Paquita Essays

Conclusion This study about Multiculturalism in Classical Ballet Companies Nowadays has revealed that multiculturalism is a complicated term. If multiculturalism can be denoted as the coexistence of diverse groups that share different cultural and ideological backgrounds, classical ballet companies can be defined as multicultural. Historically, already in the middle of the nineteenth century, when Marius Petipa emigrated to Saint-Petersburg and introduced in his masterpieces such as Swan Lake, the

I, Juan de Pareja, by Elizabeth Borton de Trevino, is about a 17th century Spanish slave named Juan de Pareja who overcomes multiple childhood hardships until becoming property to famous painter Diego Velazquez. De Pareja develops a friendship with Velazquez that leads to a life of happiness other masters never had let him enjoy; inevitably, he begins to notice and tries to reject his rising expectations for life. Soon enough, De Pareja wants to have certain human freedoms that he as a slave is not

Gertrudis; the manager of the ranch. Nancha’s brother – the one who had been asked by Tita to deliver her letter to Pedro. Pulque – a ranch dog who became a witness of Tita and Pedro’s love for each other. Tequila – the father of Pulques, the ranch dog. Paquita Lobo – De La Garza’s neighbor who thinks that Tita was drunk at the party and who thought that Tita was pregnant. Head groom – the man who is in-charge to deliver invitations of Rosaura and Pedro’s wedding. Chinaman – a crafty fellow who dealt with

The book I, Juan de Pareja took place during the 17th century in Spain, where Juan de Pareja was a slave. This was during the Renaissance where art was becoming more popular. Everyone at this time, then started to believe science and how everything works and focusing on themselves even more(humanism). Juan was enslaved for about 45 years but was then freed by his master Diego because he felt remorse he did not free him sooner. Another reason was that he developed sympathy and mutual affection for