In conclusion, “A streetcar named Desire” by Tennessee Williams, uses characterization of the main characters to convey theme of the desire and how it can influence and change someone’s personality. Because of the situations and arguments the characters get in, Williams is able show how desperate the characters are to get what they want. Stanley was willing to put his wife and his baby’s lives at risk, only to prove that he was the man of the house. Blanche ruined her chance of getting married because her promiscuous past caught up with her. Tennessee Williams uses his upbringing to show the theme of male versus female in many of his plays and it especially shows in “A streetcar named Desire”.
Living her life in illusion, she lies to everyone in New Orleans, ultimately leading
Ronna was being used by Young and the rest of the group because Rob thought it was a good idea for Simon to take Ronna to the Favorites Dance instead of Young. “Rob asks Young to let Simon have his girlfriend Ronna; Young agrees to this because he feels him and Rob are connected because they were both betrayed by someone they trusted. Rob just doesn't have them break up, he makes Young let Ronna catch him with a girl who is very familiar with much of the male student body”(shobonimaster ’s journal). Boys can be very seductive when it comes to girls.
Only his dirty fingernails against my skin, only his sour smell again” (Cisneros, 123). She realizes, bitterly, that sex and love do not always mix, and that boys are not always
In the play A Streetcar Named Desire Williams frequently demonstrates illusion vs reality threw his main character Blanche. Blanche is coping with her past life by creating lies to cover up her mistakes, eventually like all lies the truth is brought to light causing Blanche to have a series of mental breakdowns,eventually causing her to be mentally unstable. She is then incapable of distinguishing reality from her own illusions and has tricked herself into her own game. Blanche is introduced to the audience wearing a beautiful white suit with a fluffy bodice, pearl necklace and earrings,white gloves and white hat.(Act 1, Scene 1, Pg.15).
In the beginning of the work, the reader is exposed to Blanche’s dishonest personality when she lies about drinking alcohol. As the play progresses it becomes more apparent that Blanche is hiding something. For example, Blanche does not go into great detail when Stanley asks about the letters in her trunk and her sumptuous outfits. Stanley catches on to Blanche’s secrets when a friend of his tells him about Blanche’s affairs at the Flamingo Hotel. Upon Blanche’s confrontation with Stanley, she denies all evidence against her and lies to conceal the truth.
Blanche, which is Stella 's older sister, arrives in New Orleans as a broken, arrogant, sensitive, and an obvious crumbling figure. Blanche was once married and very much in love with a young man who seemed to be very tortured. He committed suicide after she discovered that he was a homosexual man, and ever since suffering from regret and guilt! Blanche watched as her parents and relatives passed away. She had to endure many hard trials including watching foreclosure fall on their family estate!
Blanche Dubois Character Analysis Tennessee Williams’ play, A Streetcar Named Desire, is a well written play with a diverse cast of characters. The characters Williams focuses on in the play most include Blanche Dubois, Stanley Kowalski, Stella Kowalski, and Mitch. The story is about a young woman, Blanche Dubois, who is in her early thirties. She takes the summer to move in with her sister and brother-in-law. At this point, Blanche attempts to gather her life to produce a better future.
This novel focuses on a female heroine’s affairs and romanticized view of the world to create a disparity between her fantasy and reality. This story was notoriously made successful by the perceived obscenity of Flaubert’s message of adultery and vice that led to a court trial. The use of precise and evocative language in the text exemplifies to readers everywhere the pertinent and appalling features of the new middle-class from beginning to end. The bourgeoisie is satirically criticized of its weaknesses and failures in this provincial tragedy through Charles Bovary’s mediocrity, Emma Bovary’s ennui, Monsieur Homais’s conventionality, and Monsieur Lheureux’s
This is just the beginning of their relationship, and Catherine is already developing it into something much more meaningful without Frederic realizing it. Catherine is trying to protect herself from being hurt again and she’s not fooled by his answers, but she accepts them because she knows that the risk is worth it. She believes that she can change his lifestyle and make him into a loyal man like her fiancee once was. Frederic, on the other hand, isn’t ready to commit and thinks that Catherine is crazy, but he’s attracted to her and will say anything he can to sleep with her. Frederic is naive and initially doesn’t want to fall in love as he admits, “I knew I did not love Catherine Barkley nor had any idea of loving her.
In order to save both him and her embarrassment he tell the gangster that he quiets because she has no talent but he wouldn’t take no for an answer. The more time more the agent and the leading lady spend together the more they fall in love. Mine while once he find out she can’t sing the washed up