unknown. At times, characters did not know their ancestors and could not say where they came from (Day 1985: 123). Undoubtedly, an atmosphere of mystery and suspense is present in both kinds of productions. Works

  • Gothic Elements In Rebecca

    1113 Words  | 5 Pages

    As a result many gothic subtitles appear, and it is true to regard Rebecca as ‘detective mystery’ since it includes a murder case. 25 4.3.2 The Setting and Weather The most eminent gothic elements revolve around the setting, Manderley. The setting in this story has a major contribution to the tone and mood of gothic. Rebecca is a classical- modern gothic literature. Manderley, is a colossal mansion secluded in its own world . As the classical gothic fiction is characterized by the traditional settings

  • The Rime Of The Ancient Mariner, Kubla Khan And Christabel

    1106 Words  | 5 Pages

    Ancient Mariner”, “Kubla Khan” and “Christabel”. All of these three, especially “Kubla Khan” and “Christabel” are full of supernatural elements, which make poems closer to the Gothic poetry. So because of that reason I am going to discuss how “Kubla Khan” and Christabel” conform to, or deviate from, the conventions of a gothic genre, and for what purpose. “Christabel” is unfinished poem, which has two parts. Main character-Christabel is the innocent daughter of Sir Leoline. One day, while praying at

  • Ann Radcliffe's Gothic Portrayal

    733 Words  | 3 Pages

    CHAPTER TWO Ann Radcliffe’s Gothic Portrayal I am the last leaf on the tree – Ann Radcliffe 1 2.1. Biographical Sketch Ann Radcliffe was the most popular novelist of the early gothic fiction. She wrote a series of Gothic fictions in the 1790s, just as the gothic genre was reaching its peak of popularity in England and America.2 Ann Ward was born in London on July, 1764. She was the only child of William Ward and Ann Oates. She received well education. In 1772, Ann joined a school run

  • Gothic Characterism In Don T Ask Jack And The Sandman

    771 Words  | 4 Pages

    Gothic fiction is a genre of horror and is characterised by themes of death, darkness and evil. Gothic fiction has been around for a very long time and is still popular today. The tell-tale heart, Don 't ask jack and The sandman are all good examples of gothic fiction. The purpose of gothic fiction is to scare the readers and make them interested. The tell tale heart is about a man who goes insane and kills his roommate because his eye looks like a vultures. Don 't ask jack is about a living jack

  • The Importance Of Gothic Literature

    744 Words  | 3 Pages

    Gothic as a literary genre has generally been associated with descriptions of frightening events that produce an atmosphere of mystery and uncertity, concepts that in the end provide the suspension of disbelief so important to the Gothic fiction. Described by many as “a literature of crisis”, the Gothic can be understood as a linguistic assertion where “the anxieties of a culture find their most explicit expression” (Daly, 1997: 184), reflecting thus the political, social and cultural context in

  • Dark Romanticism In Edgar Allan Poe And Nathaniel Hawthorne

    1494 Words  | 6 Pages

    During the 1800s Dark Romanticism, sometimes referred to as Gothic Romanticism, entered the world of literature. Unlike the writings before this time, Dark Romanticism showed the sinful thoughts that had not been previously shown in the world. Unlike the previous fiction stories or novels such as fairytales that used creative, positive stories to escape reality, these dark and sometimes supernatural writings eluded reality by taking its readers into disturbing and sometimes sacrilegious situations

  • A Comparison Of The Gothic Literature Of Edgar Allan Poe

    1727 Words  | 7 Pages

    study are indisputably similar. A Gothic novel as revealed through the various illustrations explains to the readers a world filled with terror, horror, madness, mystery and unsolved crime. The gothic fiction germinated in the latter part of the 18th century. Various causes have been ascribed for the Gothic origin and development. When Poe appeared on the American literary scene, more than seventy years old tradition in Gothic writing existed. At its best, Gothic literature evokes the emotional response

  • Essay On Gothic Romanticism

    916 Words  | 4 Pages

    As for the following segment, the main sources are, the previously mentioned Romantic Gothic and The Gothic Text by Marshall Brown. Around 1800, the so-called "dark romance" replaces the early-romantic uprising mood in Germany. Ludwig Tieck’s “Mondbeglänzten Zaubernächte” gives a rather gloomy, sarcastic and broken view of the situation. The origin of the Gothic Romanticism is found in the English Gothic novel: novels such as "Castle of Otranto" by Horace Walpole (1764) or Anne Radcliffe 's "The

  • Examples Of Duality In Dracula

    1114 Words  | 5 Pages

    The way in which Stoker distinguishes a duality present in Lucy is through the shifting perspectives told by multiple characters, the structure of the novel is heavily based on intertextuality in this light. The structure of the multi-faceted narrative reveals how certain characters are unable to cope with the duality present in Lucy.The male characters, specifically, project the idea of a duality in Lucy in order to comprehend how she so easily shifts states between being ‘the pure woman’ and ‘the

  • Gothic Elements In Shutter Island

    1804 Words  | 8 Pages

    Setting is the key element in Gothic Literature. It displays the different places and architectures that are essentials to visualize Gothic. The setting is highly significant in a Gothic novel because it helps to add horror and fear to its mood and dreadful weakness to its characters. As said by Snodgrass, the settings of Gothic literary works present an extensional symbolic psychological case to its human characters (158).Gothic fictions are usually set in isolated landscapes or highly secured prisons