Be it the quiet Maggie or prideful Dee of “Everyday Use”, one can see traces of Alice Walker in them and where they diverge into their own characters. To begin with, like Dee, Walker too changed her name, but the only difference lies in the reason that Walker did it in honor of her great-grandmother and grandmother, becoming “Alice Tallulah-Kate Walker” in 1941 (Walker xvi). On the other hand, Dee changed it to incorporate her heritage, which ends up being facetious and insult to the African culture seeing as “Wangero is not a Kikuyu name, but Wanjiru is” (Hoel 37). To add on, Dee’s middle name is a mixture of names “representing the whole East African region. Or more likely, she is confused and has only superficial knowledge of Africa and all it stands for” (Hoel 37). …show more content…
This further deepens their differences, since Walker is an actual intellectual on African traditions and heritage, having lived and been in Africa, while Dee “styles and dresses herself according to the dictates of a faddish Africanism and thereby demonstrates a cultural Catch-22: an American who attempts to become an African succeeds only in becoming a phony” ( Cowart 171). Although, their intelligence makes them more similar than one thinks, also leading to the fact that they were able to rise from poverty and achieve “ the dream of the oppressed: [they have] escaped the ghetto ( Cowart 171). In the year of 1961, Walker was capable of graduating as valedictorian of her year from Butley-Baker High and becomes a college student at Spelman (Walker xi). The way in which Alice Walker is knowledgeable on developing characters similar to her, yet branch off into different directions surely is
Dee still has yet to educate her family but counties to make fun of them and chastise them about not having the cognitive ability that she us. Dee moved toward other traditions and went again her own traditions involving her on family, in resulting in quest if trying to link into her “African
Alice Walker, born February 9, 1944 in Eatonton Georgia, is an American writer whose novels, short stories, and poems are praised for their focus on African American culture, particularly on women (Britannica). Eudora Welty, born April 13, 1909, is an American short-story writer and novelist whose work is mainly focused on the regional etiquettes of people residing in a small Mississippi town that resembles her own birthplace (Britannica). Both Walker and Welty depict the use of animal imagery in their short stories ‘Everyday Use’ and ‘A Worn Path’. In her short story “Everyday Use”, Walker depicts the bonds among three women in rural Georgia. Walker relies on animal imagery to demonstrate important qualities of her characters.
The authors, Alice Walker and Toni Morrison, demonstrates how two women growing up together can lead to different point of views. In both stories, there is a woman – Sula in “Sula” and Dee in “Everyday Use” – returning home to find things the way they left them. Sula and Dee’s lives are considered very unconventional in comparison to their towns and families. In the case of Dee, she changed her name because, “I [She] couldn't bear it any longer, being named after people who oppress me." (Walker 1191)
Speaker: Alice Walker writes in a first person point of view. The speaker is a single mother who “never had an education” (Walker 49). She is a minority, and accepts the lower status: “Who can even imagine me looking a strange white man in in the eye?” (48). The mother refuses to challenge the people society deem as better than her.
Walker explains that one daughter whose name is Dee, was sent off to school. This education sent Dee to have a new found interest in her ancestry and to also change her name to Wangero. At the very same time
This story talks about a family that consists of the mother (narrator) and her two daughters’ (Dee and Maggie). In the story they never say anything about the father because he was dead. The main things that the story is revolving around is the heritage and how it is important, the relationship between the two sisters, how education makes a differences, and finally about how generations changed by time. Alice walker gave the mother an important character in the story and she tried to show us how the father has a very important part of any family.
In attempts to reconnect with her African roots, Dee has changed her name to Wangero Leewanika Kemanjo. Dee has also taken an interest in embracing her African heritage and has dressed in traditional African clothes to visit her mother. Her mother knows that Dee’s intentions are not genuine. Worrying more about taking pictures of her mother and collecting items that represent the African culture to take back home, Dee neglects to spend time with her family. Her mother notices that Dee, “Lines up picture after picture of me sitting there in front of the house with Maggie cowering behind me.
The short story, Everyday Use, is written by Alice Walker. This short story tells about the narrator, mama, and her daughter Maggie wait for a visit from Dee, mama’s older daughter. Throughout this short story, the reader can see the distraught relationship between mama and Dee. The reader can see how Dee is different than mama and Maggie; she thinks that she knows way more about her heritage than mama and Maggie, when she really does not. In the short story, Everyday Use, Walker uses imagery, symbolism, and point of view to show that heritage can only be understood when one is true to their roots.
Alice Walker wrote what Mama said about Dee or Wangero, “Dee wanted nice things.” Mama describes Dee as a lavish person who is only interested in herself and her fulfilling’s. Dee had changed her name to show that she is not accepting that a “white person” named her ancestors in way, so it can be passed down. Walker describes Mama as someone who is satisfied with what they have. “I will wait for her in the yard that Maggie and I made so clean and wavy yesterday afternoon,” Walker demonstrates how Mama is pleased with nature where her life takes place in.
This heritage that she seeks to connect to through her identity, is not something she truly understands. She has never lived in Africa and neither has any of her family, but she still believes that her new identity reflects who she truly is. She connects the various items passed through her family as part of her heritage, but has no idea of the meaning behind any of it. However, Mama and Maggie look at heritage much differently than Dee does; they look at it is as a long connection to their long gone family members that is always being expanded. Walker’s theme of identity is present in almost every aspect of her short
Alice Walker’s “Everyday Use” illustrates Dee’s struggle for identity by placing her quest for a new identity against her family’s desire for maintaining culture and heritage. In the beginning, the narrator, who is the mother of Dee, mentions some details about Dee; how she “...wanted nice things… She was determined to stare down any disaster in her efforts… At sixteen, she had a style of her own: and (she) knew what style was.” Providing evidence to the thesis, she was obviously trying exceptionally hard to find for herself a sense of identity. She wanted items her family couldn’t afford, so she worked hard to gain these, and she found a sense of identity from them, but it also pushed her farther away from her family.
The character Dee represented in Walker 's story shows how easily one can completely depersonalize heritage while showing mannerisms of condescending nature. Dee’s name was in fact passed down from her grandmother and given to her as a symbol of respect for family and fondness for their grandmother. Dee completely oblivious to the nature of her given name simply changes it to what she believes is her authentic African name. “No, Mama,” she says, “Not Dee; Wangero Leewanika Kemanjo!”(492). Displaying the name in boastful temperament and parading it in front of her mother and sister.
Alice Walker was a social activist, born in 1944. She is very popular for her novel “The Color Purple” that was published in 1982. Before that, she wrote “Everyday Use” in 1973. It is a short story about a family that branches out in their own way throughout the years. She shows us that the daughters were being directed into two different pathways.
The story is told from the point of view of their mother, Ms. Johnson, and it is from her that we learn about the difference in the sister’s characters. Dee, who changes her name to Wangero, is outspoken and is the educated sister. Maggie is shy and appears to be ashamed of the burns on her skin. “[Maggie] thinks her sister has held life always in the palm of one hand, that ‘no’ is a word the world would never learn to say to her” (Walker 6). This is important because, in the end, Dee does not get her way.
Dee approaches culture by decontextualising it, while Maggie and Mama relate to it with a kind of ‘organic criticality’. The former stance is mere rhetoric and the later one is womanist. In one of her interviews, Alice Walker identifies three cycles of Black Woman she would explore in her woman’s writing: 1.