Nineteen Eighty-Four Essays

  • George Orwell's Nineteen Eighty-Four

    452 Words  | 2 Pages

    The influence the time period played in the creation of “1984” Nineteen-eighty four is a novel written by one of the greatest minds of the twentieth century, George Orwell. This novel was originally published in nineteen forty nine and was written in fear of the dehumanisation of the western world, and the loss of freedom in the individual. He was afraid of this as he thought communism was going to take over the western world. During this time communism was spreading rapidly and was present in

  • Nineteen Eighty-Four: A Literary Analysis

    911 Words  | 4 Pages

    novel Nineteen Eighty-Four: A Novel tells the story of a fictional society in Oceania under a totalitarian government rule following the aftermath of a perpetual war. However, in reality, Orwell had intended it to be a warning to readers of the nightmarish conditions the author depicted could happen anywhere. The story takes place in a terrifying dystopia, in which an ever-surveillant state enforces a perfect conformity among citizens through fear. lies and ruthless punishment. Nineteen Eighty-Four

  • Nineteen Eighty-Four 1984 Analysis

    526 Words  | 3 Pages

    BIG BROTHER IS WATCHING YOU! This caption is of all the Party’s caption. Nineteen Eighty-Four is written and a major part of the anticommunist of around World War 2. This story is the biggest of the anti- society ever. The world portrayed in Nineteen Eighty-Four is controlled by a power that lets the community live in fear of always doing something that won’t be approved, even the thoughts of a mind can be in crime. With even certain activities and thoughts can make you disappear. Our society of

  • Fear In George Orwell's Nineteen Eighty-Four

    1219 Words  | 5 Pages

    Freedom is slavery, Ignorance is strength,” (Orwell 6). George Orwell the author of Nineteen Eighty-Four, heavily influenced by the events of World War Two used these slogans in predicting what the world could become. Nineteen Eighty-Four is a novel set in a dystopian society however, it is rooted in much of world history during the 1900’s. By examining this history one becomes aware that George Orwell’s Nineteen Eighty-Four portrays the effects generated by the fear of World War Two and prophesizes what

  • The Hero's Journey In Nineteen Eighty-Four

    526 Words  | 3 Pages

    illustrate this stage in their literary works. The call to adventure focuses on the beginning of the hero’s journey. The character receives some form of information which initiates the instinct to act upon what they hear. For example, the novel Nineteen Eighty-Four occurs in a time period of where the state-government and Big Brother become the only things that really matter. The protagonist Winston Smith believes against the ideology of Big Brother but fears to display his honest opinion and considers

  • Totalitarianism In George Orwell's 'Nineteen Eighty-Four'

    1055 Words  | 5 Pages

    George Orwell’s dystopian Nineteen Eighty-Four: A Novel envisions a future world divided into three superstates, all typified by totalitarianism. Oceania, where the despotic Party rules supreme, is the panopticon superstate in which the novel takes place. The Party demands absolute conformity in both action and thought from all inhabitants, on threat of vaporization. Despite this dire consequence, the protagonist, Winston, remains undeterred in his ill-fated attempt to undermine the Party. A significant

  • Totalitarianism In George Orwell's Nineteen Eighty-Four

    1515 Words  | 7 Pages

    them. One of the newest coined phrases of this year, “Alternative Facts,” has made many people weary of the government’s truthful intentions. This case is similar to events in author George Orwell’s lifetime, which caused him to pen his novel, Nineteen Eighty-Four. He had similar thoughts towards a totalitarian-style

  • Symbolism In George Orwell's Nineteen Eighty-Four

    924 Words  | 4 Pages

    basis for the 20th century anarchism where he emphasizes the natural tendency of human being to rebel. “our first ancestors . . . [were endowed] with two precious faculties – the power to think and the desire to rebel” (Bakunin 1). For so long, Nineteen Eighty-Four has been an icon for rebels for the projection it provides of our fears, anxieties, and our gaged rage. Big Brother is extensively depicted as a clear symbol of

  • Methods Of Control In Nineteen Eighty-Four By George Orwell

    1110 Words  | 5 Pages

    In the novel Nineteen Eighty-Four by George Orwell, the idea of mechanisms of control plays a large part by which society functions. Seeing as how there is more than one way in which the methods of control restrict society in their ability to rebel. The reason being that so many methods of control are present is because I believe that certain ways in which the control is set out do not affect all people, hence the empowered party intends to introduce various ways such that all members of the current

  • Of Government Surveillance In George Orwell's Nineteen Eighty-Four

    1339 Words  | 6 Pages

    Imagine that the citizens are reminded of the lack of privacy continually. The government constantly watching and judging its citizens’ every move would cause them to lose their rights to privacy. Winston Smith, the protagonist in the novel Nineteen Eighty-Four by George Orwell, lives in a society where this kind of government surveillance is the norm. The government, formally known as the Party, is always watching its citizens for signs of rebellion. They watch the people through screens in their

  • George Orwell's Nineteen Eighty-Four 1984 Analysis

    1243 Words  | 5 Pages

    George Orwell’s Nineteen Eighty-Four is a pessimistic and dystopian novel. Throughout the novel we are shown a sense of oppression and totalitarianism. In the beginning of the novel Winston, who has a strong sense of individuality rebels against Big brother, who is the dictating party. He writes in big words in his diary “DOWN WITH BIG BROTHER.”(Orwell 2013: 36-37) At the end of the novel the party tortures and brainwashes Winston into accepting the ideals of the party. This shows what a horrific

  • Human Nature In Nineteen Eighty-Four And The Handmaid's Tale

    1031 Words  | 5 Pages

    ‘Positive characters … usually prove miserably ineffectual when contending with ruthless overwhelming powers’ claims Amin Malak, noting on such protagonists as Winston Smith and Offred in George Orwell’s Nineteen Eighty-Four and Margaret Atwood’s The Handmaid’s Tale, and, when looking at the dystopian genre as a whole, he certainly seems to be correct. Dystopian fiction does seem to portray the worse side of human nature than the better, leaving the positive traits to the struggling protagonists

  • Maze Runner And Nineteen Eighty Four: A Literary Analysis

    730 Words  | 3 Pages

    The Maze Runner by James Dashner and Nineteen Eighty Four by George Orwell are two novels with many contrasting ideas. Although both authors wrote their books to appeal to different time periods, Dashner and Orwell both develop the idea of the necessity of freedom throughout their novel. This idea is brought up in both novels by using extended metaphors to represent life, the illustration of authoritarian governments and the theme of hope. In The Maze Runner by James Dashner the maze is an extended

  • Repression Of The Id In George Orwell's Nineteen Eighty-Four

    1237 Words  | 5 Pages

    Control and Repression of the Id in George Orwell’s Nineteen Eighty-Four George Orwell’s Nineteen Eighty-Four is undoubtedly one of the foremost novels of the 20th century, portraying, in connection to the historical context of the time in which it was written, the ways of life in a dystopian, totalitarian society and the continuous struggle that goes on inside the human being, reprimanded even to the point of being dehumanized. Orwell reveals how, in order for such a society to be maintained, the

  • Intertextual Concern In Fritz Lang's Nineteen Eighty-Four

    1146 Words  | 5 Pages

    A comparative study of intertextual perspectives and contextual concerns in Fritz Lang’s film Metropolis and George Orwell’s novel Nineteen Eighty-Four enhances a responder’s appreciation of the power of literature to stimulate a sustained contemplation of transcendent values. Lang’s noncommittal and artistic portrayal of the dialectic between capitalist oppression and the proletariat revolution captures his deeply ambivalent attitude towards modernity and the social fragmentation of Weimar Germany

  • George Orwell's Nineteen Eighty-Four 1984

    933 Words  | 4 Pages

    In a totalitarian society ruled by one party, there is a man named Winston Smith. He works in the Ministry of Truth, where history is rewritten and distorted to please Big Brother’s interests. To escape the strict way of living, Winston begins writing a diary, which is an act punishable by death. Yet he’s determined to remain human under Big Brother’s tyranny. One day, In the cafeteria, Winston spots a member of the party named O'Brien whom he believes to be a part of the rebel group called the

  • Memory And History In Nineteen Eighty-Four By George Orwell

    1504 Words  | 7 Pages

    George Orwell’s novel Nineteen Eighty-Four depicts a dystopian totalitarian society and explores the interlinking concepts of time, memory and history through the examination of the ability to manipulate by censoring information and via propaganda. It also examines the power of memory and history in influencing and controlling people’s lives. This essay will explore these themes through the disillusioned protagonist Winston and his life under dictator rule. In the novel the Party controls every aspect

  • Big Brother In George Orwell's Nineteen Eighty-Four

    1639 Words  | 7 Pages

    eight and thirteen million victims tragically dying. Stalin’s purpose for these hideous acts were mainly for the increase in his personal power. Stalin was an inspiration for the character Big Brother in George Orwell’s fictional work known as Nineteen Eighty-Four which was published in 1949.

  • Analysis Of Privacy In George Orwell's Nineteen Eighty-Four

    739 Words  | 3 Pages

    Nineteen Eighty-Four, is a novel based upon a society where there’s little to no privacy. Big Brother has surveillance all over all areas so that he can keep eyes on every person at Oceania. George Orwell, the author of the novel states about how technology is used for surveillance purposes and getting into people 's personal lives. That is also what our society is undergoing at the moment and sad to say is working. “But you could not control the beatings of your heart and the telescreen was

  • Comparing Metropolis And Fritz Lang's Nineteen Eighty-Four

    1420 Words  | 6 Pages

    significant social and political upheaval as a consequence of rapid industrialisation, war, and extreme class disparity. The dangers of such regimes are explored in the futuristic, dystopian worlds of Fritz Lang’s, Metropolis and George Orwell’s, Nineteen Eighty-Four. Despite contrasting textual forms, these texts present a resounding message of the imminent dangers of the changing social