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A Raisin In The Sun Film Analysis

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“A Raisin in the Sun,” written by Lorraine Hansberry in 1959, was the first play ever produced on Broadway by an African-American woman and was considered ground-breaking for it’s time. Titled after Langston Hughes’ poem “Harlem,” sometimes known as “A Dream Deferred,” the play and the subsequent film adaptations are honest examinations of race, family, poverty, discrimination, oppression and even abortion in urban Chicago after WWII. The original play was met with critical praise, including a review by Brooks Atkinson of the New York Times where he wrote, “For A Raisin in the Sun is a play about human beings who want, on the one hand, to preserve their family pride and, on the other hand, to break out of the poverty that seems to be their fate. Not having any axe to grind, Miss Hansberry has a wide range of topics to write about-some of them hilarious, some of them painful in the extreme.” The original screen adaptation released in 1961 was highly acclaimed in its own right, and was chosen in 2005 for preservation in the United States of America National Film Registry by the Library of Congress for its cultural and historical significance. While both stage and screen portrayals were highly acclaimed there are some similarities as well as some marked differences in each interpretation. On the surface, the first difference noted between the stage and screen versions are the sets. The stage version describes the setting of the play, the Younger family living room, as a
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