Orson Welles Essays

  • Analysis Of Human Nature In Orson Welles Movies

    1012 Words  | 5 Pages

    Orson Welles’ films portray the dark side of human nature. The motif of darkness is conveyed through still images, mood music, short, foreboding phrases, the conjuring of sinister ideas, and objects that represent darkness. A common theme that engulfs his movies is murder by gunshot. Many of the characters in his movies appear borderline psychopathic because of their inconsiderate tendencies. In the rare instances his characters did care for someone, it was only a lover and even then, they were only

  • Orson Welles Influence On The Film Industry

    1492 Words  | 6 Pages

    Kane (1941) with all the spotlights to his last work of classic film noir the Touch of Evil (1958). The contributions of Orson Welles (Orson Welles) on transiting the traditional Hollywood film style and developing the film noir in the 1940s is irreplaceable. The genre Film noir was well known for showing a degenerate and dark underground world. The masterpieces of Orson Welles for example the Citizen Kane(1941), The Lady from Shanghai (1948) and The Strangers (1946) all made significant contributions

  • Orson Welles Citizen Kane: The Great American Dream

    724 Words  | 3 Pages

    Orson Welles’ 1941 film noir Citizen Kane is an exploration of human condition and the effects on those who are closest to him through his pursuit of the Great American Dream. This is achieved by depicting widely upon the quest for happiness. He extends the life story of William Randolph Hearst, a non-fictional media tycoon and characterises Charles Foster Kane (Orson Welles) to imitate his life. The corrupting nature of power and wealth, unreliability of memory and isolation versus interventionalism

  • Orson Welles 'War Of The Worlds'

    817 Words  | 4 Pages

    defined them as such help to define the outcome of Orson Welles’ radio broadcast “War of the Worlds.” Welles’ broadcast was aimed to entertain the listeners and allow them to see the plot of the story from his perspective and create a sense of realism behind the broadcast. While, Welles’ intention was never to manipulate his listeners and produce a widespread panic, that is exactly the effect that it had for his listeners. Welles’ was able to

  • Moby Dick-Rehearsed: A Parody

    1142 Words  | 5 Pages

    Orson Welles is held in the minds of many as a notable film director and actor, but his work in other modes of storytelling is often overlooked. I intend in this paper to analyze one of those overlooked works, the play he authored and produced in London Moby Dick—Rehearsed, adapted from the novel. It is my intention to demonstrate that this work subscribes to what we may call Welles’s philosophy of storytelling in order to encompass his film, theatre, and radio works—he frames the story of the novel

  • Citizen Kane Montage Scene Analysis

    792 Words  | 4 Pages

    Citizen Kane From watching Citizen Kane, starring Orson Welles as Charles Foster Kane, a movie about a wealthy newspaper publisher can arguably be the greatest of all time, or at least a great movie for its time period to others. There’s several aspects to this movie that makes it a remarkable film, also a great example of a film that takes great risk for its time period with how they used the camera. What makes this a remarkable film would be; how they used lighting to shed focus of certain characters

  • Orson Welles Citizen Kane

    1945 Words  | 8 Pages

    To help create his debut film Citizen Kane, Orson Welles assembled a talented group of artists and technicians who together produced a film that redefined cinema forever. During the film’s production process, Welles himself stated that making a film “is the biggest electric train set any boy ever had.” By this he meant that the production studio was his playground and he intended to use every tool at his disposal. Starting from the film’s very first shot; he proves this to be true. As the film

  • Citizen Kane: The Most Controversial Film

    1026 Words  | 5 Pages

    representation, presented RKO a diminutive chance to wipe out the movie. When that attempt did not work, newspapers of the Hearst go aboard on an operation of denouncement in opposition to Welles, therefore demonstrating that the dishonesty of the press and the condemnation of the power in film were specifically the aim. Welles was not at all given a liberated hand to guide how he resembled for a second time and Cinema of America was underprivileged of one among the furthermost intellects to take up it as

  • Citizen Kane: A Biographical Film

    1054 Words  | 5 Pages

    expectation around it when it was first released in 1941. Citizen Kane was surrounded with various rumours of the movie being based on the real life story of the famous newspaper publisher William Randolph Hearst. However it was never clarified by Orson Welles that the movie was actually about Hearst so the movie could not just be branded a biographical movie. The genre of this film was hard for film critics and viewers to decipher. The closest description of a genre for this film would have to be a

  • Citizen Kane And The Social Network: Cinematic Analysis

    865 Words  | 4 Pages

    In 1941, Orson Welles directed a movie that many now consider to be the best movie ever made. With eight wins and twelve other nominations, Citizen Kane stars Welles himself, playing newspaper tycoon Charles Foster Kane, who was based on the real-life William Randolph Hearst. The story immediately begins with Kane’s death, and his last word sparks a wave of curiosity among journalists, leaving them to investigate the meaning of the mysterious “Rosebud.” During the film, the audience learns that Kane

  • Citizen Kane Film Analysis

    1389 Words  | 6 Pages

    Kylie Mawn Professor Rodais CINE 121 Midterm 4 March 2018 Question 1: Citizen Kane (Orson Welles, 1941) is a film that is well known for pushing cinematic boundaries in many ways. One commonly recognized technique in Welles’ film is deep focus photography. Deep focus photography is used in films to allow everything in a shot to be in focus at once. Typical, only specific characters or objects are in focus in any given frame in order to guide the audience’s attention in a scene, but deep focus can

  • Touch Of Evil Anthropology

    1668 Words  | 7 Pages

    once you get through the convoluted plot, there comes a greater impact, a stunning cinematic masterpiece from one of America‘s greatest directors, Orson Welles, directing one of his last Hollywood films. Recapturing the marvel and talent displayed by Welles’ best and early film, the infamous Citizen Kane (1941) made almost twenty years before. Welles skillfully weaves the camera and actors through a maze of shadows, sounds, and light. The opening sequence of Touch of Evil (1958) is magnificently

  • Citizen Kane Symbolism

    2362 Words  | 10 Pages

    Hearst, Welles, Kane... deconstructed... ménage a`trois Citizen Kane is considered by filmmakers and critics to be the greatest film of all time. Part of this lay in a young genius director using the means of production against one of America’s most wealthy media magnates, William Hearst. But Kane would have been forgotten had it not also been for the depth of characterization that Welles and Mankiewicz (screenwriter) brought to Kane as well as its original example of film art introducing a new style

  • Analysis Of Citizen Kane

    992 Words  | 4 Pages

    the culminating point of Orson Welles ' film making profession. For, in spite of the fact that Welles lived for over forty years taking after the arrival of Kane, he never succeeded in recovering the brightness or satisfying the guarantee of his first component. After his demise, the life of Charles Foster Kane - daily paper head honcho and all-round overwhelming American - is told from the point of view of the individuals who knew him.As Charles Foster Kane (Orson Welles), a newspaper tycoon dies

  • Citizen Kane Assassination Scene Analysis

    672 Words  | 3 Pages

    The film Citizen Kane written, produced, and starring Orson Welles is the most innovative film of the Hollywood cinema era. The use of verbiage, cinematography and real life events occurring during the time of the films release encompassed a vast amount of talent in its right which led to Orson Welles win of Best Original Screenplay at the 1942 Academy Awards. In the beginning of Citizen Kane we hear voice over narration to emulate a news anchor who gives vivid detail of Charles Foster Kane and

  • Citizen Kane 'Symbolism In Rosebud'

    289 Words  | 2 Pages

    One of the oldest and classic films in the beautiful world of cinema, Citizen Kane, has been released in 1941 by Orson Welles (Charles Foster Kane). Even though this film is an old movie, but its events, ideas, and mysteries are still on the lookout for the viewers to look at and figure out. When we talk about Citizen Kane, we are talking about a film with many ideas and a convergence of several symbols and inspirations that make the individuals think a lot about the purpose or meaning that the writer

  • Shot Analysis: Citizen Kane

    1038 Words  | 5 Pages

    Shot Analysis: Citizen Kane Orson Welles, director of “Citizen Kane”, is well known for his unusual directing methods that defied conventional cinematic techniques. Welles provided his audience with original forms of cinematography, narrative structures, and music. The scene I chose to analyze is extremely important to the plot of the film because Kane begins to realize that he is going through some serious financial problems. During the scene, Kane maintains a sarcastic mood, until he finally decides

  • Citizen Kane: Classic Hollywood Film

    510 Words  | 3 Pages

    classic Hollywood cinema mainly in the area of sound. Orson Welles was ahead of his time when he created his works of manipulating sound to transfer meaning in the film Citizen Kane. Welles used concealed hanging microphones to obtain different levels of sound throughout the film. The manner, in which the story was told, from Kane’s death flashbacked to his life of success and ultimate failure, was also a new style of storytelling for films. Welles also used symbolism with his last mumbling word “Rosebud

  • Citizen Kane: A Representation Of The American Dream

    1716 Words  | 7 Pages

    Introduction: Citizen Kane, directed by Orson Welles and released in 1941, is seen as one of the greatest filmic expressions of all time, which follows the life and transitioning of identity within Charles Foster Kane. Welles presents this satirical film which holds a mirror up to society to highlight its flaws within American ideals. In addition, the film is viewed to be one occupied with controversy, particularly with the focus of the American dream and the corruption of it, as well as the similar

  • How Did Citizen Kane Achieve The American Dream

    1604 Words  | 7 Pages

    mine under her name. In this scene, Mrs. Kane, her husband, and Thatcher are having a discussion on legal matters over the acquired wealth and Charles Kane. While most would use shallow focus to guide the audience to centralize on this conversation, Welles and Toland decided to use deep focus in order to also show Charles Kane playing outside in the snow. This was used to show that he has no control of what is going on, while Mrs. Kane, who is closest to the camera, has most of the power over this