Miles Davis Essays

  • Trumpeters Louis Armstrong And Miles Davis

    1104 Words  | 5 Pages

    Trumpeters Louis Armstrong and Miles Davis became two of the most inspiring American jazz musicians of all time by accessing very differently to their art. In the analysis an album from each artist, I choose “What A Wonderful World” of Louis Armstrong and “Kind of Blue” of Miles Davis. Louis Armstrong (August 4, 1901 – July 6, 1971) was the most influential performer to affect a lot of Jazz musicians. He influenced the whole jazz population with his amazing voice and energetic trumpet. And he played

  • How Did Miles Davis Influence Jazz

    1014 Words  | 5 Pages

    Miles Davis, one of jazz’s most influential musicians with career that expanded six decades. Davis was known for his always changing style, from bebop to rock. He had been part of the bebop, cool jazz, hardbop, modal, rock-fusion movements, and shortly before his death working with hip-hop fusion. Throughout his entire career, Miles Davis preferred the audience recognize him for what he was doing then, not what he had done in the past. Over his sixty-year career he had earned several nicknames: The

  • Louis Armstrong And Miles Lovis Analysis

    1104 Words  | 5 Pages

    Trumpeters Louis Armstrong and Miles Davis became two of the most inspiring American jazz musicians of all time by accessing very differently to their art. In the analysis an album from each artist, I choose “What A Wonderful World” of Louis Armstrong and “Kind of Blue” of Miles Davis. Louis Armstrong (August 4, 1901 – July 6, 1971) was the most influential performer to affect a lot of Jazz musicians. He influenced the whole jazz population with his amazing voice and energetic trumpet. And he played

  • Jazz Concert Analysis

    1419 Words  | 6 Pages

    rapid tempos in his pieces with his sextet. One of the things Parker was famous for was contrafact, which in jazz means taking a known harmonic texture and composing onto it. Miles Davis was one of the most notable American jazz trumpeter, musician bandleader and developer of Bebop and other genres within Jazz. Miles Davis mostly used a harmony mute on his trumpet to create a lounge like sound in his music. The album Kind of Blue was noted as an album that changed Jazz history completely and revived

  • Duke Ellington's Leadership Styles

    370 Words  | 2 Pages

    his style was to put the fear of God into his band members. For Benny, he did not care if he was loved or hated by his band members. If they did not live up to his expectations, then he was not afraid to put them in line. The final musician was Miles Davis, and his style was to inspire people. People looked up to him, not only his band members,

  • Miles Davis's Birth Of The Cool Jazz

    906 Words  | 4 Pages

    Miles Davis was born in 1926 in Illinois to a dentist and a music teacher. He was introduced to music fairly early when his father gave him a trumpet at age 13. His music teacher also influenced him early by having him play the trumpet without vibrato which was the style common to the time by other trumpeters, such as Louis Armstrong. Davis performed throughout high school and at the age of 17 was asked by Dizzy Gillespie and Charlie Parker to replace one of their sick band members. In 1944 he traveled

  • Comparing Miles Davis's Life And Work

    1060 Words  | 5 Pages

    artist that I decided to write my report on is Miles Davis. Miles Dewey Davis III was born on May 26, 1926 in Alton, Illinois and passed away on September 28, 1991 in Santa Monica, California. Miles Davis is remembered as one of the greatest Jazz musicians to ever live. He was one of the most influential Jazz artist of all time. Davis played the trumpet. He was shown the trumpet at the age of 13 when his father inspired him to start playing it. When Davis was only 13 years old, his father had one of

  • Miles Davis's Jazz Revolution

    992 Words  | 4 Pages

    Miles Davis arrived on the New York jazz scene in 1944 around the same time that a jazz revolution was beginning. The style bop or bebop was a direct attack against big bands, racial in equality, and restrictive sound of the current style of jazz of the time. Davis contributed a major role in the revolution not as a founding father but as a large portion of the change itself working with people such as Charlie Parker and Cannon Ball Coleman. He learned the intricate language of bebop by imitation

  • Louis Armstrong: The Song Hello Dolly !

    671 Words  | 3 Pages

    When the topic of jazz comes to mind , many famous musicians are thought of including Duke Ellington, Ella Fitzgerald ,Charlie Parker, and Miles Davis. Among these talented artists is a New Orleans native singer and extraordinary trumpet player named Louis Armstrong. Armstrong otherwise known as “Pops” or “Satchmo” is arguably one of the most influential, important, and greatest music figures of all time. From his expansive career to his captivating stage presence, Louis Armstrong carries the title

  • Jazz Concert Critique

    896 Words  | 4 Pages

    The Santa Fe Evening of Jazz was a great concert featuring the Rhythm and Blues, Jazz Combo, and Big Band from Santa Fe College with special guest Professor Scott Wilson from the University of Florida Jazz Studies. This Evening of Jazz was the ninth one to be held and was superbly done; getting a ticket was quick and simple, finding a seat was as easy, and leaving was not hard. The whole performance was led by Doctor Steven Lee Bingham who also played with all the bands on the alto saxophone along

  • Bill Evans Playing Style

    904 Words  | 4 Pages

    William John Evans better known as Bill Evans (August 16, 1929- September 15, 1980) was one of the most influential American jazz pianists ever, was known as harmony genius, a highly nuanced touch player and his lyrical playing style. His introspective lyricisms, endless flow of clear ideas and subtle Western classical flourished have influenced a legion of jazz pianists including Jack Reilly, Herbie Hancock, Andy Laverne, Enrico Pieranunzi, Keith Jarrett, Fred Hersch, Joanne Brackeen and countless

  • Wynton Marsalis: A Brief Biography

    637 Words  | 3 Pages

    Biography Wynton Marsalis is a living music legend. Born on October 18, 1961 in New Orleans. The son of Ellis Marsalis and Delores Marsalis. Wynton was the second out of six sons. His father was a jazz pianist. Wynton showed a gift for music at a young age. Wynton picked up a trumpet at the age of six. He performed traditional New Orleans music with Fairview Baptist Church led by Danny Barker. By the age of fourteen he had performed with many of the professional’s symphonies and Quintets in New

  • Louis Armstrong Accomplishments

    1346 Words  | 6 Pages

    Jazz was born in New Orleans about 100 years ago (early 20th century), but its roots can be found in the musical traditions of both Africa and Europe. In fact, some people say that jazz is a union of African and European music. Most legends are known for excelling in a specific field or for doing something so impactful on the world that they will be remembered for ages. What set Louis Armstrong apart from others considered to be legends is that he did this multiple times throughout his life and with

  • Louis Armstrong Contributions

    717 Words  | 3 Pages

    "Satchmo," "Pops," and "Ambassador Satch" were names for an outstanding jazz artist that inspired many. He was one of the most important musicians in jazz. He helped to transform the traditional New Orleans style into a completely different form of jazz. Louis Daniel Armstrong was born on August 4, 1901, in New Orleans, Louisiana in a very poor neighborhood. His father, a laborer, abandoned the family when he was young, and his mother was an irresponsible single parent. She left Armstrong and his

  • Billy Strayhorn's Influence On Jazz

    1794 Words  | 8 Pages

    He told Dance, "the only ones who knew the old tunes were my friends in Pittsburgh. One night I remembered it and played it for Duke. He liked it and we've been using it occasionally, with kay Davis singing and myself on piano, I made a record of it once for an album of modern arrangers' work Norman Granz was puttiing wanted me to play it, they asked for 'that thing about lush

  • Dj Headphone Research Paper

    1274 Words  | 6 Pages

    The Top 5 Best DJ Headphones Headphones come in many different shapes and sizes: over-ear, on-ear, in-ear, noise cancelling, etc., and all types have their benefits. If you are contemplating for the best in sound quality, whether it be for DJ’ing at a party or concert or to simply enjoy some jazz, you may look to “studio” or “DJ” headphones for a listening experience that would please even the biggest audiophile, but finding the right pair may prove to be a daunting task for those seeking the ultimate

  • Jazz Music

    1315 Words  | 6 Pages

    Discuss the positive and problematic implications of the notion that jazz is ‘America’s classical music’. In your answer, consider discourses of listening, learning and politics. Refer also to Wynton Marsalis ' view on the subject. “You could ask, 'what 's classical music? '. I couldn 't answer that. It 's not a thing that could be answered straight out. You have to tell it the long way. You have to tell about the people who make it, what they have inside of them, what they 're doing, what they

  • Caravan Analysis

    680 Words  | 3 Pages

    The song “Caravan” by Duke Ellington performed by Ella Fitzgerald in this rendition has the lyrics written by Irving Mills. This classic song was released in 1937 but Fitzgerald didn’t complete her rendition until nearly 20 years later in 1957 accompanied by Ellington’s Orchestra in her Duke Ellington songbook album. This is a jazz piece of music with whimsical lyrics and a feeling that invokes an exotic atmosphere. On Ella’s rendition, she adds a big element of a swing sound into the piece and

  • The Bop And Bebop Era

    1023 Words  | 5 Pages

    Faith Eleby-DR. KEAST JAZZ, POP, ROCK The Bop and Bebop era was filled with a variation of things that contributed to its success and flourishment. The Bebop era was based on nonfunctional music it was either played at a very fast or very slow pace, neither paces allowed its listener to dance. Bebop was mainly for the artist satisfaction of difficult rhythmic changes; its focus was entertainment. Bop was also known for its fantastic artists like Charlie Parker and Dizzy Gillespie, it was also

  • Adam O Farrill Research Paper

    366 Words  | 2 Pages

    Young and extremely talented, Adam O’Farrill is a modern jazz trumpeter from Brooklyn, NY, who comes from a lineage of marvelous musicians. His father, the widely known Cuban pianist, composer, and bandleader Arturo O’Farrill, has all the reasons to be proud of a son who, at the age of 21, has collaborated with Rudresh Mahanthappa, Vijay Iyer, Ambrose Akinmusire, Joe Lovano, and more recently Stephan Crump’s Rhombal. For this recording, Adam had the company of his brother Zack on drums, Chad Lefkowitz-Brown