In Tennessee William’s’ play A Streetcar Named Desire, a major theme that is present is the desire to escape. In the play, Williams clearly tends to favor the real world of Stanley and Stella Kowalski, than the imaginary world of the unfortunate Blanche Dubois. He demonstrates that when the two worlds intersect, reality will smash the artificial world of illusion. The first evidence that proves Williams alliance with reality, is Blanche’s life before New Orleans, in Laurel. Blanche had fell in love and married a boy whom she thought of as perfect in every way. Unfortunately for her he is a homosexual. This intrusion of reality breaks up her dream image of her husband, and she tells him how he disgusts her. He then commits suicide,
Essential flaws are bound to be a part of people’s character. Flaws are a trait in human nature that everybody has because nobody is perfect. This play represents essential flaws in the way the 3 main characters express negative ways of being. In A Streetcar Named Desire, Tennesee Williams sketches many flaws that we encounter in ourselves and others in real life - Blanche’s desire for escapism, Stanley's incapability for sympathy and empathy, and Stella’s passivity. This affects each character’s interaction with another by keeping them from being able to connect with each other.
Manipulation can be used in both positive and negative ways. One example of manipulation being used would be when people are forming their identities. Individuals can make themselves appear a certain way to others. A Streetcar Named Desire explores the topic of identity, especially through a character named Blanche DuBois. As she continues to live with her sister, Stella, and brother-in-law, Stanley, Blanche’s identity becomes warped when she cannot manipulate people’s perceptions of her.
Tennessee Williams is acclaimed for his ability to create multi faced characters such as Blanche Dubois in the play, A Streetcar Named Desire. She comes to New Orleans after losing everything including her job, money, and her family’s plantation Belle Reve, to live with her sister Stella. During her time there she causes many conflicts with Stella’s husband Stanley and tries to get involved with the people there, all while judging them for their place in society, although she is imperfect too. Through her, Williams has created a complex character. She is lost, confused, conflicted, lashing out in sexual ways, and living in her own fantasies throughout the entirety of the play.
In the play A Streetcar Named Desire by Tennessee Williams, the main characters, Blanche Dubois and Stanley Kowalski, share a great dislike and distrust towards one another, ultimately becoming the basis for the story’s conflict. Their common contemption stems from their contrasting personalities and backgrounds, their incompatibility of being able to function under the same environment, and inability to adapt to the situations they find themselves in. Although Blanche detests Stanley and the manner in which he behaves in, she realises that he is a necessary part for Stella’s life in New Orleans, an environment that greatly differs from the southern aristocracy that Stella and Blanche once lived in. Blanche expresses this idea by stating, “Oh,
Tennessee Williams is one of the most recognized playwrights that lived during the mid-twentieth-century (“Tennessee Williams”). After finishing college, Williams decides to move to New Orleans, where he writes A Streetcar Named Desire. His career starts to take off as he begins to write more plays (“Tennessee Williams”). A Streetcar Named Desire talks about the life of a woman, Blanche DuBois, who is very secretive about her past and does not expose her true intentions of coming to live with her younger sister Stella. As the play goes on Stanley, Stella’s husband, starts to dig into the dark past that terrorizes Blanche when they begin to have a conflict with each other.
Tennessee Williams wrote “A Streetcar Named Desire” (Williams, 1947) It is based in New Orleans a new cosmopolitan city which is poor but has raffish charm. The past is representing old south in America 1900’s and present is representing new America post world war 2 in 1940’s. Past and present are intertwined throughout the play in the characters Stanley, Blanche, Stella and mitch. Gender roles show that males are the dominant and rule the house which Stanley is prime example as he brings home food and we learn of one time when he got cross and he smashed the light bulbs.
The Fight for Dominance In today’s society, gender norms convince men that unless they are able to control women, they are weak. Considered the inferior gender, women must find new ways to prove their own strength, whether it be through manipulation or their sexuality. The battle between the two continues as men strive to remain dominant, often by immoral means, and women attempt to gain the upper hand. In the screenplay, “A Streetcar Named Desire” by Tennessee Williams, the sexual tension and struggle for dominion between Blanche and Stanley is evident, and as the play continues, Blanche's promiscuity and Stanley's predatory nature foreshadow an inevitable confrontation.
The themes of violence and power in ‘A Streetcar Named Desire’ hold an important role in the criticism of 1940s American society. Conflicts perpetuated by violence and power, such as abusive relationships and violent oppression are projected through the characters within the play. Williams uses these conflicts to highlight his criticisms of faltering values and social norms, from the perspective of an individual constrained by the expectations of a strict, Southern society. To begin with, there is an indefinite violence between men and women within ‘A Streetcar Named Desire’. Stanley Kowalski, a focal character, is the epitome of male dominance and primitive aggression.
A Streetcar Named Desire Literary Analysis The late 1940’s were characterized by the emergence out of World War II that led to a dependence on the idea of The American Dream, which meant men were working harder to achieve a more comforting lifestyle and opportunity while women were still fighting the oppression of caused by unequal representation. This idealistic dream is illustrated throughout Tennessee Williams’ “A Streetcar Named Desire”, which has a rigid dichotomy between illusion and reality revealed throughout multiple characters and their dysfunctional lives that are a direct result between fantasy and actuality. Illusion is taken advantage of as an alternative to the unfair circumstances that the characters in “A Streetcar Named
A streetcar named desire was written by Tennessee Williams in 1947, in purpose to show the “declining of the upper class and the domination of the bourgeois middle class in the U.S.A. where the south agriculture class could not compete with the industrialization.” Blanche Dubois the protagonist of our story, a southern beauty that is trapped by the restrictive laws of her society. But she broke them, and eventually put herself in a state, where she had no job and no house. So she had to go to her sister, Stella and live with her and her sister’s husband, Stanley. While staying there, she created a façade for her to hide her flaws and kept acting as a lady, where she is anything but that.
Not only has Tennesse Williams portrayed Stella and Blanche to be seen as delicate and dependent, our own society has created this image but this not only affects how individuals see themselves but affects relationships immensely. Tennessee Williams reinforces the stereotype in which women are often the victims of unfortunate fate within the usage of the character Blanche. Throughout the whole play, we have witnessed Blanche being on the bitter end of life's miseries as she has encountered the tough loss of Belle Reve, dealing with her ex-husband's suicide and the loss of her relationship with Mitch. Arguably, the expectations and beliefs of women were either to be a housewife or a mother, whereas Blanche shows neither, as a result of automatically feeling out of place possibly leading to her downfall. Blanche was constantly fantasizing about the traditional values of a southern gentlemen, proving her dependence on this sex.
I. Vocabulary Effeminate- Adjective -(of a man) Having or showing characteristics regarded as typical of a woman; unmanly. (Pg 114) Repertoire- Noun - A stock of plays, dances, or pieces that a company or a performer knows or is prepared to perform. (Pg 130) Malarkey-
In A Streetcar Named Desire, the author Tennessee Williams exaggerates and dramatizes fantasy’s incapability to overcome reality through an observation of the boundary between Blanches exterior and interior conveying the theme that illusion and fantasy are often better than reality. Blanche, who hides her version of the past, alters her present and her relationship with her suitor Mitch and her sister, Stella. Blanche was surrounded by death in her past, her relatives and husband have passed away, leaving her with no legacy left to continue. The money has exhausted; the values are falling apart and she is alienated and unable to survive in the harsh reality of modern society. Throughout the novel Williams juxtaposed Blanche’s delusions with
In the play, Blanche loses her family 's estate, and goes to stay with her sister Stella. Stella lives with her husband Stanley. From the start of the play, the audience begins to notice Blanche and Stanley’s contrasted personalities. Williams uses symbolism to allow his characters to represent something stronger than themselves. Past and present are intertwined in A Streetcar Named Desire through Blanche and Stanley; Blanche represents the past: the Old South, aristocracy, and former sensitivity, while Stanley represents the present: the New South, the industrial class, and modern straightforwardness.
“A Streetcar Named Desire” is a very elegant film in which the Southern gothic culture is demonstrated profoundly. Tennessee Williams uses the characters in the play to bring about a sense of how corrupt society truly was in the 1940’s in the South. The 1940’s was marked by an immense amount of violence, alcoholism, and poverty. Women at the time were treated as objects rather than people. Throughout the play Tennessee Williams relates the aspects of Southern society to the characters in the play.