In Alice Walker’s story Everyday Use, she represents the conflicts and struggles of earlier African American women. Walker describes the differences between the two sisters, which later shows the differences of the women in the African American culture. This is important because the ways of one’s culture and heritage is important to everyday life. One sister seems to be more of a common woman than the other.
The mother, who is the narrator of the story states in the beginning “I will wait for her in the yard that Maggie and I made so clean and wavy…” “When the hard clay is swept clean as a floor…” (Walker 249) representing the differences of the arrangement of housing then and now. She compares herself and her girls to their surroundings and
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The mother says that “she used to read to us without pity; forcing words, lies, other folks’ habits” (Walker 251). Dee was always the one to want nicer things. Mama says “at sixteen she had a style of her own: and knew what style was” (Walker 251).
When Dee found a man figure, that was more relevant to her than her family, she changed her name. This, again, ruins the family tradition. Dee was named after her Aunt Dicie, who was named after her mother, Grandma Dee. Dee changed her name to “Wangero Leewanika Kemanjo” and wants to be called “Wangero.” Wangero’s, now, man began to judge her mother and gave her little sister Maggie a hard time. He seemed to be good for the family. When they sat to eat dinner he said he didn’t eat collards and the pork was unclean. This also, is ruining the tradition on African American culture.
Maggie’s mother promised her quilts for when she married, and when Dee found them she criticized Maggie and how she would put these quilts to use. All these years Dee looked past and their traditions and now all the sudden she wants to have a part of it. In reality she doesn’t deserved a single piece. Mama doesn’t back down from Dee and insists on her picking two different quilts. The quilts are going to be passed down to someone who will keep the tradition and heritage within themselves, and their
We all grow up and change, sometimes we try to forget everything we were taught. Dee is trying to be something she is not for the sake of being higher up. She changed so much that her sister and mother don’t recognized her anymore. She doesn’t understand African or American culture and she just want to take all the family possessions to store them and show them off. Her name was special and she changed it for a name that really has no meaning she even got that wrong because it means nothing.
Everyday Use and Sula are coming of age stories. They both illustrate times in people’s lives when they have to decide to how they are going to live with their past and themselves. The short story "Everyday Use", Alice Walker emphasizes the aspect of individuality. The story focuses on the lives of two sisters, Maggie and Dee.
Dee is also really selfish which makes her have tension between her family since she only cares about herself. Throughout the story, there were a lot of conflicts between Dee and her family which shows with the quilt incident, butter churn controversy and lastly different views on heritage. One of the main conflicts in Everyday Use is the quilt incident. The conflict started when Wangero (Dee) came out with two quilts that had been pieced by Grandma Dee and big Dee.
Maggie and her mother in, “Everyday Use” display the correct way to appreciate the greatness within a quilt. Acosta writes as if she was proving that the past is the past and needs to be experienced. Dee in, “Everyday Use” depicts a person who is just trying to use their heritage as a conversation starter or just to show off. In that way also showing that the education does not further you in the appreciation of your roots. Acosta discounts this in a way due to her saying that as she awoke, she wondered how the quilt was stitched.
She doesn 't know how hard life is with her sister and mother. Dee only cares about what she wants and she talks down on her family. She believes her sister could not use the quilts in a way she thought they should be used. " Maggie can 't appreciate these quilts!" she said.
These quilts are a ways of honoring her African American heritage and to be given these was very significant in their culture. For once Dee sees the historical background because of the stitching and material used, but doesn’t find any use in using them. Dee is going to try and convince her mom to let her keep the quilts, when Dee says, “Maggie can’t appreciate these quilts!” (Walker 721) and “You just will not understand. The point these quilts, these quilts!”
Throughout the story Mama describes both of the girls and how she feels about their differences, even though they are sisters and grew up in the same house. Maggie and Dee are different in their
She didn’t like her sister Maggie she also doesn’t like her mom allot and she didn’t like their house. From the main changes Dee made was changing her name. “No mama, she says not Dee, wangero Leewanik kemanjo “(Walker, 318, 25). She also brought her friend with her his name is Hakim-a-barber.
In attempts to reconnect with her African roots, Dee has changed her name to Wangero Leewanika Kemanjo. Dee has also taken an interest in embracing her African heritage and has dressed in traditional African clothes to visit her mother. Her mother knows that Dee’s intentions are not genuine. Worrying more about taking pictures of her mother and collecting items that represent the African culture to take back home, Dee neglects to spend time with her family. Her mother notices that Dee, “Lines up picture after picture of me sitting there in front of the house with Maggie cowering behind me.
Alice Walker wrote what Mama said about Dee or Wangero, “Dee wanted nice things.” Mama describes Dee as a lavish person who is only interested in herself and her fulfilling’s. Dee had changed her name to show that she is not accepting that a “white person” named her ancestors in way, so it can be passed down. Walker describes Mama as someone who is satisfied with what they have. “I will wait for her in the yard that Maggie and I made so clean and wavy yesterday afternoon,” Walker demonstrates how Mama is pleased with nature where her life takes place in.
“Maggie can’t appreciate these quilts! She said. “she’d probably be backward enough to put them to everyday use.” (walker). This shows that dee really wants the quilts but not for the reason her mother wants.
Mama wanted nothing but the best for her; she did everything in her power to get her to college because she wanted her to have a better life than she did. However, Dee used her education against Mama and Maggie in efforts to present her culture in a “better” way. Changing her name to Wangero because her birth name “Dee”, as she informed them “I couldn’t bear it any longer, being named after the people oppress me” (Walker 27). In contrast, Mama and Maggie never changed the way they dressed “African descent” or change their names to portray their true
Everyone defines and identifies themselves in different ways. Whether it’s by our names, our religion, or our sexuality, we all have something different that make us unique and that we identify ourselves as. In Alice Walker’s short story “Everyday Use,” an African American woman tells the story of her daughter Dee’s long awaited visit. Upon her arrival the mother and her other daughter, Maggie, discover some drastic changes in Dee: she has changed her name to Wangero, she has also arrived with a mysterious man who calls himself Asalamalakim, and has adopted an African style of dress; all of this in an effort to depict what she sees as her heritage. During the course of her visit, Dee tries to take several items important to her family’s heritage.
The character Dee represented in Walker 's story shows how easily one can completely depersonalize heritage while showing mannerisms of condescending nature. Dee’s name was in fact passed down from her grandmother and given to her as a symbol of respect for family and fondness for their grandmother. Dee completely oblivious to the nature of her given name simply changes it to what she believes is her authentic African name. “No, Mama,” she says, “Not Dee; Wangero Leewanika Kemanjo!”(492). Displaying the name in boastful temperament and parading it in front of her mother and sister.
Having done so, she goes on to highlight the ‘womanist’ culture. Afro-American tradition, for Mama, is symbolized by churn. It is a tradition of bonding, of mutual nurturance. Similarly, the symbol of quilt for Mama is not just a utilitarian item but a living tradition. Alice Walker, in fact, uses the imagery of the quilt to suggest what womanism is all about.